Friends of ours: Soprano Crime Family
The guy who runs the real-life Bada Bing is going to miss "The Sopranos," even if he thinks the show may have lowered his club's image a naughty notch or two.
The North Caldwell woman who cooked meals for the cast and crew while her home was used for "Sopranos" location shots is going to miss making baked ziti and chicken soup for her favorite performers.
Meanwhile, one of the mob show's most vocal critics is happy "The Sopranos," which filmed its last episode this week, will soon be history. "Am I glad they're gone? Yes," said Manny Alfano, director of the Italian-American One Voice Coalition. But, Alfano is resigned to the show's A&E re-runs -- and more TV shows and movies that he says unfairly portray Italian-Americans. "There will always be something to take its place."
"The Sopranos" may die off in several months, as may some of its main characters, but whether there will ever be another phenomenon to take its place is debatable.
"I don't know if we'll ever see something like this again," said David W. Schoner Jr., production coordinator for the New Jersey Motion Picture and Television Commission.
New Jersey, the nation's most mocked, maligned and misunderstood state, received an image boost from "The Sopranos," said Schoner, even if the show did center around a Jersey mob family who often did business with brute force. "The great thing about the show was that it was New Jersey," Schoner added. "There was this unabashed shouting from the mountain: 'This is New Jersey!'"
The other great thing about the show is the $60 million-plus it pumped into the state's economy for things like filming fees, meals, food, lumber and local hiring, according to Schoner. "'The Sopranos' increased the film industry's awareness of the state," Schoner said. "We have been considered for and have gotten projects because of 'The Sopranos.' They've raised our profile as a location for filming."
Those whose have lent their businesses and homes for location filming are sorry to see "The Sopranos" wrap up.
Satin Dolls in Lodi, the stand-in for the Bada Bing strip club, became "the most popular club in the country" due to the HBO series, according to general manager Nick D'Urso. "It certainly made us a lot more popular," D'Urso said. "It really gave us an image. We were a high-line club. Now we were the Bada Bing."
Hanging out at the "Bing" was not always a wise career move on "The Sopranos." One dancer in the show, Tracee, was killed outside the club and various "beatin's" were administered inside. The real-life Satin Dolls is a much serene, says D'Urso, who noted that the Bada Bing will continue to be in the spotlight during the final season. "They filmed more in the club this season than any other," he said.
One business that may continue to profit, even after "The Sopranos" is gone, is On Location Tours, which has conducted tours of "Soprano" locations sites since 2001.
"When 'Sex and the City' ended, the numbers for our 'Sex and the City' tours tripled," said Cathy Wilke, director of marketing for On Location Tours. "People go into withdrawal when a show ends. (With) 'The Sopranos'... on A&E, we'll get a whole new audience." (Reruns of the series, with the language and other content toned down, started airing on the basic cable channel in January.)
More than 15,000 people from 40 countries have taken the bus tours, described as a "four-hour tour through Sopranoland."
Towns across New Jersey have reaped the benefits of "Sopranos" location filming. Scenes have been shot in 40-plus communities, "from Ramsey to Asbury Park," according to Regina Heyman, the show's location manager.
Add Atlantic City to the list; the Borgata will appear in an episode this season.
Filming fees can add up. Kearny has been a popular "Sopranos" backdrop. Scenes have been shot inside and outside the Irish-American Association, which takes down its Irish flag and puts up an Italian flag during filming. The association is next door to the building standing in for the fictional Satriale's Pork Store, a hangout for Tony and his crew.
The association has earned $20,000 in rental fees over the years, according to past vice president Richard Dunleavy. The town itself has collected permit fees of $76,650.
Businesses have been paid for shutting down to accommodate a "Sopranos" shoot. Clear Eyes RX in Wayne, for example, was compensated $6,000 for filming. And then there are those who have invited the show into their homes.
Deborah Del Vecchio, for one, is going to miss cooking for everyone's favorite Jersey mob family. Over the years, her three-level North Caldwell home has served as the "home" of several "Sopranos" characters -- Janice Soprano, Johnny Sack, Silvio Dante and Patsy Parisi. "I always cook for the cast and crew," Del Vecchio said. "Antipasto, baked ziti -- they all love my homemade chicken soup," especially Aida Turturro, who plays Janice.
Filming was last done in her home a week ago, and Del Vecchio reported no gunshots were fired.
Initially, her home was in the running to be Tony Soprano's house, but the ducks ruined it -- or the lack of ducks. Tony liked the ducks in his swimming pool, and though there were ducks in the Del Vecchios' pool, construction on the house next door drove them away. So another house was chosen for the mob don's dwelling.
Del Vecchio's husband, Richard, has his own fond memories of "The Sopranos." He appeared in one episode as a Bada Bing patron. "All I know is that he was smiling for three days," Del Vecchio said, laughing."
Thanks to Peter Genovese
Tuesday, March 27, 2007
Sunday, March 25, 2007
Powerful Mafia Boss Seeking Plea Deal?
Friends of ours: Vito Rizzuto, Joseph "Big Joey" Massino, Salvatore "Good- Looking Sal" Vitale, Gerlando "George From Canada" Sciascia, Patrick "Patty From the Bronx" De Filippo
Vito Rizzuto, named as Canada's most powerful Mafia boss, has asked a New York City judge to delay his trial for three gangland slayings, fueling speculation he is negotiating a plea deal.
David Schoen, defending Mr. Rizzuto against racketeering charges in the United States, declined to discuss any plea negotiations but said one thing is clear: Mr. Rizzuto is not considering co-operating with the authorities, as many of his American co-accused have done. "The answer is absolutely unequivocally 'no,' " he told the National Post.
An earlier document from prosecutors said Mr. Rizzuto, 61, of Montreal, was negotiating a settlement as far back as October, 2006. "If there were plea negotiations going on in any case, notwithstanding what may be a different practice for some other lawyers, I could never conceive of discussing them publicly," Mr. Schoen said. When pressed, he added: "Any speculation about a plea deal, at this point, is misguided."
He and his co-counsel are planning a vigorous defence that is well funded and well planned, he said. "Mr. Rizzuto is very strong and holding up well under these conditions - although I must say he misses Canada and his family very much," Mr. Schoen said. "In my view, there is no need or valid reason whatsoever for Mr. Rizzuto to be incarcerated in a jail in Brooklyn, or anywhere. He is no risk of flight whatsoever and certainly no danger to anyone in any community."
Mr. Rizzuto was arrested in January, 2004, inside his Montreal mansion at the request of the U.S. government. He is accused of being a shooter in an ambush of three rival mobsters in Brooklyn in 1981 as part of an ongoing criminal enterprise. He has been imprisoned since. The charge carries a maximum penalty of a 20 years.
Mr. Rizzuto's desire to return to Canada could factor into any deal; he would likely ask to serve his sentence in Canada. If that were agreed to, it would see him released far sooner than if he served his prison term in America. Under international agreements on the transfer of prisoners, once back in Canada, inmates benefit from our more lenient release rules, including release after serving just two thirds of a sentence.
Mr. Rizzuto was the only Canadian among dozens of men ensnared by the Federal Bureau of Investigation in its assault on the Bonanno Mafia organization, one of the notorious and influential Five Families of New York.
Those indicted alongside him have not fared well. Almost all have pleaded guilty, been found guilty at trial or become government informants.
A cavalcade of Mafia turncoats are pointing fingers at former colleagues. The so-called "rats" include the former Bonanno Family boss, Joseph "Big Joey" Massino, and underboss, Salvatore "Good- Looking Sal" Vitale. Both are expected to be star witnesses against Mr. Rizzuto, should his case go to trial.
Vitale has already testified in other prosecutions, twice telling juries about Mr. Rizzuto's alleged crimes, but Massino has not yet been called to the stand. "I am not in the speculation business and I will leave such decisions to the government," Mr. Schoen said of whether he expects to see Massino testify against his client. "I certainly should hope we will be well prepared to deal with any witness."
Massino has been telling his secrets to the FBI for a year. Although the high-security debriefings are held in utmost secrecy, some of the information he provided was recently summarized in a note from prosecutors to a judge in another case. Some of it involves his contact with Canadian mob figures.
Massino said he ordered the murder of Gerlando "George From Canada" Sciascia, who was the Montreal Mafia's representative in New York and a close friend of Mr. Rizzuto's. He assigned the job to Patrick "Patty From the Bronx" De Filippo at Danny's Chinese Restaurant.
After the murder, Vitale, contacted Massino and spoke a prearranged code to signal the job was done: "I picked up the dolls for the babies."
Mr. Rizzuto continues to be a presence - through his name and photograph - in New York mob cases.
At the trial of De Filippo, which ended this month, the jury heard Vitale claim that Mr. Rizzuto started the shooting that killed the three mobsters.
"What was your role in that murder?" Vitale was asked by Greg Andres, the prosecutor. "Shooter," he answered.
"Were there other people assigned as shooters?" Mr. Andres asked.
"Vito Rizzuto; an old-timer from Canada, I never got his name; another individual from Canada named Emmanuel."
Vitale was shown a photograph and asked to identify it.
"That's Vito Rizzuto from Canada," he answered.
"Do you know where Vito lives?" Mr. Andres asked. "Montreal, Canada."
Later, Vitale again brought Mr. Rizzuto up.
"At the time of your arrest, was there a particular person who you considered the most powerful person in Canada, the person who you would deal with in Canada?" Vitale was asked.
"Vito Rizzuto," came the answer.
Pretrial motions in the case are expected to be ruled on in June.
Mr. Schoen estimates a trial would last nine weeks.
Thanks to Adrian Humphreys
Vito Rizzuto, named as Canada's most powerful Mafia boss, has asked a New York City judge to delay his trial for three gangland slayings, fueling speculation he is negotiating a plea deal.
David Schoen, defending Mr. Rizzuto against racketeering charges in the United States, declined to discuss any plea negotiations but said one thing is clear: Mr. Rizzuto is not considering co-operating with the authorities, as many of his American co-accused have done. "The answer is absolutely unequivocally 'no,' " he told the National Post.
An earlier document from prosecutors said Mr. Rizzuto, 61, of Montreal, was negotiating a settlement as far back as October, 2006. "If there were plea negotiations going on in any case, notwithstanding what may be a different practice for some other lawyers, I could never conceive of discussing them publicly," Mr. Schoen said. When pressed, he added: "Any speculation about a plea deal, at this point, is misguided."
He and his co-counsel are planning a vigorous defence that is well funded and well planned, he said. "Mr. Rizzuto is very strong and holding up well under these conditions - although I must say he misses Canada and his family very much," Mr. Schoen said. "In my view, there is no need or valid reason whatsoever for Mr. Rizzuto to be incarcerated in a jail in Brooklyn, or anywhere. He is no risk of flight whatsoever and certainly no danger to anyone in any community."
Mr. Rizzuto was arrested in January, 2004, inside his Montreal mansion at the request of the U.S. government. He is accused of being a shooter in an ambush of three rival mobsters in Brooklyn in 1981 as part of an ongoing criminal enterprise. He has been imprisoned since. The charge carries a maximum penalty of a 20 years.
Mr. Rizzuto's desire to return to Canada could factor into any deal; he would likely ask to serve his sentence in Canada. If that were agreed to, it would see him released far sooner than if he served his prison term in America. Under international agreements on the transfer of prisoners, once back in Canada, inmates benefit from our more lenient release rules, including release after serving just two thirds of a sentence.
Mr. Rizzuto was the only Canadian among dozens of men ensnared by the Federal Bureau of Investigation in its assault on the Bonanno Mafia organization, one of the notorious and influential Five Families of New York.
Those indicted alongside him have not fared well. Almost all have pleaded guilty, been found guilty at trial or become government informants.
A cavalcade of Mafia turncoats are pointing fingers at former colleagues. The so-called "rats" include the former Bonanno Family boss, Joseph "Big Joey" Massino, and underboss, Salvatore "Good- Looking Sal" Vitale. Both are expected to be star witnesses against Mr. Rizzuto, should his case go to trial.
Vitale has already testified in other prosecutions, twice telling juries about Mr. Rizzuto's alleged crimes, but Massino has not yet been called to the stand. "I am not in the speculation business and I will leave such decisions to the government," Mr. Schoen said of whether he expects to see Massino testify against his client. "I certainly should hope we will be well prepared to deal with any witness."
Massino has been telling his secrets to the FBI for a year. Although the high-security debriefings are held in utmost secrecy, some of the information he provided was recently summarized in a note from prosecutors to a judge in another case. Some of it involves his contact with Canadian mob figures.
Massino said he ordered the murder of Gerlando "George From Canada" Sciascia, who was the Montreal Mafia's representative in New York and a close friend of Mr. Rizzuto's. He assigned the job to Patrick "Patty From the Bronx" De Filippo at Danny's Chinese Restaurant.
After the murder, Vitale, contacted Massino and spoke a prearranged code to signal the job was done: "I picked up the dolls for the babies."
Mr. Rizzuto continues to be a presence - through his name and photograph - in New York mob cases.
At the trial of De Filippo, which ended this month, the jury heard Vitale claim that Mr. Rizzuto started the shooting that killed the three mobsters.
"What was your role in that murder?" Vitale was asked by Greg Andres, the prosecutor. "Shooter," he answered.
"Were there other people assigned as shooters?" Mr. Andres asked.
"Vito Rizzuto; an old-timer from Canada, I never got his name; another individual from Canada named Emmanuel."
Vitale was shown a photograph and asked to identify it.
"That's Vito Rizzuto from Canada," he answered.
"Do you know where Vito lives?" Mr. Andres asked. "Montreal, Canada."
Later, Vitale again brought Mr. Rizzuto up.
"At the time of your arrest, was there a particular person who you considered the most powerful person in Canada, the person who you would deal with in Canada?" Vitale was asked.
"Vito Rizzuto," came the answer.
Pretrial motions in the case are expected to be ruled on in June.
Mr. Schoen estimates a trial would last nine weeks.
Thanks to Adrian Humphreys
Hoboken Genovese Gang Not Seen Much Any More
Friends of ours: Genovese Crime Family, Michael Coppola, Michael "Tona" Borelli, Peter Grecco, Peter Caporino, Tino R. Fiumara, Lawrence A. Ricci
The old gang isn't seen much around Hoboken any more, thanks to the recent efforts of the FBI to nab the city's most notorious mobsters.
The latest arrest: Michael Coppola, 60, a reputed captain in the Genovese crime family, who was arrested Friday in New York City and charged in the 1977 killing of a mobster in Bridgewater .
Coppola was one of the FBI's most wanted fugitives, and he'd been featured on " America 's Most Wanted" several times. Investigators had searched for him in Nevada , Pennsylvania , Florida , Canada , Italy and Costa Rica .
In the 1970s and 1980s, Coppola could be seen in Hoboken social clubs meeting with the likes of Michael "Tona" Borelli, 69, of Fort Lee, a reputed made member of the Genovese crime family, Peter Grecco, 70, of Woodcliff Lake , and infamous mob rat Peter Caporino, 69, of Hasbrouck Heights , Hoboken police sources said yesterday.
Borelli and Grecco are facing prison time after a federal probe into gambling and other rackets in Hoboken and Jersey City . Caporino, who cooperated with the feds in that case to avoid jail time on a gambling charge in Hudson County , faces jail time himself, as authorities said he continued his criminal activities even after the feds told him to stop.
Caporino wore a wire for the FBI for years and made one recording of Borelli in the "Company K" social club on Jefferson Street , where Coppola used to hold court. When Genovese boss Tino R. Fiumara was in prison and Coppola was on the run, Borelli and Lawrence A. Ricci ran the Coppola/Fiumara crew, says a report 2004 by the New Jersey Investigation Commission. Ricci was found dead in a car trunk behind a Union County diner in December 2005.
With the help of Caporino, Borelli and Grecco pleaded guilty in April 2006 to operating an illegal gambling business. "The Fiumara/Coppola crew is one of the largest and most resourceful Genovese crews operating in New Jersey ," the state report says.
Coppola is accused of gunning down Johnny "Coca Cola" Lardiere outside the Red Bull Inn on Route 22 in Bridgewater in 1977.
Investigators believe Coppola drew a silenced .22-caliber pistol and pointed it at Lardiere - but the gun jammed. Lardiere then sneered at the hitman, "What're you gonna do now, tough guy?" Coppola then drew a second gun from an ankle holster and shot Lardiere five times, authorities said.
Nine years later, DNA evidence and an informant led the FBI to Coppola, but he disappeared.
Coppola has been listed at or near the top of the state Division of Criminal Justice's 13 most wanted fugitives since the list was drawn up five years ago.
Newhouse News Service contributed to this report.
Thanks to Michaelangelo Conte
The old gang isn't seen much around Hoboken any more, thanks to the recent efforts of the FBI to nab the city's most notorious mobsters.
The latest arrest: Michael Coppola, 60, a reputed captain in the Genovese crime family, who was arrested Friday in New York City and charged in the 1977 killing of a mobster in Bridgewater .
Coppola was one of the FBI's most wanted fugitives, and he'd been featured on " America 's Most Wanted" several times. Investigators had searched for him in Nevada , Pennsylvania , Florida , Canada , Italy and Costa Rica .
In the 1970s and 1980s, Coppola could be seen in Hoboken social clubs meeting with the likes of Michael "Tona" Borelli, 69, of Fort Lee, a reputed made member of the Genovese crime family, Peter Grecco, 70, of Woodcliff Lake , and infamous mob rat Peter Caporino, 69, of Hasbrouck Heights , Hoboken police sources said yesterday.
Borelli and Grecco are facing prison time after a federal probe into gambling and other rackets in Hoboken and Jersey City . Caporino, who cooperated with the feds in that case to avoid jail time on a gambling charge in Hudson County , faces jail time himself, as authorities said he continued his criminal activities even after the feds told him to stop.
Caporino wore a wire for the FBI for years and made one recording of Borelli in the "Company K" social club on Jefferson Street , where Coppola used to hold court. When Genovese boss Tino R. Fiumara was in prison and Coppola was on the run, Borelli and Lawrence A. Ricci ran the Coppola/Fiumara crew, says a report 2004 by the New Jersey Investigation Commission. Ricci was found dead in a car trunk behind a Union County diner in December 2005.
With the help of Caporino, Borelli and Grecco pleaded guilty in April 2006 to operating an illegal gambling business. "The Fiumara/Coppola crew is one of the largest and most resourceful Genovese crews operating in New Jersey ," the state report says.
Coppola is accused of gunning down Johnny "Coca Cola" Lardiere outside the Red Bull Inn on Route 22 in Bridgewater in 1977.
Investigators believe Coppola drew a silenced .22-caliber pistol and pointed it at Lardiere - but the gun jammed. Lardiere then sneered at the hitman, "What're you gonna do now, tough guy?" Coppola then drew a second gun from an ankle holster and shot Lardiere five times, authorities said.
Nine years later, DNA evidence and an informant led the FBI to Coppola, but he disappeared.
Coppola has been listed at or near the top of the state Division of Criminal Justice's 13 most wanted fugitives since the list was drawn up five years ago.
Newhouse News Service contributed to this report.
Thanks to Michaelangelo Conte
Saturday, March 24, 2007
Anne Hathaway Connected to the Mob?
Anne Hathaway, star of "The Devil Wears Prada
" and more recently "Becoming Jane", is facing an extradition hearing due to her being accused of running her husband's criminal empire after he was jailed for murder.The 44-year was said to be "bewildered" by the allegations, which carry a maximum sentence of 24 years.
Friends of the beleaguered film starlet and part time mafia don are equally bewildered as they say they had never realised that she was that old or an Italian underworld Kingpin.
Such is the magic of celluloid it would appear, in "The Devil Wears Prada (Widescreen Edition)
" she looks all of 20 something, a good twenty years younger than the police information reports.Italian investigators believe she passed on instructions from her jailed husband, Cosa Nostra boss Antonio Rinzivillo, to criminal associates, collected earnings, laundered money and sold kittens to Robert Mugabe for his personal consumption.
Rinzivillo was jailed for 30 years after being convicted of drug trafficking and the murder of a Milan lawyer Antonio Mirabelle after he had discovered the baby cat laundering racket and many other shady dealings, so many in fact that Ann Hathaway has had her fingers in so many pies it is difficult to know where to start looking.
Fingers in pies being just one of the more disturbing issues uncovered.
Thanks to The Spoof
Alle Origini della Mafia
Origins of the Mafia, also known as Alle Origini della Mafia, is a fairly engrossing five-part English-Italian TV co-production from 1976. If you're like me, you've watched just about every mob movie that's come down the pike, but it's rare to see one that examines the very beginnings of the Mafia, back in Sicily, over four hundred years ago. I understand that some historians doubt a mediaeval start date for la Cosa Nostra, and I'm certainly no expert on Sicilian or mob history (like any good American, most of my history background comes from the movies). But the all-star Origins of the Mafia makes a pretty good case for its origins beginning during the mid-16th century.
Separated into five, 50 minute episodes that span over three hundred years of Mafia history in Sicily, Origins of the Mafia, in a straightforward, TV miniseries manner, details not only milestones in the organization, but more interestingly, gives the viewer background on what external forces and social conventions may have created the Sicilian culture that has allowed the Mafia to flourish for over four hundred years. Whenever I see The Godfather or The Godfather Part II, I always wonder who those Sicilian guys are, walking around with berets and shotguns, guarding their dons, on the huge Sicilians estates. How did the system of patronage, extortion, and violence start there? The Mafia, at least in modern movies, always seems to be this monolithic entity that just is, that exists without a start or stop. Origins of the Mafia does a rather nice job of giving the viewer the background necessary to appreciate all the other mob movies, while telling a good story on its own.
Episode One takes place in 1556, where the corrupt Gramignano family holds absolute power over the small island of Sicily, which is ruled at this time by Spain. Bartolomeo Gramignano (Lee J. Cobb), the head of the family, is an informer for the Ecclesiastic Court -- the Spanish Inquisition -- and as such, enjoys almost unlimited power, and is answerable only to the King of Spain, or his Envoy. The King's Envoy (Joseph Cotton), comes to Sicily to investigate the Gramignanos, particularly the crimes of Bartolomeo's son, Giuseppe (Claudio Camaso), a sadistic killer who terrifies the village. Unfortunately, the Envoy and his impetuous aid, Sebastian (Edward Albert), cannot find one witness who will testify against the Gramignanos. The Spanish Army captain (Renato Salvatori) has long given up trying to bring the crime family to justice, and now actively works with them to save his own neck. When Sebastian tries to protect a bride from being raped on her wedding night by Giuseppe, both he and the Envoy, despite the influence of their office, come to realize who the real power is in Sicily.
Episode Two sees Sicily, in 1785, controlled by the Bourbons of Naples. A crusading Viceroy, Caracciolo (Massimo Girotti), works to reform Sicily, but meets opposition on all sides. The aristocracy, such as Don Armando Della Morra (Mel Ferrer) despise him for trying to limit the power of their class, while the gilds, such as the bakery guild, hate him for trying break up their control of consumer prices. Further weakening the Viceroy's power is the reliance of the Sicilian people on private organizations such as the Beati Paolos (the "Beautiful Pauls"), who offer justice to the weak, but at a terrible price for those who go against the group. This episode tells the story of Angelo La Parma (Biagio Pelligra), a peasant who was unjustly imprisoned by Della Morra when he discovered that Della Morra killed his own brother, the true prince. Aided by Pietro (John McEnery), a nobleman who belongs to the Beati Paolos, Angelo joins the organization. When Della Morra tries to intervene in the murder of a baker who had threatened the influence of the guilds, he learns of the real power that controls 1785 Sicily.
Episode Three begins in 1835, when the Bourbons still control Italy. The jaded aristocracy, such as Baron Della Spina (Fernando Rey), employ tax collectors to not only gather money from the peasants that live off their vast estates, but to actually run the estates for the absentee landlords -- and to keep the peace with the oppressed peasants. These tax collectors have their own private armies of overseers and guards who exploit the peasants – and even the landlords if their power becomes great enough. Nicu Borello (Fausto Tozzi), steals Baron Della Spina's cattle, without his knowledge, and then presents them to the Baron, asking to take on the role of his tax collector. Spina agrees, and after twenty-five years of extortion and secret theft, Borello dies rich, and Spina dies penniless. Borello's son, Michele (Tony Musante) is now a powerful, wealthy merchant with ties to politicians and judges, while Spina's son, Antonio (Remo Girone), wastes away as an indolent gambler with a title and no money. As Garibaldi's forces move to take over Sicily, Michele and his own "mafia" wait to see the inevitable fall of the Bourbon aristocrats. Michele, now part of the emerging bourgeoisie, takes Spina's sister Barbara (Rejane Medeiros) as his wife, in a bid to gain respectability.
Episode Four finds Sicily, in 1861, now part of the Kingdom of Italy. But Garibaldi's promises of a peasant revolution have failed to come true. The peasants are not allowed to own the land they work on, and the government is powerless to enforce its own laws, particularly when the Mafia has such a strong hold on the populace. At the center, like a spider, lies Don Consalvo Saccone (Trevor Howard), who pulls the strings for all who come to him for help. Prefect Mieli (Giancarlo Sbragia), new from Italy, finds he doesn't understand the ways of the Sicilians, and unwisely lets Saccone in on a family secret. Marquis Tarcone (Massimo Serato), a sadistic, wealthy landowner, refuses to work with the peasants who are organizing into an angry mob, led by Bernardino Campo (Tom Skerritt), who demands his right to own land and not be treated like a serf. La Monica (Spiros Focas), who is running for political office, is controlled as well by Don Saccone. As events lead to an inevitable tragic end, the only remaining constant is the power of the Mafia, under Don Saccone.
Episode Five opens in 1875, when the government of Italy first officially investigates the crimes of the Mafia in Sicily, which has become a national scandal. A senator (Amedeo Nazzari) is sent down to investigate the murder of an orange grower who was killed for undercutting the prices of other farmers – who are protected by the Mafia. A witness to the killing, Vincenzo Biscetta (Paolo Bonacelli), has been driven mad by the death of his own don, Don Antonio Mastrangelo (Renzo Montagnan). Don Antonio, who controlled the water source that flowed to fellow Don Felice Balsamo's (Claudio Gora) property, decides to buck the Mafia system and shut off the water to Don Balsamo's property. He is promptly killed, and his bodyguard, Nino Sciallacca (Tony Lo Bianco) is immediately charged with the crime. Vianisi (James Mason), a famous lawyer, is engaged by Don Antonio's widow, Rosa (Katherine Ross), to get Nino off. But why does she do that?
Working within the miniseries framework, Origins of the Mafia has the time to tie in several theories about how the Mafia began, as well as nicely detail the evolving social and political conditions that may have encouraged its growth. The first episode sets up the notion that Sicilians, long ruled by foreign powers, came to distrust anyone but other Sicilians, while they relied on their own to take care of their own, as well as dispense their own justice. Episode Two details the further retreat of Sicilians from foreign rule, as well as their reliance on secret societies to right wrongs within in their communities. Episode Three illustrates the failure of the aristocracy to address the peasants concerns, with the nascent Mafia stepping in to provide justice – while lining their own pockets and consolidating their own power – in the vacuum created by a distant government and an uncaring, dissipated, decadent gentry. Episode Four shows the newly middle class Mafia moving into the world of politics, providing the "juice" by buying politicians and keeping order – as long as it consolidates their power. And Episode Five shows the depth of the Mafia's hold over ordinary peasants, and their reach within every single transaction – whether business, political, or personal – in the lives of Sicilians.
Origins of the Mafia's miniseries format doesn't offer great "cinematic" moments that you're likely going to remember. It's isn't that kind of film. Storytelling comes first and last here; watching Origins of the Mafia is like diving into a really long, good book that, while not stylistically compelling, is dramatically most satisfying. It's a good yarn, plan and simple, and it's straight-ahead, flat TV style perfectly suits the material. Spectacular location shooting in Sicily aids enormously in recreating the historic atmosphere (it's apparent real interiors, not sets, were used as well). Where one might quibble is in the film's use of name Hollywood actors to anchor the various episodes. The Italian actors, of course, fit in perfectly. And while some of the American actors acquit themselves quite well (that fantastic, underrated actor Tony Musante is near-perfect in his role), others flounder (what the hell is Joseph Cotton doing here playing a Spaniard, and even more mind-boggling, Katherine Ross playing a vengeful Sicilian?). As well, the final episode, while benefitting from the presence of always marvelous James Mason (as an Italian?), doesn't fit in nearly as well as the previous episodes in detailing specific evolutions of the Mafia throughout Sicilian history. But it's a small point. The four and a half hour, two-disc Origins of the Mafia, directed in a clean, concise fashion by Enzo Muzii, is an absorbing, entertaining history lesson that moves confidently within its potboiler framework.
The DVD:
The Video:
The full-frame video image for Origins of the Mafia looks good, but some of the colors have gone a little muddy, a little faded. Dirt and scratches occasionally appear, but overall, it's fair transfer.
The Audio:
The Dolby Digital English 2.0 stereo mix is adequate, but unspectacular. This is a dialogue-driven production, but it would have been nice to hear that Nino Rota score in a stronger mix. No subtitles or close-captioning are available.
The Extras:
There are no extras for Origins of the Mafia.
Final Thoughts:
If you love Mafia movies, Origins of the Mafia is necessary viewing, if only for the background you can get on the mob's beginnings in Sicily. But even if you're not in the mood for a history lesson, Origins of the Mafia is a leisurely paced, confident, cleanly executed TV miniseries that tells five absorbing Mafia-related stories. I recommend Origins of the Mafia.
Thanks to Paul Mavis
Separated into five, 50 minute episodes that span over three hundred years of Mafia history in Sicily, Origins of the Mafia, in a straightforward, TV miniseries manner, details not only milestones in the organization, but more interestingly, gives the viewer background on what external forces and social conventions may have created the Sicilian culture that has allowed the Mafia to flourish for over four hundred years. Whenever I see The Godfather or The Godfather Part II, I always wonder who those Sicilian guys are, walking around with berets and shotguns, guarding their dons, on the huge Sicilians estates. How did the system of patronage, extortion, and violence start there? The Mafia, at least in modern movies, always seems to be this monolithic entity that just is, that exists without a start or stop. Origins of the Mafia does a rather nice job of giving the viewer the background necessary to appreciate all the other mob movies, while telling a good story on its own.
Episode One takes place in 1556, where the corrupt Gramignano family holds absolute power over the small island of Sicily, which is ruled at this time by Spain. Bartolomeo Gramignano (Lee J. Cobb), the head of the family, is an informer for the Ecclesiastic Court -- the Spanish Inquisition -- and as such, enjoys almost unlimited power, and is answerable only to the King of Spain, or his Envoy. The King's Envoy (Joseph Cotton), comes to Sicily to investigate the Gramignanos, particularly the crimes of Bartolomeo's son, Giuseppe (Claudio Camaso), a sadistic killer who terrifies the village. Unfortunately, the Envoy and his impetuous aid, Sebastian (Edward Albert), cannot find one witness who will testify against the Gramignanos. The Spanish Army captain (Renato Salvatori) has long given up trying to bring the crime family to justice, and now actively works with them to save his own neck. When Sebastian tries to protect a bride from being raped on her wedding night by Giuseppe, both he and the Envoy, despite the influence of their office, come to realize who the real power is in Sicily.
Episode Two sees Sicily, in 1785, controlled by the Bourbons of Naples. A crusading Viceroy, Caracciolo (Massimo Girotti), works to reform Sicily, but meets opposition on all sides. The aristocracy, such as Don Armando Della Morra (Mel Ferrer) despise him for trying to limit the power of their class, while the gilds, such as the bakery guild, hate him for trying break up their control of consumer prices. Further weakening the Viceroy's power is the reliance of the Sicilian people on private organizations such as the Beati Paolos (the "Beautiful Pauls"), who offer justice to the weak, but at a terrible price for those who go against the group. This episode tells the story of Angelo La Parma (Biagio Pelligra), a peasant who was unjustly imprisoned by Della Morra when he discovered that Della Morra killed his own brother, the true prince. Aided by Pietro (John McEnery), a nobleman who belongs to the Beati Paolos, Angelo joins the organization. When Della Morra tries to intervene in the murder of a baker who had threatened the influence of the guilds, he learns of the real power that controls 1785 Sicily.
Episode Three begins in 1835, when the Bourbons still control Italy. The jaded aristocracy, such as Baron Della Spina (Fernando Rey), employ tax collectors to not only gather money from the peasants that live off their vast estates, but to actually run the estates for the absentee landlords -- and to keep the peace with the oppressed peasants. These tax collectors have their own private armies of overseers and guards who exploit the peasants – and even the landlords if their power becomes great enough. Nicu Borello (Fausto Tozzi), steals Baron Della Spina's cattle, without his knowledge, and then presents them to the Baron, asking to take on the role of his tax collector. Spina agrees, and after twenty-five years of extortion and secret theft, Borello dies rich, and Spina dies penniless. Borello's son, Michele (Tony Musante) is now a powerful, wealthy merchant with ties to politicians and judges, while Spina's son, Antonio (Remo Girone), wastes away as an indolent gambler with a title and no money. As Garibaldi's forces move to take over Sicily, Michele and his own "mafia" wait to see the inevitable fall of the Bourbon aristocrats. Michele, now part of the emerging bourgeoisie, takes Spina's sister Barbara (Rejane Medeiros) as his wife, in a bid to gain respectability.
Episode Four finds Sicily, in 1861, now part of the Kingdom of Italy. But Garibaldi's promises of a peasant revolution have failed to come true. The peasants are not allowed to own the land they work on, and the government is powerless to enforce its own laws, particularly when the Mafia has such a strong hold on the populace. At the center, like a spider, lies Don Consalvo Saccone (Trevor Howard), who pulls the strings for all who come to him for help. Prefect Mieli (Giancarlo Sbragia), new from Italy, finds he doesn't understand the ways of the Sicilians, and unwisely lets Saccone in on a family secret. Marquis Tarcone (Massimo Serato), a sadistic, wealthy landowner, refuses to work with the peasants who are organizing into an angry mob, led by Bernardino Campo (Tom Skerritt), who demands his right to own land and not be treated like a serf. La Monica (Spiros Focas), who is running for political office, is controlled as well by Don Saccone. As events lead to an inevitable tragic end, the only remaining constant is the power of the Mafia, under Don Saccone.
Episode Five opens in 1875, when the government of Italy first officially investigates the crimes of the Mafia in Sicily, which has become a national scandal. A senator (Amedeo Nazzari) is sent down to investigate the murder of an orange grower who was killed for undercutting the prices of other farmers – who are protected by the Mafia. A witness to the killing, Vincenzo Biscetta (Paolo Bonacelli), has been driven mad by the death of his own don, Don Antonio Mastrangelo (Renzo Montagnan). Don Antonio, who controlled the water source that flowed to fellow Don Felice Balsamo's (Claudio Gora) property, decides to buck the Mafia system and shut off the water to Don Balsamo's property. He is promptly killed, and his bodyguard, Nino Sciallacca (Tony Lo Bianco) is immediately charged with the crime. Vianisi (James Mason), a famous lawyer, is engaged by Don Antonio's widow, Rosa (Katherine Ross), to get Nino off. But why does she do that?
Working within the miniseries framework, Origins of the Mafia has the time to tie in several theories about how the Mafia began, as well as nicely detail the evolving social and political conditions that may have encouraged its growth. The first episode sets up the notion that Sicilians, long ruled by foreign powers, came to distrust anyone but other Sicilians, while they relied on their own to take care of their own, as well as dispense their own justice. Episode Two details the further retreat of Sicilians from foreign rule, as well as their reliance on secret societies to right wrongs within in their communities. Episode Three illustrates the failure of the aristocracy to address the peasants concerns, with the nascent Mafia stepping in to provide justice – while lining their own pockets and consolidating their own power – in the vacuum created by a distant government and an uncaring, dissipated, decadent gentry. Episode Four shows the newly middle class Mafia moving into the world of politics, providing the "juice" by buying politicians and keeping order – as long as it consolidates their power. And Episode Five shows the depth of the Mafia's hold over ordinary peasants, and their reach within every single transaction – whether business, political, or personal – in the lives of Sicilians.
Origins of the Mafia's miniseries format doesn't offer great "cinematic" moments that you're likely going to remember. It's isn't that kind of film. Storytelling comes first and last here; watching Origins of the Mafia is like diving into a really long, good book that, while not stylistically compelling, is dramatically most satisfying. It's a good yarn, plan and simple, and it's straight-ahead, flat TV style perfectly suits the material. Spectacular location shooting in Sicily aids enormously in recreating the historic atmosphere (it's apparent real interiors, not sets, were used as well). Where one might quibble is in the film's use of name Hollywood actors to anchor the various episodes. The Italian actors, of course, fit in perfectly. And while some of the American actors acquit themselves quite well (that fantastic, underrated actor Tony Musante is near-perfect in his role), others flounder (what the hell is Joseph Cotton doing here playing a Spaniard, and even more mind-boggling, Katherine Ross playing a vengeful Sicilian?). As well, the final episode, while benefitting from the presence of always marvelous James Mason (as an Italian?), doesn't fit in nearly as well as the previous episodes in detailing specific evolutions of the Mafia throughout Sicilian history. But it's a small point. The four and a half hour, two-disc Origins of the Mafia, directed in a clean, concise fashion by Enzo Muzii, is an absorbing, entertaining history lesson that moves confidently within its potboiler framework.
The DVD:
The Video:
The full-frame video image for Origins of the Mafia looks good, but some of the colors have gone a little muddy, a little faded. Dirt and scratches occasionally appear, but overall, it's fair transfer.
The Audio:
The Dolby Digital English 2.0 stereo mix is adequate, but unspectacular. This is a dialogue-driven production, but it would have been nice to hear that Nino Rota score in a stronger mix. No subtitles or close-captioning are available.
The Extras:
There are no extras for Origins of the Mafia.
Final Thoughts:
If you love Mafia movies, Origins of the Mafia is necessary viewing, if only for the background you can get on the mob's beginnings in Sicily. But even if you're not in the mood for a history lesson, Origins of the Mafia is a leisurely paced, confident, cleanly executed TV miniseries that tells five absorbing Mafia-related stories. I recommend Origins of the Mafia.
Thanks to Paul Mavis
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