A former actor who specialized in tough-guy roles was cleared of murder and weapons charges last Monday in the killing of an off-duty New York City police officer who was slain in a gunfight when he confronted two suspects in a burglary at a neighbor’s home in the Bronx three years ago.
The officer’s sister, Yolanda Rosa, said after the verdict, “What message is this sending out to New York police officers today?”
Police officers applauded Yolanda Rosa as she entered a Bronx courtroom at the trial of Lillo Brancato Jr. in connection with the killing of her brother, Daniel Enchautegui, who was an officer.
A State Supreme Court jury in the Bronx found the defendant, Lillo Brancato Jr., 32, guilty of first-degree attempted burglary, a felony, but said he was not culpable in the death of the officer, Daniel Enchautegui, who was shot by Mr. Brancato’s accomplice after a night of drinking and a search for drugs.
Under the law, a person is guilty of second-degree murder in a killing that occurs in the commission of another felony. But the law provides for mitigating circumstances in a defense. In Mr. Brancato’s case, the jury apparently accepted his contention that he did not directly participate in the killing, was not armed and did not know that his accomplice had a gun. The jurors left without commenting on their verdict.
The accomplice, Steven Armento, 51, was convicted by another Bronx jury on Oct. 30 of first-degree murder in firing the fatal shot into Officer Enchautegui’s chest. He was sentenced last month to life in prison without the possibility of parole.
Mr. Brancato faces 3 to 15 years in prison for attempted burglary, but has been incarcerated for more than three years since his arrest and could be credited with that time. Justice Martin Marcus set sentencing for Jan. 9.
Mr. Brancato, a slight man in a dark gray pinstriped suit and a maroon tie over a white shirt, stood with eyes closed and hands clasped as the verdict was read. Afterward, he patted his lawyer, Joseph Tacopina, on the back before court officers handcuffed him and led him out. His mother sobbed.
Mr. Tacopina, surrounded by members of Mr. Brancato’s family, later called the officer’s death a tragedy, but said, “It would have been a bigger tragedy to convict Lillo for something he didn’t do.” He said a minimum sentence “would be appropriate.”
Officer Enchautegui’s sister, Yolanda Rosa, was grim. “I waited three long years for this,” she said. “I’m disappointed. What message is this sending out to New York police officers today?”
Officers who had attended the trial sat in silence. “We’re obviously frustrated today that the jury did not see what was plain and simple,” said Patrick J. Lynch, the president of the Patrolmen’s Benevolent Association. “This would not have happened if it was not for him. We’re asking today that this judge sentence him to the max of 15 years.”
Police Commissioner Raymond W. Kelly said, “On this day of disappointments in court, we hope that the family and friends of Daniel Enchautegui find some comfort in the fact that at least one in the pair responsible for his death was convicted of murder.”
The case had drawn wide attention, not only because of the actions of the officer, who confronted and shot both burglars despite being mortally wounded, but also because of Mr. Brancato’s background as a moderately successful actor who had appeared in “The Sopranos”; Robert De Niro’s 1993 coming-of-age film, “A Bronx Tale”; and a dozen other films, often as an aspiring mobster.
In a trial that began on Nov. 24, prosecutors charged that Mr. Brancato and Mr. Armento, residents of Yonkers who were winding up a night of drinking in the early hours of Dec. 10, 2005, went to a house on Arnow Place in Pelham Bay to get drugs from a friend who had provided them before. But the friend, Kenneth Scovotti, had died months earlier and the doors were locked.
The second-degree murder charge appeared to turn on what Mr. Brancato did next. Prosecutors said he kicked in a basement window, trying to commit a burglary, which exposed him to guilt on the murder charge. But Mr. Tacopina contended that Mr. Brancato was unaware Mr. Scovotti was dead, assumed he was asleep, and broke the window accidentally when he kicked it to get Mr. Scovotti’s attention. He said the men did not enter, but went to another friend’s home nearby seeking drugs. Failing that, they returned to the previous house.
By then, Officer Enchautegui, 28, who lived in a basement apartment next door, had heard glass breaking and called 911, was outside. He had drawn his pistol, a Kahr semiautomatic, and confronted the suspects, shouting, “Don’t move! Don’t move!” according to prosecutors.
They said that Mr. Armento, who had a record for burglary and weapons and drug possession, fired his gun, a .357 Magnum, first, striking the officer once in the left chest. The officer returned fire, striking both suspects, who were captured by arriving officers.
Mr. Brancato testified that he did not know how a screen on the ground came to be removed from the window and that neither he nor Mr. Armento had worn the latex gloves that investigators found at the scene. Experts testified that both men’s DNA were on the gloves.
Mr. Tacopina said after the verdict that his client was being treated for drug addiction and had found a “second chance in life.”
Thanks to Robert D. McFadden
Showing posts with label Sopranos. Show all posts
Showing posts with label Sopranos. Show all posts
Monday, December 29, 2008
Tuesday, December 02, 2008
Perfect Holiday Gift for Your Mob Aficionado
THE SOPRANOS: THE COMPLETE SERIES
Why? Because you have “Moby-Dick” in your library, don’t you? Individual seasons of “The Sopranos” are available, of course, but this set, just released, brings together all 86 episodes on 28 discs, with the added value of a conversation between Alec Baldwin and David Chase. (Mr. Baldwin had hoped for a role but never got one.) Other features include a photo album, CD soundtracks and a filmed dinner with cast members. For $399.99, and especially in the current climate, we might want the recipes for every plate of veal Carmella ever produced — no, actually, the veal itself — but still, a complete set of one of the greatest series television has ever produced seems to fall in the ranks of cultural essentials. (HBO Video, $399.99.)
Why? Because you have “Moby-Dick” in your library, don’t you? Individual seasons of “The Sopranos” are available, of course, but this set, just released, brings together all 86 episodes on 28 discs, with the added value of a conversation between Alec Baldwin and David Chase. (Mr. Baldwin had hoped for a role but never got one.) Other features include a photo album, CD soundtracks and a filmed dinner with cast members. For $399.99, and especially in the current climate, we might want the recipes for every plate of veal Carmella ever produced — no, actually, the veal itself — but still, a complete set of one of the greatest series television has ever produced seems to fall in the ranks of cultural essentials. (HBO Video, $399.99.)
Tuesday, November 18, 2008
Police Murder Trial Begins for Actor from The Sopranos
Lillo Brancato Jr, 32, appeared in six episodes of the mafia television series before his character, Matt Bevilaqua, was killed off. However, prosecutors argue that his mafia links continued when he befriended Steven Armento, a reputed member of the Genovese crime family who had been thrown out of the organisation over his drug addiction.
Brancato had enjoyed a promising film career after being "spotted", aged 15, on a New York beach by the casting director for A Bronx Tale, in which the young actor appeared with Robert de Niro. But his life reportedly took a nosedive as he was involved in two drug-related arrests and, finally, with the killing in 2005 of Daniel Enchautegui, a New York police officer.
Prosecutors allege that Brancato drove himself and Armento to the home of Mr Enchautegui's next-door neighbour, where they began stealing prescription drugs.
When confronted by the policeman, Armento shot him. Both Armento and Brancato were wounded.
Armento, 48, was convicted of first-degree murder and sentenced last week to life in prison without parole.
However, Brancato's lawyers claim his case is different. "Lillo didn't have a gun. Nor did he know anyone had a gun. Lillo wasn't burglarising anyone's home," said Joseph Tacopina, his lawyer. "It's a tragic case, it's tragic in a lot of ways. But that doesn't mean he's behind the crime."
Brancato denies second-degree murder and other charges in the trial, for which jury selection has begun.
Family and friends have said he is a good man with a drug problem, who was in the wrong place at the wrong time.
"He obviously had problems he kept well hidden, but that doesn't mean he should be held accountable for the actions of the man he was with, especially if that man was under the influence," said Chris Tardio, who also appeared in The Sopranos.
Thanks to Tom Leonard
Brancato had enjoyed a promising film career after being "spotted", aged 15, on a New York beach by the casting director for A Bronx Tale, in which the young actor appeared with Robert de Niro. But his life reportedly took a nosedive as he was involved in two drug-related arrests and, finally, with the killing in 2005 of Daniel Enchautegui, a New York police officer.
Prosecutors allege that Brancato drove himself and Armento to the home of Mr Enchautegui's next-door neighbour, where they began stealing prescription drugs.
When confronted by the policeman, Armento shot him. Both Armento and Brancato were wounded.
Armento, 48, was convicted of first-degree murder and sentenced last week to life in prison without parole.
However, Brancato's lawyers claim his case is different. "Lillo didn't have a gun. Nor did he know anyone had a gun. Lillo wasn't burglarising anyone's home," said Joseph Tacopina, his lawyer. "It's a tragic case, it's tragic in a lot of ways. But that doesn't mean he's behind the crime."
Brancato denies second-degree murder and other charges in the trial, for which jury selection has begun.
Family and friends have said he is a good man with a drug problem, who was in the wrong place at the wrong time.
"He obviously had problems he kept well hidden, but that doesn't mean he should be held accountable for the actions of the man he was with, especially if that man was under the influence," said Chris Tardio, who also appeared in The Sopranos.
Thanks to Tom Leonard
Friday, November 14, 2008
Ten Commandments of the Mafia
All things being equal, Tony Soprano probably had it right: “There is no Mafia!” the bear-like mob boss snapped to his inquisitive teen daughter, Meadow, in one of the first episodes of The Sopranos.
In the next breath, in a rare show of paternal trust, Tony allowed, “Some of my money comes from illegal gambling and whatnot.” But he insisted that he worked in waste management, which was true, in a way. Tony just had a hazy job description.
Somewhere in that father-daughter moment was the reality of the modern-day wise guy. There is no Mafia, never has been, but someone is still running the rackets in New Jersey and bodies still turn up in the Meadowlands.
Like so many real-life examples, Tony Soprano had a second family that came before his own wife and kids. Tony belonged to a secret social club, of sorts, referred to as “this thing of ours.” The biggest scam ever perpetrated by the Mafia was convincing its members that it never existed.
Mob life appears real in the new documentary Ten Commandments of the Mafia (Sunday, Discovery at 8 p.m.). Every good club has its rules.
A smart pickup from the U.S. Discovery channel, the program follows on a news story that drew headlines last year: In the hills of Palermo, Italian police swarmed the hideout of the allegedly highly ranked Mafia kingpin Salvatore Lo Piccolo, who was arrested with his son, Sandro, and two other reputed godfathers at a secret mob palaver. The film includes footage of the SWAT takedown; the cops wear ski masks to protect their identity.
The big news: In Mr. Lo Piccolo's belongings, police found a document, typed in plain Italian, supposedly detailing the 10 commandments of the Mafia. An initiation script of sorts, the document included the vow of admission into the Sicilian crime family: “I swear to be faithful to Cosa Nostra. If I should betray it, my flesh must burn, just as this image burns.” The sombre initiation ceremony has been depicted on The Sopranos and in movies dating back to The Valachi Papers.
In forensic fashion, the film parallels the list against true-crime stories, as related by law-enforcement officials and a fairly impressive lineup of felons.
The program includes interviews with former Colombo crime family capo Michael Franzese and one-time mob insider Henry Hill, whose life was chronicled in the 1990film Goodfellas. There are also interviews with former wise guys who prefer to keep their faces hidden. All the men are currently in the witness-protection program and would be considered “rats” in mob parlance.
The code itself is fascinating in its crudeness. Some of the rules are obtuse, and poorly penned. No. 10: “People who can't be part of Cosa Nostra are anyone with a close relative in the police, with a two-timing relative in the family, anyone who behaves badly and doesn't hold to moral values.”
Some of the commandments should be obvious to any respectable waste-management executive. No. 6: “Appointments must be respected.” Or No. 3: “Never be seen with cops.”
Revealing its old worldness, the list includes no less than three very important rules regarding the woman's place in the Mafia. No. 7: “Wives must be treated with respect.” No. 2: “Never look at the wives of friends.” And most tellingly, No. 5: “Always be available for Cosa Nostra, even if your wife's about to give birth.”
In between each commandment, the film explores the history of mob hierarchy and explains the titles of boss, underboss, captain and other mob rankings. Not so remarkably, the program confirms that most of the Mafia commandments seem to apply today, with the usual bending.
The Mafia has always held a convenient don't-ask-don't-tell policy. Members steal, cheat and murder in pursuit of monetary gain (were Mafia elders kidding with Commandment No. 9?: “Money cannot be appropriated if it belongs to others or to other families”), all the while pretending to adhere to an archaic code of honour. Perhaps most ludicrous is Commandment No. 8: “When asked for any information, the answer must be the truth.” Even the Mafia rule on lying is a lie.
For that matter, mob code still forbids the dealing of drugs, but the Mafia allegedly controls the billion-dollar global drug trade. Says one former wise guy with a shrug in the shadows: “As long as you're bringing in bagfuls of money, you can break any rule you want.”
And imagine the money set to roll in with the release of The Sopranos: The Complete Series, which landed in stores on Tuesday. Retailing at around $300, the DVD collection tops the price previously set by box sets of Six Feet Under and Sex and the City. Will Sopranos fans shell out the money? Does Paulie Walnuts wear white loafers?
In keeping with the template created by The Godfather and The Godfather Part II (both films air around the clock this weekend on AMC, starting Saturday at 8 p.m.), The Sopranos is a fictional mob saga steeped in realness. The Emmy-winning series has only expanded its zeitgeist since ending in 2006, courtesy of marathon broadcasts on A&E. Even with trimmed scenes and freakin' language adjustments, The Sopranos is still the “greatest show in TV history,” according to Vanity Fair.
Like Tony himself, the box set is bulky and imposing. Packaged in a black box and housed in a hefty coffee-table-type book, the box set features all 86 Sopranos episodes on 33 discs. All six seasons have been made previously available in DVD box sets; the draw this time is the staggering assortment of extra features.
All told, the master collection boasts 31/2 hours of bonus materials. Along with the deleted scenes, episodic commentary and soundtrack CDs, the box set features an extended interview with creator David Chase conducted by Alec Baldwin; a documentary titled Supper with the Sopranos, wherein cast members discuss the contentious series finale; and a collection of Sopranos spoofs that appeared on The Simpsons, MADtv and Saturday Night Live.
The tastiest bonus feature is The Whacked Sopranos, an hour-long filmed version of an event held last year at the Museum of Television and Radio in New York. The lively panel discussion brings together five actors who came to untimely ends on the mob drama.
The unlucky group includes Steve Buscemi (Tony Blundetto), Vincent Pastore (Big Pussy) and Drea de Matteo, who went from playing the doomed moll Adriana to a lead role in the ill-fated Friends' spinoff Joey. “They killed me on HBO, and then I went to NBC to commit complete suicide,” de Matteo says. And none of the dearly departed seem particularly surprised that their respective demises barely registered with Chase, the real Godfather of The Sopranos. “It's not a big deal to me,” Chase says simply. “These are not real people.”
Thanks to Andrew Ryan
In the next breath, in a rare show of paternal trust, Tony allowed, “Some of my money comes from illegal gambling and whatnot.” But he insisted that he worked in waste management, which was true, in a way. Tony just had a hazy job description.
Somewhere in that father-daughter moment was the reality of the modern-day wise guy. There is no Mafia, never has been, but someone is still running the rackets in New Jersey and bodies still turn up in the Meadowlands.
Like so many real-life examples, Tony Soprano had a second family that came before his own wife and kids. Tony belonged to a secret social club, of sorts, referred to as “this thing of ours.” The biggest scam ever perpetrated by the Mafia was convincing its members that it never existed.
Mob life appears real in the new documentary Ten Commandments of the Mafia (Sunday, Discovery at 8 p.m.). Every good club has its rules.
A smart pickup from the U.S. Discovery channel, the program follows on a news story that drew headlines last year: In the hills of Palermo, Italian police swarmed the hideout of the allegedly highly ranked Mafia kingpin Salvatore Lo Piccolo, who was arrested with his son, Sandro, and two other reputed godfathers at a secret mob palaver. The film includes footage of the SWAT takedown; the cops wear ski masks to protect their identity.
The big news: In Mr. Lo Piccolo's belongings, police found a document, typed in plain Italian, supposedly detailing the 10 commandments of the Mafia. An initiation script of sorts, the document included the vow of admission into the Sicilian crime family: “I swear to be faithful to Cosa Nostra. If I should betray it, my flesh must burn, just as this image burns.” The sombre initiation ceremony has been depicted on The Sopranos and in movies dating back to The Valachi Papers.
In forensic fashion, the film parallels the list against true-crime stories, as related by law-enforcement officials and a fairly impressive lineup of felons.
The program includes interviews with former Colombo crime family capo Michael Franzese and one-time mob insider Henry Hill, whose life was chronicled in the 1990film Goodfellas. There are also interviews with former wise guys who prefer to keep their faces hidden. All the men are currently in the witness-protection program and would be considered “rats” in mob parlance.
The code itself is fascinating in its crudeness. Some of the rules are obtuse, and poorly penned. No. 10: “People who can't be part of Cosa Nostra are anyone with a close relative in the police, with a two-timing relative in the family, anyone who behaves badly and doesn't hold to moral values.”
Some of the commandments should be obvious to any respectable waste-management executive. No. 6: “Appointments must be respected.” Or No. 3: “Never be seen with cops.”
Revealing its old worldness, the list includes no less than three very important rules regarding the woman's place in the Mafia. No. 7: “Wives must be treated with respect.” No. 2: “Never look at the wives of friends.” And most tellingly, No. 5: “Always be available for Cosa Nostra, even if your wife's about to give birth.”
In between each commandment, the film explores the history of mob hierarchy and explains the titles of boss, underboss, captain and other mob rankings. Not so remarkably, the program confirms that most of the Mafia commandments seem to apply today, with the usual bending.
The Mafia has always held a convenient don't-ask-don't-tell policy. Members steal, cheat and murder in pursuit of monetary gain (were Mafia elders kidding with Commandment No. 9?: “Money cannot be appropriated if it belongs to others or to other families”), all the while pretending to adhere to an archaic code of honour. Perhaps most ludicrous is Commandment No. 8: “When asked for any information, the answer must be the truth.” Even the Mafia rule on lying is a lie.
For that matter, mob code still forbids the dealing of drugs, but the Mafia allegedly controls the billion-dollar global drug trade. Says one former wise guy with a shrug in the shadows: “As long as you're bringing in bagfuls of money, you can break any rule you want.”
And imagine the money set to roll in with the release of The Sopranos: The Complete Series, which landed in stores on Tuesday. Retailing at around $300, the DVD collection tops the price previously set by box sets of Six Feet Under and Sex and the City. Will Sopranos fans shell out the money? Does Paulie Walnuts wear white loafers?
In keeping with the template created by The Godfather and The Godfather Part II (both films air around the clock this weekend on AMC, starting Saturday at 8 p.m.), The Sopranos is a fictional mob saga steeped in realness. The Emmy-winning series has only expanded its zeitgeist since ending in 2006, courtesy of marathon broadcasts on A&E. Even with trimmed scenes and freakin' language adjustments, The Sopranos is still the “greatest show in TV history,” according to Vanity Fair.
Like Tony himself, the box set is bulky and imposing. Packaged in a black box and housed in a hefty coffee-table-type book, the box set features all 86 Sopranos episodes on 33 discs. All six seasons have been made previously available in DVD box sets; the draw this time is the staggering assortment of extra features.
All told, the master collection boasts 31/2 hours of bonus materials. Along with the deleted scenes, episodic commentary and soundtrack CDs, the box set features an extended interview with creator David Chase conducted by Alec Baldwin; a documentary titled Supper with the Sopranos, wherein cast members discuss the contentious series finale; and a collection of Sopranos spoofs that appeared on The Simpsons, MADtv and Saturday Night Live.
The tastiest bonus feature is The Whacked Sopranos, an hour-long filmed version of an event held last year at the Museum of Television and Radio in New York. The lively panel discussion brings together five actors who came to untimely ends on the mob drama.
The unlucky group includes Steve Buscemi (Tony Blundetto), Vincent Pastore (Big Pussy) and Drea de Matteo, who went from playing the doomed moll Adriana to a lead role in the ill-fated Friends' spinoff Joey. “They killed me on HBO, and then I went to NBC to commit complete suicide,” de Matteo says. And none of the dearly departed seem particularly surprised that their respective demises barely registered with Chase, the real Godfather of The Sopranos. “It's not a big deal to me,” Chase says simply. “These are not real people.”
Thanks to Andrew Ryan
Tuesday, September 30, 2008
Junior Gotti Awakens Mob Ghosts in Tampa
The ghosts of Tampa's old-time wiseguys awakened this summer when Mafia scion John "Junior" Gotti came to town in handcuffs, accused of pulling the strings in a bunch of classic mobster crimes.
The federal indictment against him reads like a plot summary for "The Sopranos." The 44-year-old Gotti — son of the late "Dapper Don" of the notorious Gambino crime family — allegedly had his fingers in everything: whacking rivals, trafficking cocaine, bribery, kidnapping and money-laundering. Earlier convictions show Gambino crews have worked for years to get a foothold in the Tampa area's criminal underworld.
If the charges against Gotti are true, then he was a Johnny-come-lately to organized crime around here.
The fabric of the Tampa region's history is richly woven with stories of ruthless gangsters who first grabbed control of illegal gambling and liquor distribution during Prohibition, executed rivals with point-blank shotgun blasts, bribed public officials, controlled the narcotics trade and eventually broadened their influence across the Sunshine State and pre-Castro Cuba.
They were menacing, old-school mobsters who went by nicknames like "The Hammer," "Scarface," "Cowboy," "The Fat Man," "The Colonel," "Big Joe" and "Silent Sam."
Infamous in the city's lore is the "Era of Blood," when 25 gangsters were gunned down on the streets as Italian, Cuban and Anglo underworld factions battled for power from the 1920s to the '50s. And a Godfather-like legend surrounds Tampa-born crime boss Santo Trafficante Jr., who took over the Sicilian Mafia in Florida from his father in 1954 and built a criminal empire that was the envy of mob families across the country.
"Trafficante was the boss of Florida," says Joseph D. Pistone, a former FBI agent whose six years undercover with the mob were chronicled in the 1997 Johnny Depp movie "Donnie Brasco." "Miami was an open city, like Las Vegas. But if you operated in Tampa or other parts of the state, you had to go through Trafficante."
During his last two years with Dominick "Sonny Black" Napolitano's Bonanno family crew, Pistone came to Florida often to help broker an alliance with Trafficante, whose blessing was needed for the Brooklyn crew to operate an illegal gambling joint northwest of Tampa. The eventual FBI takedown of the Kings Court club in 1981 is depicted in "Donnie Brasco."
In another movie, "Goodfellas" (1990), New York gangsters played by Ray Liotta and Robert De Niro come to Tampa in 1970 and put the screws to a guy who won't pay his gambling debts. He finally agrees to pay up after they take him to the city zoo and threaten to feed him to the lions.
That all really happened — except for the lion part. Lucchese family soldiers Henry Hill and Jimmy Burke just gave the welcher an old-fashioned beating, ending up at a dingy north Tampa bar that still stands across the street from the Busch Gardens amusement park. But it's true that the beaten bettor had a sister who worked in the Tampa FBI office, which led to arrests and prison terms for the two wiseguys.
That's trivia that few but Scott Deitche remember. He literally wrote the book on Tampa's organized crime history — called "Cigar City Mafia: A Complete History of the Tampa Underworld" — and followed it up last year with a Trafficante biography
.
Miami might be more associated with mob activity, but Deitche says organized crime in Florida is firmly rooted in Tampa, where Cuban, Spanish and Italian immigrants established communities in the city's cigar-making center of Ybor City in the early 20th century. One of the early rackets was bolita, a popular, low-stakes lottery game.
"You had drugs, prostitution, rum-running, bootlegging during Prohibition, some alien smuggling, but bolita was the main moneymaker," says Deitche over lunch recently at Ybor City's historic Columbia restaurant — a favorite dining spot of Trafficante and a host of mobsters over the years.
"Through bolita you got into corruption of the local government, corruption of the sheriff's department," he says. "So from there you really saw the emergence of the Italian Mafia, and the Italian Mafia eventually eclipsed all the other ones."
Howard Abadinsky, an organized-crime expert who teaches a class on the subject at St. John's University, says the growth of organized crime in Florida mirrored what was happening in society at-large. There was opportunity and money to be made in Florida, attracting not only aboveboard entrepreneurs but mobsters from the five New York Mafia families as well. Many bought houses and lived here for part of the year.
"The mob moved to Florida just like legitimate people," Abadinsky says. "There was plenty of money for everyone."
But it was the soft-spoken, even-tempered Trafficante — known as the "Silent Don" — who put the mob on the map in Florida. He also became the most influential Mafia figure in Cuba, running hotels and casinos, buying up property and laundering money through the island before Fidel Castro came to power in 1959 and kicked him out.
Trafficante, in public hearings, acknowledged cooperating with secret U.S. government efforts to kill Castro. And his name is often mentioned in a conspiracy theory surrounding President John F. Kennedy's assassination, but he vehemently denied having anything to do with it. He never spent a night in an American jail.
Trafficante's death after heart surgery in 1987 ended the Mafia's heyday in Florida, but the experts say it hasn't been snuffed out. A 2006 federal trial in Tampa exposed the activities of a Gambino crew led by capo Ronald Trucchio, who because of a deformed limb was known by the nickname "Ronnie One-Arm."
His crew was accused of a slew of wiseguy crimes, including trying to control the lucrative valet parking business in Tampa. He and three other Gambino associates were convicted of racketeering and conspiracy to commit extortion, with Trucchio getting life in prison.
Now comes Junior Gotti, who was arrested at his Long Island home in August and hauled to Tampa. His attorney scoffs at the charges, saying the feds have mounted an "epic quest" to take Gotti down after failing to convict him in three federal trials in New York. Gotti says he retired years ago from the criminal life and has pleaded not guilty to the Tampa charges. He remains jailed without bond pending a trial, which could happen sometime next year.
Abadinsky says the mob is still around, in Florida, New York and elsewhere, but it's a shadow of its former self. Gangsters today don't wield the power, control the unions or have the political connections of their predecessors.
While the "The Sopranos," the wildly popular HBO TV series about a New Jersey mob family, was a great recruiting tool for the Mafia, there are fewer young men willing to take up the life these days, Abadinsky says.
"The new guys," he says, "are whole lot less interesting."
Thanks to Mitch Stacy
The federal indictment against him reads like a plot summary for "The Sopranos." The 44-year-old Gotti — son of the late "Dapper Don" of the notorious Gambino crime family — allegedly had his fingers in everything: whacking rivals, trafficking cocaine, bribery, kidnapping and money-laundering. Earlier convictions show Gambino crews have worked for years to get a foothold in the Tampa area's criminal underworld.
If the charges against Gotti are true, then he was a Johnny-come-lately to organized crime around here.
The fabric of the Tampa region's history is richly woven with stories of ruthless gangsters who first grabbed control of illegal gambling and liquor distribution during Prohibition, executed rivals with point-blank shotgun blasts, bribed public officials, controlled the narcotics trade and eventually broadened their influence across the Sunshine State and pre-Castro Cuba.
They were menacing, old-school mobsters who went by nicknames like "The Hammer," "Scarface," "Cowboy," "The Fat Man," "The Colonel," "Big Joe" and "Silent Sam."
Infamous in the city's lore is the "Era of Blood," when 25 gangsters were gunned down on the streets as Italian, Cuban and Anglo underworld factions battled for power from the 1920s to the '50s. And a Godfather-like legend surrounds Tampa-born crime boss Santo Trafficante Jr., who took over the Sicilian Mafia in Florida from his father in 1954 and built a criminal empire that was the envy of mob families across the country.
"Trafficante was the boss of Florida," says Joseph D. Pistone, a former FBI agent whose six years undercover with the mob were chronicled in the 1997 Johnny Depp movie "Donnie Brasco." "Miami was an open city, like Las Vegas. But if you operated in Tampa or other parts of the state, you had to go through Trafficante."
During his last two years with Dominick "Sonny Black" Napolitano's Bonanno family crew, Pistone came to Florida often to help broker an alliance with Trafficante, whose blessing was needed for the Brooklyn crew to operate an illegal gambling joint northwest of Tampa. The eventual FBI takedown of the Kings Court club in 1981 is depicted in "Donnie Brasco."
In another movie, "Goodfellas" (1990), New York gangsters played by Ray Liotta and Robert De Niro come to Tampa in 1970 and put the screws to a guy who won't pay his gambling debts. He finally agrees to pay up after they take him to the city zoo and threaten to feed him to the lions.
That all really happened — except for the lion part. Lucchese family soldiers Henry Hill and Jimmy Burke just gave the welcher an old-fashioned beating, ending up at a dingy north Tampa bar that still stands across the street from the Busch Gardens amusement park. But it's true that the beaten bettor had a sister who worked in the Tampa FBI office, which led to arrests and prison terms for the two wiseguys.
That's trivia that few but Scott Deitche remember. He literally wrote the book on Tampa's organized crime history — called "Cigar City Mafia: A Complete History of the Tampa Underworld" — and followed it up last year with a Trafficante biography
.Miami might be more associated with mob activity, but Deitche says organized crime in Florida is firmly rooted in Tampa, where Cuban, Spanish and Italian immigrants established communities in the city's cigar-making center of Ybor City in the early 20th century. One of the early rackets was bolita, a popular, low-stakes lottery game.
"You had drugs, prostitution, rum-running, bootlegging during Prohibition, some alien smuggling, but bolita was the main moneymaker," says Deitche over lunch recently at Ybor City's historic Columbia restaurant — a favorite dining spot of Trafficante and a host of mobsters over the years.
"Through bolita you got into corruption of the local government, corruption of the sheriff's department," he says. "So from there you really saw the emergence of the Italian Mafia, and the Italian Mafia eventually eclipsed all the other ones."
Howard Abadinsky, an organized-crime expert who teaches a class on the subject at St. John's University, says the growth of organized crime in Florida mirrored what was happening in society at-large. There was opportunity and money to be made in Florida, attracting not only aboveboard entrepreneurs but mobsters from the five New York Mafia families as well. Many bought houses and lived here for part of the year.
"The mob moved to Florida just like legitimate people," Abadinsky says. "There was plenty of money for everyone."
But it was the soft-spoken, even-tempered Trafficante — known as the "Silent Don" — who put the mob on the map in Florida. He also became the most influential Mafia figure in Cuba, running hotels and casinos, buying up property and laundering money through the island before Fidel Castro came to power in 1959 and kicked him out.
Trafficante, in public hearings, acknowledged cooperating with secret U.S. government efforts to kill Castro. And his name is often mentioned in a conspiracy theory surrounding President John F. Kennedy's assassination, but he vehemently denied having anything to do with it. He never spent a night in an American jail.
Trafficante's death after heart surgery in 1987 ended the Mafia's heyday in Florida, but the experts say it hasn't been snuffed out. A 2006 federal trial in Tampa exposed the activities of a Gambino crew led by capo Ronald Trucchio, who because of a deformed limb was known by the nickname "Ronnie One-Arm."
His crew was accused of a slew of wiseguy crimes, including trying to control the lucrative valet parking business in Tampa. He and three other Gambino associates were convicted of racketeering and conspiracy to commit extortion, with Trucchio getting life in prison.
Now comes Junior Gotti, who was arrested at his Long Island home in August and hauled to Tampa. His attorney scoffs at the charges, saying the feds have mounted an "epic quest" to take Gotti down after failing to convict him in three federal trials in New York. Gotti says he retired years ago from the criminal life and has pleaded not guilty to the Tampa charges. He remains jailed without bond pending a trial, which could happen sometime next year.
Abadinsky says the mob is still around, in Florida, New York and elsewhere, but it's a shadow of its former self. Gangsters today don't wield the power, control the unions or have the political connections of their predecessors.
While the "The Sopranos," the wildly popular HBO TV series about a New Jersey mob family, was a great recruiting tool for the Mafia, there are fewer young men willing to take up the life these days, Abadinsky says.
"The new guys," he says, "are whole lot less interesting."
Thanks to Mitch Stacy
Saturday, September 20, 2008
Sopranos Actor to be Tried Separately for Murder of Off-Duty Cop
"Sopranos" actor Lillo Brancato will be tried separately from his allegedly trigger-happy cohort for the murder of an off-duty cop, a Bronx judge ruled Friday.
Brancato, who got his acting break as a teen in Robert De Niro's movie "A Bronx Tale," is slated to go on trial on Oct. 28.
Supreme Court Justice Martin Marcus ruled Brancato and pal Steven Armento will have separate days in court following a push by prosecutors to have the pair tried together.
The decision could benefit Brancato because the actor has claimed he had no idea Armento, 51, had a gun when the pair broke into an apartment next door to off-duty cop Daniel Enchautegui in search of drugs in December 2005.
When Enchautegui confronted them outside his home in Pelham Bay, the Bronx, Armento shot him, police said. Before he died, the officer returned fire, wounding Armento and Brancato.
"We want Lillo Brancato to be tried on his actions that night and the jury to make a decision based on his role or his lack of role," said his lawyer, Joseph Tacopina.
"Mr. Brancato is very different than his codefendant. He didn't have a gun, he didn't shoot anyone ... he got shot," said Tacopina.
Armento will be the first of the twosome to stand trial before Marcus on Sept. 29.
Armento's hospital statements, meanwhile, will be used during his trial despite a bid by his lawyer to have them tossed because he was heavily medicated during interviews with cops - a claim that was debunked by doctors.
Thanks to Chrisena Coleman
Brancato, who got his acting break as a teen in Robert De Niro's movie "A Bronx Tale," is slated to go on trial on Oct. 28.
Supreme Court Justice Martin Marcus ruled Brancato and pal Steven Armento will have separate days in court following a push by prosecutors to have the pair tried together.
The decision could benefit Brancato because the actor has claimed he had no idea Armento, 51, had a gun when the pair broke into an apartment next door to off-duty cop Daniel Enchautegui in search of drugs in December 2005.
When Enchautegui confronted them outside his home in Pelham Bay, the Bronx, Armento shot him, police said. Before he died, the officer returned fire, wounding Armento and Brancato.
"We want Lillo Brancato to be tried on his actions that night and the jury to make a decision based on his role or his lack of role," said his lawyer, Joseph Tacopina.
"Mr. Brancato is very different than his codefendant. He didn't have a gun, he didn't shoot anyone ... he got shot," said Tacopina.
Armento will be the first of the twosome to stand trial before Marcus on Sept. 29.
Armento's hospital statements, meanwhile, will be used during his trial despite a bid by his lawyer to have them tossed because he was heavily medicated during interviews with cops - a claim that was debunked by doctors.
Thanks to Chrisena Coleman
Sunday, August 10, 2008
Sopranos Flip to the FBI at Newark's 100th Anniversary Celebration
They turned one of his lieutenants into an informant. They sneaked through the woods to hunt him down. And eventually, FBI agents put Johnny "Sack" Sacramoni, the New York mob boss, behind bars.
Then the gangster took an elevator ride to a fifth-floor parking garage in Newark and walked out to find himself surrounded by federal agents once again. This time there were hundreds of them. "I thought this was all over with you guys," he sighed to a round of laughter.
Johnny Sack, of course, was a character on the "Sopranos," HBO's hit show about a dysfunctional Jersey mob family. Vincent Curatola, a Bergen County resident, is the actor who played him. Curatola and several of his cast mates were featured guests at a luncheon in which the FBI's Newark Division celebrated the 100th anniversary of the bureau.
Each division around the nation marked the occasion in its own way to recognize the FBI's growth from a team of 34 investigators to an elite agency with more than 30,000 employees. In Alabama, there was a picnic. In Pittsburgh, an office party. In Philadelphia, a formal dinner. But in Newark, there was Johnny Sack (Curatola), Paulie Walnuts (Tony Sirico), Furio Giunta (Federico Castelluccio) and Uncle Junior (Dominic Chianese).
Weysan Dun, special agent in charge of the FBI's Newark division, invited the actors, saying it was a way to pay tribute to a significant part of the FBI's history and New Jersey culture. "Fighting organized crime is part of our legendary success," he said.
On the show, as in real life, the FBI agents and the mobsters were engaged in a protracted cat-and-mouse game. Today's odd pairing gave real-life crime fighters a chance to compare notes with the fictional wiseguys.
William Evanina, special agent in charge of the FBI's Trenton office, said plenty of New Jersey agents were fans of the show. "We waited to see every Sunday whether they would get it right," he said. He recalled watching his fictional counterparts execute a search warrant at Johnny Sack's home with their guns drawn. "That would never happen," he said -- a simple knock was more likely. "The majority of the stuff they got right. But obviously you've got to take liberties with television."
On another episode, an FBI agent who tipped off Tony Soprano to the whereabouts of an enemy cheered when the rival got whacked. "We're not as bad as they make us out to be. And I'm not sure the real organized crime figures are as good as they are made out to be. But it's great entertainment," said Edward Kahrer, assistant special agent in charge of the Newark division.
Sirico, a Brooklyn actor, joked that if his fellow wiseguys knew he was hanging around a bunch of G-men, "they'd probably whack me."
Chianese's character, Uncle Junior, once complained on the show that he had the feds so far up one part of his anatomy, he could "taste Brylcreem."
Curatola teased Chianese today as they readied to pose for photos with agents. "Did you make a deal with these people? Are you going to flip?" Curatola asked.
Seth Gilliam, who played Sgt. Ellis Carver on "The Wire," a Baltimore police drama and another widely acclaimed HBO series, also was on hand. "I'm the only celebrity here who played a cop. Everybody else is a mobster. Until the special agents came in the room, I felt a little outnumbered," he joked.
Former FBI director and New Jersey native Louis Freeh was the luncheon's keynote speaker. During his remarks, he acknowledged that television and movies have helped burnish the bureau's image for decades, turning the FBI into a "global icon" and name brand. "We certainly thank Hollywood," he said. "But the essence of the FBI is really a direct result of the quality and integrity of the men and women who have served there."
Thanks to Jeff Whelan
Then the gangster took an elevator ride to a fifth-floor parking garage in Newark and walked out to find himself surrounded by federal agents once again. This time there were hundreds of them. "I thought this was all over with you guys," he sighed to a round of laughter.
Johnny Sack, of course, was a character on the "Sopranos," HBO's hit show about a dysfunctional Jersey mob family. Vincent Curatola, a Bergen County resident, is the actor who played him. Curatola and several of his cast mates were featured guests at a luncheon in which the FBI's Newark Division celebrated the 100th anniversary of the bureau.
Each division around the nation marked the occasion in its own way to recognize the FBI's growth from a team of 34 investigators to an elite agency with more than 30,000 employees. In Alabama, there was a picnic. In Pittsburgh, an office party. In Philadelphia, a formal dinner. But in Newark, there was Johnny Sack (Curatola), Paulie Walnuts (Tony Sirico), Furio Giunta (Federico Castelluccio) and Uncle Junior (Dominic Chianese).
Weysan Dun, special agent in charge of the FBI's Newark division, invited the actors, saying it was a way to pay tribute to a significant part of the FBI's history and New Jersey culture. "Fighting organized crime is part of our legendary success," he said.
On the show, as in real life, the FBI agents and the mobsters were engaged in a protracted cat-and-mouse game. Today's odd pairing gave real-life crime fighters a chance to compare notes with the fictional wiseguys.
William Evanina, special agent in charge of the FBI's Trenton office, said plenty of New Jersey agents were fans of the show. "We waited to see every Sunday whether they would get it right," he said. He recalled watching his fictional counterparts execute a search warrant at Johnny Sack's home with their guns drawn. "That would never happen," he said -- a simple knock was more likely. "The majority of the stuff they got right. But obviously you've got to take liberties with television."
On another episode, an FBI agent who tipped off Tony Soprano to the whereabouts of an enemy cheered when the rival got whacked. "We're not as bad as they make us out to be. And I'm not sure the real organized crime figures are as good as they are made out to be. But it's great entertainment," said Edward Kahrer, assistant special agent in charge of the Newark division.
Sirico, a Brooklyn actor, joked that if his fellow wiseguys knew he was hanging around a bunch of G-men, "they'd probably whack me."
Chianese's character, Uncle Junior, once complained on the show that he had the feds so far up one part of his anatomy, he could "taste Brylcreem."
Curatola teased Chianese today as they readied to pose for photos with agents. "Did you make a deal with these people? Are you going to flip?" Curatola asked.
Seth Gilliam, who played Sgt. Ellis Carver on "The Wire," a Baltimore police drama and another widely acclaimed HBO series, also was on hand. "I'm the only celebrity here who played a cop. Everybody else is a mobster. Until the special agents came in the room, I felt a little outnumbered," he joked.
Former FBI director and New Jersey native Louis Freeh was the luncheon's keynote speaker. During his remarks, he acknowledged that television and movies have helped burnish the bureau's image for decades, turning the FBI into a "global icon" and name brand. "We certainly thank Hollywood," he said. "But the essence of the FBI is really a direct result of the quality and integrity of the men and women who have served there."
Thanks to Jeff Whelan
Monday, July 21, 2008
Sopranos' Duke and Duchess of Urbino Inspired Painting Sells for $175,000
A painting of "The Sopranos" lead actors replicating the 15th century pose of the Duke and Duchess of Urbino has sold for $175,000, said to be the highest price paid for memorabilia from the hit TV series.James Gandolfini and Edie Falco, who played mob boss Tony Soprano and his wife, Carmela, in the HBO series that ran from 1999 to 2007, stare at each other in profile just as the Duke and Duchess of Urbino do in Piero della Francesca's original, which was painted around 1465 to 1470.
Sopranos supporting actor Federico Castelluccio, who played the Italian hit man Furio Giunta who fell in love with Carmela, painted the work after coming up with the idea during a trip to Florence when he saw della Francesca's piece at the Uffizi.
"I saw that particular painting in person and it kind of gave me a fleeting thought of, wow, it would be interesting to do a painting of James Gandolfini and Edie Falco as the Duke and Duchess of Urbino but call it the Duke and Duchess of North Caldwell," Castelluccio said, referring to the New Jersey town where the Sopranos lived.
"They're actually looking at each other but kind of have that 1,000-yard stare, looking past each other. The idea came in the fourth season, when they separate," Castelluccio said.
He said he recently sold it to Toronto oil executive Robert Salna for $175,000. The broker of the deal, the collector Keya Morgan, told Reuters that was the highest price ever for a piece of Sopranos memorabilia.
Salna was out of the country and unavailable for comment.
In June, Gandolfini sold his personal costume wardrobe from "The Sopranos" in 25 lots, fetching $187,750 for charity, four times the forecast by auction house Christie's.
Gandolfini and Falco sat for a photo shoot off which Castelluccio made drawings and then the portraits.
Painted in oil on poplar wood, the piece is mounted in a replica Renaissance Tabernacle frame custom-made by specialists. It has the same blue sky and rolling hills in the background that give della Francesca's work tremendous depth.
"I never even thought of it as a Sopranos thing," Castelluccio said. "Painting is my life. I love acting and creating characters, but if acting left tomorrow, it would be OK because I still have my painting."
Sunday, July 13, 2008
Sex and The Sopranos
HBO, giddy over the success of its "Sex and the City: The Movie," may be going back for another dose of Carrie and company. But, wait, that's not all! There are also rumors "The Sopranos" might be getting "made" for the big screen. Bada bing, indeed!
We'd love to tell you HBO is planning a cross-over flick where characters from the two iconic shows meet up ("Samantha, meet Paulie Walnuts..."), but the alleged plans actually involve two separate movies. And, please note, we said "alleged." These are just rumors, albeit juicy ones that have launched a slew of blog postings and articles in the Buzz.
Access Hollywood reports that HBO execs have expressed public interest in doing another “Sex and The City” movie as well as a “Sopranos” flick. Meanwhile, Huffington Post notes that the fate of a Sopranos film would ultimately rest with the show's creator, David Chase. And, according to this video from Fox News, Mr. Chase ain't that interested. On a brighter note, the New York Post writes that there is currently "a lot of energy" about another "Sex" movie. A return to glittery Manhattan appears far more likely than another ticket to seedy Jersey.
For what it's worth, searches on both shows are still high, despite their being off the air. And, remember its called "show business" for a reason. If producers throw enough money on the table, we wouldn't be surprised if Tony came out of retirement for one more hit.
We'd love to tell you HBO is planning a cross-over flick where characters from the two iconic shows meet up ("Samantha, meet Paulie Walnuts..."), but the alleged plans actually involve two separate movies. And, please note, we said "alleged." These are just rumors, albeit juicy ones that have launched a slew of blog postings and articles in the Buzz.
Access Hollywood reports that HBO execs have expressed public interest in doing another “Sex and The City” movie as well as a “Sopranos” flick. Meanwhile, Huffington Post notes that the fate of a Sopranos film would ultimately rest with the show's creator, David Chase. And, according to this video from Fox News, Mr. Chase ain't that interested. On a brighter note, the New York Post writes that there is currently "a lot of energy" about another "Sex" movie. A return to glittery Manhattan appears far more likely than another ticket to seedy Jersey.
For what it's worth, searches on both shows are still high, despite their being off the air. And, remember its called "show business" for a reason. If producers throw enough money on the table, we wouldn't be surprised if Tony came out of retirement for one more hit.
Tuesday, May 27, 2008
SOPRANOS COSTUMES LEAD CHRISTIE’S POP CULTURE AUCTION
James Gandolfini’s Personal Collection Of Costumes Worn During Filming of The Sopranos Will Benefit Wounded Warrior Project
Christie’s Pop Culture auction on June 25 in New York will be highlighted by a collection of costumes from the critically acclaimed and Emmy-award-winning HBO drama series, The Sopranos. James Gandolfini will sell his personal costume wardrobe worn as the series star, Tony Soprano, to benefit Wounded Warrior Project, a non-profit organization whose mission is to honor and empower wounded warriors. Among the twenty-four lots of Tony Soprano costumes are complete costumes of suits with shoes, leisure shirts, bathrobes, track suits, and bloody costumes, with estimates starting at $500. The sale will also include a selection of men’s costumes from The Sopranos worn by various characters such as Junior Soprano, Paulie Walnuts, Christopher Moltisanti and A.J. Soprano.
“Wounded Warrior Project is thankful for James Gandolfini’s commitment to our organization,” stated Wounded Warrior Project Executive Director and Founder, John Melia. “His public support and generous donation gives a world-wide voice to the severely wounded men and women WWP assists. Our motto is ‘The Greatest Casualty is Being Forgotten’ and with Mr. Gandolfini’s support, we will ensure that doesn’t happen.”
Tony Soprano Wardrobe
Hailed by critics as a landmark series, The Sopranos riveted audiences for six seasons and drew an international base of dedicated fans. The cast’s wardrobe played a significant part in establishing the look and tone of the series, and no small detail was overlooked, down to the actors’ socks. The series costume designer, Juliet Polsca, earned two Emmy nominations and a Costume Designers Guild award.
Many of the lots are accompanied with the original production tags attached and all of the lots include a letter of authenticity by James Gandolfini. Highlights among the Tony Soprano wardrobe recall the character’s most recognizable styles, as demonstrated by the short sleeve button down blue shirt worn in the opening credits of every show (estimate: $2,000-3,000). A tan cotton bathrobe with lavender trim and an embroidered letter ‘S’ on the breast pocket, which was worn in the pilot episode when Tony is fetching the morning paper and feeding ducks in the pool (estimate: $1,000-1,500). A signature costume worn in numerous episodes throughout the entire series run is a striped short robe by Guy Laroche, a white tank top, light blue striped boxers, and a pair of leather Bostonian scuffs (estimate: $1,000-1,500).
A complete costume worn in the episode “Rat Pack” (season 5, episode 2) and displayed at an exhibition of “Outstanding Art of Television Costume Design” at The Academy of Television Arts & Sciences and the Fashion Institute of Design & Merchandising, consists of a multicolored geometric Burma Bibas short sleeve shirt, a white athletic tank top, dark brown pleated Slates pants, Gold Toe Socks, and a pair of Allen Edmonds brown loafers (estimate: $800-1,200). A bloody costume worn in a pivotal scene during “Members Only” (season 6, episode 1), when Uncle Junior shoots Tony in a fit of dementia, comprises of a white Jockey tank top, a black and beige short sleeve polo shirt by George Foreman, and black pants by Zanella (estimate: $2,000-3,000).
Various Characters Wardrobe
Approximately 37 men’s costumes from other lead characters in The Sopranos are available from The Golden Closet. They include costumes worn by characters Junior Soprano, Paulie Walnuts, Christopher Moltisanti, A.J. Soprano, Bobby Balcala, Burt Gervasi, Johnny Sack and others. From the character Junior Soprano is a plaid cap by Bert Pulitzer (estimate: $300-500), and a black wool overcoat (estimate: $500-700). Several costumes worn by the character Paulie Walnuts are offered, including a navy double breasted two-piece suit by Marcello Toscani and white Jos A. Bank shirt, a short sleeve Tuscan knit shirt and tan Sansabelt pants, and two complete track suits (each estimate: $500-700).
Christie’s Pop Culture auction on June 25 in New York will be highlighted by a collection of costumes from the critically acclaimed and Emmy-award-winning HBO drama series, The Sopranos. James Gandolfini will sell his personal costume wardrobe worn as the series star, Tony Soprano, to benefit Wounded Warrior Project, a non-profit organization whose mission is to honor and empower wounded warriors. Among the twenty-four lots of Tony Soprano costumes are complete costumes of suits with shoes, leisure shirts, bathrobes, track suits, and bloody costumes, with estimates starting at $500. The sale will also include a selection of men’s costumes from The Sopranos worn by various characters such as Junior Soprano, Paulie Walnuts, Christopher Moltisanti and A.J. Soprano.“Wounded Warrior Project is thankful for James Gandolfini’s commitment to our organization,” stated Wounded Warrior Project Executive Director and Founder, John Melia. “His public support and generous donation gives a world-wide voice to the severely wounded men and women WWP assists. Our motto is ‘The Greatest Casualty is Being Forgotten’ and with Mr. Gandolfini’s support, we will ensure that doesn’t happen.”
Tony Soprano Wardrobe
Hailed by critics as a landmark series, The Sopranos riveted audiences for six seasons and drew an international base of dedicated fans. The cast’s wardrobe played a significant part in establishing the look and tone of the series, and no small detail was overlooked, down to the actors’ socks. The series costume designer, Juliet Polsca, earned two Emmy nominations and a Costume Designers Guild award.
Many of the lots are accompanied with the original production tags attached and all of the lots include a letter of authenticity by James Gandolfini. Highlights among the Tony Soprano wardrobe recall the character’s most recognizable styles, as demonstrated by the short sleeve button down blue shirt worn in the opening credits of every show (estimate: $2,000-3,000). A tan cotton bathrobe with lavender trim and an embroidered letter ‘S’ on the breast pocket, which was worn in the pilot episode when Tony is fetching the morning paper and feeding ducks in the pool (estimate: $1,000-1,500). A signature costume worn in numerous episodes throughout the entire series run is a striped short robe by Guy Laroche, a white tank top, light blue striped boxers, and a pair of leather Bostonian scuffs (estimate: $1,000-1,500).
A complete costume worn in the episode “Rat Pack” (season 5, episode 2) and displayed at an exhibition of “Outstanding Art of Television Costume Design” at The Academy of Television Arts & Sciences and the Fashion Institute of Design & Merchandising, consists of a multicolored geometric Burma Bibas short sleeve shirt, a white athletic tank top, dark brown pleated Slates pants, Gold Toe Socks, and a pair of Allen Edmonds brown loafers (estimate: $800-1,200). A bloody costume worn in a pivotal scene during “Members Only” (season 6, episode 1), when Uncle Junior shoots Tony in a fit of dementia, comprises of a white Jockey tank top, a black and beige short sleeve polo shirt by George Foreman, and black pants by Zanella (estimate: $2,000-3,000).
Various Characters Wardrobe
Approximately 37 men’s costumes from other lead characters in The Sopranos are available from The Golden Closet. They include costumes worn by characters Junior Soprano, Paulie Walnuts, Christopher Moltisanti, A.J. Soprano, Bobby Balcala, Burt Gervasi, Johnny Sack and others. From the character Junior Soprano is a plaid cap by Bert Pulitzer (estimate: $300-500), and a black wool overcoat (estimate: $500-700). Several costumes worn by the character Paulie Walnuts are offered, including a navy double breasted two-piece suit by Marcello Toscani and white Jos A. Bank shirt, a short sleeve Tuscan knit shirt and tan Sansabelt pants, and two complete track suits (each estimate: $500-700).
Monday, May 12, 2008
Academic Conference - The Sopranos: A Wake
The Sopranos, the hit television series starring James Gandolfini that chronicled the lives of mafia members in New Jersey, is to be the subject of an academic conference for the first time.
Many viewers felt bereft when the last of the six series finished last year, but academics at Brunel University in west London and Fordham University in New York have found a way to commiserate. They will jointly host The Sopranos: A Wake in Manhattan from 22-24 May. Titles of the sessions include: 'Carmela Soprano as Emma Bovary' and 'Body of Evidence: Tony Soprano's Corporeal Struggle'.
The Observer's television critic Kate Flett said the series 'held a mirror up to America. It was not about the mafia, it was about the family and, in fact, it was not really about the family either, it was about America.'
Many viewers felt bereft when the last of the six series finished last year, but academics at Brunel University in west London and Fordham University in New York have found a way to commiserate. They will jointly host The Sopranos: A Wake in Manhattan from 22-24 May. Titles of the sessions include: 'Carmela Soprano as Emma Bovary' and 'Body of Evidence: Tony Soprano's Corporeal Struggle'.
The Observer's television critic Kate Flett said the series 'held a mirror up to America. It was not about the mafia, it was about the family and, in fact, it was not really about the family either, it was about America.'
Saturday, March 29, 2008
The Sopranos Coming to the Big Screen?
Hold the poles! Is a Sopranos movie in the works?
The real-life manager of the strip club that fronted for the Bada Bing on HBO's "The Sopranos" thinks there might be. Satin Dolls manager Nick D'Urso says he's holding off on renovations to the strip club in Lodi, N.J., after getting a tip that a movie would be made. He wouldn't name the tipster.
An HBO spokeswoman says there's no truth to the rumor that plans are in the works for a film about Tony Soprano and his mob crew.
As first reported in The Record of Bergen County, D'Urso says he'll wait until after the summer to renovate in case the tip pans out.
Satin Dolls has already auctioned off its bronze-colored stripper poles and replaced them.
The real-life manager of the strip club that fronted for the Bada Bing on HBO's "The Sopranos" thinks there might be. Satin Dolls manager Nick D'Urso says he's holding off on renovations to the strip club in Lodi, N.J., after getting a tip that a movie would be made. He wouldn't name the tipster.
An HBO spokeswoman says there's no truth to the rumor that plans are in the works for a film about Tony Soprano and his mob crew.
As first reported in The Record of Bergen County, D'Urso says he'll wait until after the summer to renovate in case the tip pans out.
Satin Dolls has already auctioned off its bronze-colored stripper poles and replaced them.
Wednesday, February 13, 2008
Supreme Court Justice Alito Finds "The Sopranos" Guilty
Supreme Court Justice Samuel Alito Jr. has convicted "The Sopranos" of spreading what he says are stereotypes about Italian-Americans.
During a visit to Rutgers University on Wednesday, Alito complained that the hit HBO television drama not only associated Italian-Americans with the Mafia, but New Jerseyans, as well.
"You have a trifecta — gangsters, Italian-Americans, New Jersey — wedded in the popular American imagination," Alito said at an event sponsored by the Italian studies program at Rutgers, the state university of New Jersey.
Alito, himself an Italian-American, lived for nearly two decades in a West Caldwell home in the same area of New Jersey where the fictional Tony Soprano lived.
Alito told the gathering of about 100 people that a friend in California once sent him a map of "Sopranos"-related locations. "He wanted me to put down where my house was on the map," Alito said to laughs.
Alito's comments about "The Sopranos," which went off the air last year, were part of a talk in which the New Jersey native lamented that there are too many stereotypes about Italians in the United States.
He said the real story of Italian people who came here, some succeeding and some failing and going back to Italy, needed to be preserved because it told something about the United States' "true nature as a nation of immigrants."
Alito, 57, was born in Trenton, grew up in Hamilton Township and attended Princeton University before going to law school at Yale. Last year, Alito and his wife moved from West Caldwell to northern Virginia to be closer to his new job.
Since taking his seat on the court in January 2006, Alito has generally sided with other conservative members of the court, including fellow Trenton native, Antonin Scalia.
During a visit to Rutgers University on Wednesday, Alito complained that the hit HBO television drama not only associated Italian-Americans with the Mafia, but New Jerseyans, as well.
"You have a trifecta — gangsters, Italian-Americans, New Jersey — wedded in the popular American imagination," Alito said at an event sponsored by the Italian studies program at Rutgers, the state university of New Jersey.
Alito, himself an Italian-American, lived for nearly two decades in a West Caldwell home in the same area of New Jersey where the fictional Tony Soprano lived.
Alito told the gathering of about 100 people that a friend in California once sent him a map of "Sopranos"-related locations. "He wanted me to put down where my house was on the map," Alito said to laughs.
Alito's comments about "The Sopranos," which went off the air last year, were part of a talk in which the New Jersey native lamented that there are too many stereotypes about Italians in the United States.
He said the real story of Italian people who came here, some succeeding and some failing and going back to Italy, needed to be preserved because it told something about the United States' "true nature as a nation of immigrants."
Alito, 57, was born in Trenton, grew up in Hamilton Township and attended Princeton University before going to law school at Yale. Last year, Alito and his wife moved from West Caldwell to northern Virginia to be closer to his new job.
Since taking his seat on the court in January 2006, Alito has generally sided with other conservative members of the court, including fellow Trenton native, Antonin Scalia.
Friday, February 01, 2008
"Tony Soprano" Punches Fan at Airport
"Sopranos" star James Gandolfini launched a violent attack on a fan at a New York airport after he was approached for an autograph.The 46-year-old became enraged when the man, brandishing a notepad and pen, came too close to the actor's fiance, Deborah Lin, and Gandolfini hit out, grabbing him by the collar and punching him in the face.
The altercation -- captured on camera -- took place as the couple passed through JFK airport on their way back from the Screen Actor's Guild Awards in Los Angeles on Sunday, where Gandolfini picked up the Best Actor gong for his role in the hit TV series.
But the actor soon calmed down, and before leaving he apologized to the fan, taking time to sign the autograph and pose for a picture, according to the New York Daily News.
Wednesday, January 23, 2008
One Last Shot at Glory for The Sopranos
It’s bound to be a major dramatic moment at the 14th annual Screen Actors Guild Awards: the announcement of the winner for performance by an ensemble in a drama series.
Contenders for the award are the casts of “Boston Legal,” “The Closer,” “Grey’s Anatomy,” “Mad Men” and “The Sopranos.”
“The Sopranos” closed its sixth and final season last year with the infamous “cut to black” ending, leaving it up to the viewer to decide what happened to Tony, Carmela, Meadow and A.J. Soprano.
“These are people who have become icons. They are legendary,” said Matt Roush, television critic for TV Guide. “There were so many great moments in the last season—Tony’s brush with death, Dr. Melfi firing Tony, Christopher’s death and Uncle Junior’s decline into dementia. A lot of great material sometimes got obscured by the final episode.”
“The Sopranos” won its second drama series Emmy last year. “It’s the last chance for the show to be honored,” Roush reminds.
“Mad Men,” an hour drama set in a Manhattan advertising agency in the early 1960s, scored major critical acclaim in its first season, winning Golden Globes this year for TV series, drama, as well as for star Jon Hamm, a winner as actor in a television drama. He is also in the running at the SAG Awards for his performance.
“Watching the show, you find it does resonate in your world,” said Mr. Hamm, who plays Don Draper, a dapper executive with a secret past at the fictional Sterling Cooper agency on Madison Avenue. “You work in an office with personalities and superiors and inferiors and people you have to manage and there are different rules, yet all the same stuff was going on in 1960.
“It’s a nostalgic and yet resonant sort of ethic. It’s not mean-spirited, and it depicts a world exploding into a modern aesthetic of midcentury ideas, with a very specific, very cool look and attitude.”
“The Closer” premiered in June 2005, and its star, Kyra Sedgwick, also is nominated for a SAG Award for her performance. “In some ways it looks like a star vehicle for Kyra Sedgwick, but the bench strength in all the other actors is amazing. They are almost overqualified and get to rise to the occasion,” said Mr. Roush. “There’s a lot of terrific, stylish acting, and so many colorful characters. There’s no question she’s the star, but there are a lot of meaty characters in and around her life.”
“Boston Legal,” spun off from “The Practice” in fall 2004, follows the personal and professional lives of the attorneys at the law firm of Crane, Poole & Schmidt.
“This is a show that Hollywood adores,” said Mr. Roush, pointing to its numerous Emmy Awards. “David Kelley writes colorful dialogue, and James Spader gets to wow everyone with Kelley’s writing. These are the most eccentric characters on television, and they milk those eccentricities, and the industry seems to love that. I guess it’s because they get those big scenes in the courtroom and get to indulge quirky characters.”
The cast of “Grey’s Anatomy” won the SAG Award last year for dramatic ensemble.
“What it has is charisma, and one of the sexiest casts on TV,” Mr. Roush said. “The ensemble is one of the most watchable. They play flawed characters set in a hospital with life, death and love commingled, and played in a way that draws people in. The show has made stars of a lot of people: Ellen Pompeo, Katherine Heigl, T.R. Knight and Chandra Wilson.”
Four of the five actresses vying for SAG honors for their performance in a drama series have impressive credits on the big screen, and one was the first actress to sweep all the major television awards in one season, winning a SAG, the Emmy and a Golden Globe for her performance as a mobster’s wife.
That would be Edie Falco as Carmela Soprano.
“Carmela is one of television’s great characters. She’s just as ruthless as Tony, but in a different way. She remained great through the end, even when her role wasn’t as central to the action,” said Mr. Roush.
Ms. Falco and “The Closer’s” Ms. Sedgwick as Deputy Police Chief Brenda Johnson are up against a pair of contenders in first-season dramas: Glenn Close, who plays attorney Patty Hewes on “Damages,” and Holly Hunter in her first starring TV role as Oklahoma City police detective Grace Hanadarko on “Saving Grace.” They’re joined in the category by Sally Field, who portrays Nora Walker, the matriarch on “Brothers & Sisters,” which premiered in September 2006.
“Glenn Close’s role fits her like a glove, and she is devilishly entertaining in a wonderful star performance in a twisty show,” said Mr. Roush. “Holly Hunter is allowed to chew the scenery, and playing a self-destructive cop in a flamboyant role is one anybody would be thrilled to have. Sally Field is the premier mom on television, warm, funny and charismatic, yet as crazy as the kids.”
The male actors competing for the SAG Award are Mr. Hamm, James Gandolfini as Tony Soprano, Michael C. Hall as Dexter Morgan on “Dexter,” Hugh Laurie as Dr. Gregory House on “House” and James Spader as Alan Shore on “Boston Legal.”
“Jon Hamm as Don Draper is magnetic and at the same time troubled. You worry about him but realize he’s staring into the abyss. Mr. Hamm brings that alive, delivering a very deep performance. It’s a home run,” Mr. Roush said.
“James Gandolfini created a character of incredible depth, the role of a villain who is as human as he is monstrous. You root for him, yet you fear him,” Mr. Roush continued. “Michael C. Hall pulls off an impossible feat: He makes you sympathize for a serial killer. The potential for disaster is huge, but he makes it appealing and thoroughly original. Hugh Laurie as House is a great character, so enjoyable to watch as he confounds patients and frustrates the staff. He’s an impossible person but impossibly appealing. James Spader plays one of the quirkiest characters on TV. People are drawn to him because he is so unpredictable. He nails it.”
Thanks to Hillary Atkin
Contenders for the award are the casts of “Boston Legal,” “The Closer,” “Grey’s Anatomy,” “Mad Men” and “The Sopranos.”
“The Sopranos” closed its sixth and final season last year with the infamous “cut to black” ending, leaving it up to the viewer to decide what happened to Tony, Carmela, Meadow and A.J. Soprano.
“These are people who have become icons. They are legendary,” said Matt Roush, television critic for TV Guide. “There were so many great moments in the last season—Tony’s brush with death, Dr. Melfi firing Tony, Christopher’s death and Uncle Junior’s decline into dementia. A lot of great material sometimes got obscured by the final episode.”
“The Sopranos” won its second drama series Emmy last year. “It’s the last chance for the show to be honored,” Roush reminds.
“Mad Men,” an hour drama set in a Manhattan advertising agency in the early 1960s, scored major critical acclaim in its first season, winning Golden Globes this year for TV series, drama, as well as for star Jon Hamm, a winner as actor in a television drama. He is also in the running at the SAG Awards for his performance.
“Watching the show, you find it does resonate in your world,” said Mr. Hamm, who plays Don Draper, a dapper executive with a secret past at the fictional Sterling Cooper agency on Madison Avenue. “You work in an office with personalities and superiors and inferiors and people you have to manage and there are different rules, yet all the same stuff was going on in 1960.
“It’s a nostalgic and yet resonant sort of ethic. It’s not mean-spirited, and it depicts a world exploding into a modern aesthetic of midcentury ideas, with a very specific, very cool look and attitude.”
“The Closer” premiered in June 2005, and its star, Kyra Sedgwick, also is nominated for a SAG Award for her performance. “In some ways it looks like a star vehicle for Kyra Sedgwick, but the bench strength in all the other actors is amazing. They are almost overqualified and get to rise to the occasion,” said Mr. Roush. “There’s a lot of terrific, stylish acting, and so many colorful characters. There’s no question she’s the star, but there are a lot of meaty characters in and around her life.”
“Boston Legal,” spun off from “The Practice” in fall 2004, follows the personal and professional lives of the attorneys at the law firm of Crane, Poole & Schmidt.
“This is a show that Hollywood adores,” said Mr. Roush, pointing to its numerous Emmy Awards. “David Kelley writes colorful dialogue, and James Spader gets to wow everyone with Kelley’s writing. These are the most eccentric characters on television, and they milk those eccentricities, and the industry seems to love that. I guess it’s because they get those big scenes in the courtroom and get to indulge quirky characters.”
The cast of “Grey’s Anatomy” won the SAG Award last year for dramatic ensemble.
“What it has is charisma, and one of the sexiest casts on TV,” Mr. Roush said. “The ensemble is one of the most watchable. They play flawed characters set in a hospital with life, death and love commingled, and played in a way that draws people in. The show has made stars of a lot of people: Ellen Pompeo, Katherine Heigl, T.R. Knight and Chandra Wilson.”
Four of the five actresses vying for SAG honors for their performance in a drama series have impressive credits on the big screen, and one was the first actress to sweep all the major television awards in one season, winning a SAG, the Emmy and a Golden Globe for her performance as a mobster’s wife.
That would be Edie Falco as Carmela Soprano.
“Carmela is one of television’s great characters. She’s just as ruthless as Tony, but in a different way. She remained great through the end, even when her role wasn’t as central to the action,” said Mr. Roush.
Ms. Falco and “The Closer’s” Ms. Sedgwick as Deputy Police Chief Brenda Johnson are up against a pair of contenders in first-season dramas: Glenn Close, who plays attorney Patty Hewes on “Damages,” and Holly Hunter in her first starring TV role as Oklahoma City police detective Grace Hanadarko on “Saving Grace.” They’re joined in the category by Sally Field, who portrays Nora Walker, the matriarch on “Brothers & Sisters,” which premiered in September 2006.
“Glenn Close’s role fits her like a glove, and she is devilishly entertaining in a wonderful star performance in a twisty show,” said Mr. Roush. “Holly Hunter is allowed to chew the scenery, and playing a self-destructive cop in a flamboyant role is one anybody would be thrilled to have. Sally Field is the premier mom on television, warm, funny and charismatic, yet as crazy as the kids.”
The male actors competing for the SAG Award are Mr. Hamm, James Gandolfini as Tony Soprano, Michael C. Hall as Dexter Morgan on “Dexter,” Hugh Laurie as Dr. Gregory House on “House” and James Spader as Alan Shore on “Boston Legal.”
“Jon Hamm as Don Draper is magnetic and at the same time troubled. You worry about him but realize he’s staring into the abyss. Mr. Hamm brings that alive, delivering a very deep performance. It’s a home run,” Mr. Roush said.
“James Gandolfini created a character of incredible depth, the role of a villain who is as human as he is monstrous. You root for him, yet you fear him,” Mr. Roush continued. “Michael C. Hall pulls off an impossible feat: He makes you sympathize for a serial killer. The potential for disaster is huge, but he makes it appealing and thoroughly original. Hugh Laurie as House is a great character, so enjoyable to watch as he confounds patients and frustrates the staff. He’s an impossible person but impossibly appealing. James Spader plays one of the quirkiest characters on TV. People are drawn to him because he is so unpredictable. He nails it.”
Thanks to Hillary Atkin
Monday, January 14, 2008
Beyond Wiseguys: Italian Americans and the Movies
DON’T get her wrong: Rosanne De Luca Braun loves “The Godfather.” Ditto, “The Sopranos.” But she has devoted much of the last seven years to exploring why certain Italian-American stereotypes — especially the gun-toting, cannoli-loving mobster — loom so large on screen, and in the national psyche.
The result of her labors is the documentary “Beyond Wiseguys: Italian Americans and the Movies,” which will have its Long Island premiere on Jan. 20 at the Cinema Arts Center in Huntington. Dominic Chianese, who played Uncle Junior in “The Sopranos” television series, is scheduled to make a guest appearance at the theater.
Running 57 minutes, “Beyond Wiseguys” interweaves celebrated movie and TV scenes with interviews with scholars and members of the film and TV industries. Among those appearing are the directors Martin Scorsese, David Chase and Spike Lee, the actor-director John Turturro (who was co-executive producer of the documentary with Ms. Braun), and, from the acting ranks, Marisa Tomei, Paul Sorvino, Ben Gazzara, Isabella Rossellini, Susan Sarandon and Mr. Chianese.
Some tell of having endured typecasting or of fighting ethnic clichés. Yet Ms. Braun, 59, of Sicilian and Calabrian descent herself, says she is not merely beating a drum against intolerance. “I’m not anti mob movies,” she said recently over lunch in her condominium overlooking Long Island Sound in Northport. (She shares it with her husband, Edward Braun, the chairman of the technology-instrument company Veeco.)
“I don’t relate to the fact that these are ‘stereotypes,’ ” Ms. Braun said. “I relate to the characters. And in the case of a great work of art, I don’t view it as Italian-American — it’s American.”
Nevertheless, “Beyond Wiseguys” has its roots partly in community concern over negative screen images. In 2000, Ms. Braun, then director of marketing and development at the Cinema Arts Center, worked with its co-directors, Vic Skolnick, Charlotte Sky and Dylan Skolnick, to organize an Italian-American film festival devoid of “made” men, rubouts and the like.
Such films proved hard to find, though. The depiction of Italian-Americans as voluble, emotional and sometimes murderous had remained “largely formulaic,” Ms. Braun said, from the earliest days of the movie industry.
That was true, she said, even though “we found an endless supply of Italian-American craftsmen working behind the scenes in Hollywood from Day 1 — set designers, composers, writers, costume designers,” making their mark in often sophisticated ways.
Convinced she was “really onto something,” Ms. Braun left her job in 2000 to work on the idea. She sent her outline to Mr. Turturro.
In the film business, “I was nobody,” Ms. Braun explained. “I knew I was going to need a name attached to open some doors for me.”
Mr. Turturro soon signed on. The issue of ethnic sterotyping is something he deals with daily on a professional level, he said through an assistant.
It worked. “I could have said, ‘This is Daisy Duck,’ as long as I said, ‘John Turturro,’ ” said Ms. Braun, who rounded up interview subjects and, over time, raised “about $350,000.” (”Beyond Wiseguys” got its major financial backing from Italian-American sources, including LiDestri Foods of Rochester, a maker of pasta sauce and other products, and the National Italian American Foundation, but they had no editorial input, she said.)
When it came to making the film, two veteran documentary makers, Steven Fischler and Joel Sucher, collaborated with Ms. Braun, a neophyte.
Given the documentary’s many strands, Ms. Braun said she would most like viewers to take away the sense that Hollywood’s Italian-American sagas, at their best, transcend stereotype: “They’re filled with the aroma, and the real experiences, of Italian family life and Italian history,” she said.
Thanks to Karen Lipson
The result of her labors is the documentary “Beyond Wiseguys: Italian Americans and the Movies,” which will have its Long Island premiere on Jan. 20 at the Cinema Arts Center in Huntington. Dominic Chianese, who played Uncle Junior in “The Sopranos” television series, is scheduled to make a guest appearance at the theater.
Running 57 minutes, “Beyond Wiseguys” interweaves celebrated movie and TV scenes with interviews with scholars and members of the film and TV industries. Among those appearing are the directors Martin Scorsese, David Chase and Spike Lee, the actor-director John Turturro (who was co-executive producer of the documentary with Ms. Braun), and, from the acting ranks, Marisa Tomei, Paul Sorvino, Ben Gazzara, Isabella Rossellini, Susan Sarandon and Mr. Chianese.
Some tell of having endured typecasting or of fighting ethnic clichés. Yet Ms. Braun, 59, of Sicilian and Calabrian descent herself, says she is not merely beating a drum against intolerance. “I’m not anti mob movies,” she said recently over lunch in her condominium overlooking Long Island Sound in Northport. (She shares it with her husband, Edward Braun, the chairman of the technology-instrument company Veeco.)
“I don’t relate to the fact that these are ‘stereotypes,’ ” Ms. Braun said. “I relate to the characters. And in the case of a great work of art, I don’t view it as Italian-American — it’s American.”
Nevertheless, “Beyond Wiseguys” has its roots partly in community concern over negative screen images. In 2000, Ms. Braun, then director of marketing and development at the Cinema Arts Center, worked with its co-directors, Vic Skolnick, Charlotte Sky and Dylan Skolnick, to organize an Italian-American film festival devoid of “made” men, rubouts and the like.
Such films proved hard to find, though. The depiction of Italian-Americans as voluble, emotional and sometimes murderous had remained “largely formulaic,” Ms. Braun said, from the earliest days of the movie industry.
That was true, she said, even though “we found an endless supply of Italian-American craftsmen working behind the scenes in Hollywood from Day 1 — set designers, composers, writers, costume designers,” making their mark in often sophisticated ways.
Convinced she was “really onto something,” Ms. Braun left her job in 2000 to work on the idea. She sent her outline to Mr. Turturro.
In the film business, “I was nobody,” Ms. Braun explained. “I knew I was going to need a name attached to open some doors for me.”
Mr. Turturro soon signed on. The issue of ethnic sterotyping is something he deals with daily on a professional level, he said through an assistant.
It worked. “I could have said, ‘This is Daisy Duck,’ as long as I said, ‘John Turturro,’ ” said Ms. Braun, who rounded up interview subjects and, over time, raised “about $350,000.” (”Beyond Wiseguys” got its major financial backing from Italian-American sources, including LiDestri Foods of Rochester, a maker of pasta sauce and other products, and the National Italian American Foundation, but they had no editorial input, she said.)
When it came to making the film, two veteran documentary makers, Steven Fischler and Joel Sucher, collaborated with Ms. Braun, a neophyte.
Given the documentary’s many strands, Ms. Braun said she would most like viewers to take away the sense that Hollywood’s Italian-American sagas, at their best, transcend stereotype: “They’re filled with the aroma, and the real experiences, of Italian family life and Italian history,” she said.
Thanks to Karen Lipson
A Tony Soprano Wedding
Sopranos alum James Gandolfini and his girlfriend of a couple of years, former model Deborah Lin, are engaged, sources reveal exclusively to PerezHilton.com.
"James popped the question while in the Bahamas over the holidays," an insider tells us. "They're thrilled."
Congrats!
Saturday, January 12, 2008
Tuesday, January 01, 2008
The Sopranos Locations Map
Just as I have with the Chicago Outfit Locations Map, I have started to create a map of famous locations from The Sopranos. With the holidays past us and a lull in news, I should have more time to spend on both of these maps. Eventually, I will add location maps for each of the 5 New York Families as well as for mob spots in Las Vegas. Clicking on the blue markers will bring up information on each site. Feel free to send me additional locations for inclusion.
View Larger Map
View Larger Map
Friday, December 21, 2007
Threat to "The Sopranos" Eliminated
A federal jury on Wednesday ruled against a man who says he helped "The Sopranos" creator David Chase develop ideas for the hit HBO mob drama.
The jury dismissed the claims of Robert Baer, ruling the aspiring writer and former prosecutor was not owed anything for help he provided while Chase wrote an early draft of the pilot.
Chase's lawyers hugged after hearing the verdict, which came after less than two hours of deliberations on the trial's fifth day.
Baer claimed he arranged meetings with police and prosecutors during a three-day tour of New Jersey mob sites in 1995 and engaged in subsequent conversations — sparking ideas for what became the hit HBO mob drama that ended in June.
Both men testified that Baer turned down compensation from Chase three times. But Baer claimed Chase agreed to "take care of him" if the show was a hit. Baer said no monetary figure was ever discussed. Chase never offered him a writing job on the show.
Chase's attorneys contended it was not the industry practice to pay advisers for help during the writing of a pilot.
Chase said Baer himself was not an expert in the Mafia, and that Baer introduced the Emmy-winning writer-producer to people with knowledge. When Chase rewrote "The Sopranos" pilot after it was rejected by Fox and other networks, he turned to "a true Mafia expert," Dan Castleman, his defense maintained.
Castleman, chief of the Manhattan district attorney's investigations division, testified that he provided free consulting services to Chase, over several dozen phone calls, as Chase worked on rewriting the pilot.
Castleman didn't enter into a contract as a technical adviser with HBO until after the pilot was written. He was paid $3,000 for help in filming the pilot, and got $1,000 for each of the 12 subsequent episodes in the first season. He declined to say how much he was paid for his role throughout the five seasons that followed until the show ended in June.
Castleman also eventually appeared on the show nine times in the role of a federal prosecutor, and prosecuted Tony's uncle, Corrado "Junior" Soprano, in his federal trial in Newark.
Thanks to Janet Frankston Lorin
The jury dismissed the claims of Robert Baer, ruling the aspiring writer and former prosecutor was not owed anything for help he provided while Chase wrote an early draft of the pilot.
Chase's lawyers hugged after hearing the verdict, which came after less than two hours of deliberations on the trial's fifth day.
Baer claimed he arranged meetings with police and prosecutors during a three-day tour of New Jersey mob sites in 1995 and engaged in subsequent conversations — sparking ideas for what became the hit HBO mob drama that ended in June.
Both men testified that Baer turned down compensation from Chase three times. But Baer claimed Chase agreed to "take care of him" if the show was a hit. Baer said no monetary figure was ever discussed. Chase never offered him a writing job on the show.
Chase's attorneys contended it was not the industry practice to pay advisers for help during the writing of a pilot.
Chase said Baer himself was not an expert in the Mafia, and that Baer introduced the Emmy-winning writer-producer to people with knowledge. When Chase rewrote "The Sopranos" pilot after it was rejected by Fox and other networks, he turned to "a true Mafia expert," Dan Castleman, his defense maintained.
Castleman, chief of the Manhattan district attorney's investigations division, testified that he provided free consulting services to Chase, over several dozen phone calls, as Chase worked on rewriting the pilot.
Castleman didn't enter into a contract as a technical adviser with HBO until after the pilot was written. He was paid $3,000 for help in filming the pilot, and got $1,000 for each of the 12 subsequent episodes in the first season. He declined to say how much he was paid for his role throughout the five seasons that followed until the show ended in June.
Castleman also eventually appeared on the show nine times in the role of a federal prosecutor, and prosecuted Tony's uncle, Corrado "Junior" Soprano, in his federal trial in Newark.
Thanks to Janet Frankston Lorin
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