Beyond Wiseguys: Italian Americans and the Movies

DON’T get her wrong: Rosanne De Luca Braun loves “The Godfather.” Ditto, “The Sopranos.” But she has devoted much of the last seven years to exploring why certain Italian-American stereotypes — especially the gun-toting, cannoli-loving mobster — loom so large on screen, and in the national psyche.

The result of her labors is the documentary “Beyond Wiseguys: Italian Americans and the Movies,” which will have its Long Island premiere on Jan. 20 at the Cinema Arts Center in Huntington. Dominic Chianese, who played Uncle Junior in “The Sopranos” television series, is scheduled to make a guest appearance at the theater.

Running 57 minutes, “Beyond Wiseguys” interweaves celebrated movie and TV scenes with interviews with scholars and members of the film and TV industries. Among those appearing are the directors Martin Scorsese, David Chase and Spike Lee, the actor-director John Turturro (who was co-executive producer of the documentary with Ms. Braun), and, from the acting ranks, Marisa Tomei, Paul Sorvino, Ben Gazzara, Isabella Rossellini, Susan Sarandon and Mr. Chianese.

Some tell of having endured typecasting or of fighting ethnic clichés. Yet Ms. Braun, 59, of Sicilian and Calabrian descent herself, says she is not merely beating a drum against intolerance. “I’m not anti mob movies,” she said recently over lunch in her condominium overlooking Long Island Sound in Northport. (She shares it with her husband, Edward Braun, the chairman of the technology-instrument company Veeco.)

“I don’t relate to the fact that these are ‘stereotypes,’ ” Ms. Braun said. “I relate to the characters. And in the case of a great work of art, I don’t view it as Italian-American — it’s American.”

Nevertheless, “Beyond Wiseguys” has its roots partly in community concern over negative screen images. In 2000, Ms. Braun, then director of marketing and development at the Cinema Arts Center, worked with its co-directors, Vic Skolnick, Charlotte Sky and Dylan Skolnick, to organize an Italian-American film festival devoid of “made” men, rubouts and the like.

Such films proved hard to find, though. The depiction of Italian-Americans as voluble, emotional and sometimes murderous had remained “largely formulaic,” Ms. Braun said, from the earliest days of the movie industry.

That was true, she said, even though “we found an endless supply of Italian-American craftsmen working behind the scenes in Hollywood from Day 1 — set designers, composers, writers, costume designers,” making their mark in often sophisticated ways.

Convinced she was “really onto something,” Ms. Braun left her job in 2000 to work on the idea. She sent her outline to Mr. Turturro.

In the film business, “I was nobody,” Ms. Braun explained. “I knew I was going to need a name attached to open some doors for me.”

Mr. Turturro soon signed on. The issue of ethnic sterotyping is something he deals with daily on a professional level, he said through an assistant.

It worked. “I could have said, ‘This is Daisy Duck,’ as long as I said, ‘John Turturro,’ ” said Ms. Braun, who rounded up interview subjects and, over time, raised “about $350,000.” (”Beyond Wiseguys” got its major financial backing from Italian-American sources, including LiDestri Foods of Rochester, a maker of pasta sauce and other products, and the National Italian American Foundation, but they had no editorial input, she said.)

When it came to making the film, two veteran documentary makers, Steven Fischler and Joel Sucher, collaborated with Ms. Braun, a neophyte.

Given the documentary’s many strands, Ms. Braun said she would most like viewers to take away the sense that Hollywood’s Italian-American sagas, at their best, transcend stereotype: “They’re filled with the aroma, and the real experiences, of Italian family life and Italian history,” she said.

Thanks to Karen Lipson

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A Tony Soprano Wedding

Sopranos alum James Gandolfini and his girlfriend of a couple of years, former model Deborah Lin, are engaged, sources reveal exclusively to PerezHilton.com.

"James popped the question while in the Bahamas over the holidays," an insider tells us. "They're thrilled."

Congrats!

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Mob Economics 101: Hauling Trash

The Italian government called in the army on Tuesday to clean up the mounting piles of waste in the city of Naples. Residents blame the authorities for not doing more to stop the Camorra, the region's Mafia group, which controls garbage collection and has caused the city's constant waste problem for more than a decade. Organized crime appears to have a hand in trash collection all over the world, from Naples to Tony Soprano's northern New Jersey. Why are gangsters always hauling garbage?

It's Mob Economics 101: Find a business that's easy to enter and lucrative to control. Criminal organizations make lots of money from drugs, human trafficking, and counterfeit goods, but creating a monopoly on garbage collection is attractive because the business itself is legal, and public contracts return big profits. Compared with something like running a casino or grocery store, the logistics of taking trash from Point A to Point B are a no-brainer. Anyone with a truck and a couple of strong guys can make good money, and there's always a demand for the service.

Here's how it works: The mob organizes the trash-hauling businesses in a given city to prevent competition from driving down prices. They fix prices, rig bids, and allocate territories in such a way that customers can't choose who picks up their garbage. The Camorra, a larger and older group than the Sicilian Mafia, have controlled the industry in Naples for about 25 years. The mob harasses non-Camorra garbage collectors and extorts money from them; meanwhile, its own companies do a shoddy job. The country's Mafia groups have also illegally dumped toxic, industrial waste in Naples and other parts of the country.

Criminal organizations elsewhere in the world also find profit in trash schemes. In parts of Taiwan, gangs dig into the riverbank for gravel and sell it to construction companies. Then, they fill up the holes with waste they've collected. Georgian crime bosses swooped in when the city of Tbilisi privatized waste transport. In New York City, La Cosa Nostra more or less dominated trash collection from the 1950s until Rudy Giuliani seized control of the industry as mayor in the 1990s. It all started when members worked their way into the Teamsters union, which included garbage truck drivers; this allowed the mob to dictate which companies the drivers would work for, effectively pushing out non-Mafia operations. (The Mafia also controlled the construction sector through unions.)

For a large crime organization, the garbage racket provides relatively little in the way of revenue compared with traditional criminal enterprises like gambling, loan-sharking, and narcotics. This is especially true in Italy, where the mob operates in many industries. The Camorra is thought to make $70 billion a year, much of it from drugs, contraband cigarettes, and DVDs, as well as public sector contracts in construction and cleaning. Another Italian group, the 'Ndrangheta, traffics 80 percent of Europe's cocaine. The Mafia is so pervasive in Italy that, according to a large trade association, it controls one out of every five businesses in the country.

Thanks to Michelle Tsai

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