Mafia III (Expanded Game Score)
? And The Mysterians: “Ninety-Six Tears”
The Animals: “We Gotta Get Out Of This Place”
Aretha Franklin: “Chain of Fools,” “Respect”
Barry Maguire: “Eve of Destruction”
Beach Boys: “Help Me, Rhonda,” “Heroes and Villains,” “Wouldn’t It Be Nice”
Beethoven Ben: “Dance of the Hours”
Big Brother & The Holding Company: “Piece of My Heart”
Blue Cheer: “Good Times Are So Hard To Find”
Bobby Fuller Four: “I Fought The Law”
Box Tops: “The Letter”
Canned Heat: “On The Road Again”
Chambers Brothers: “I Can’t Turn You Loose”
Clarence Carter: “Slip Away”
Clifton Chenier: “Ay-Tete-Fee”
Count Five: “Psychotic Reaction”
Cream: “White Room”
Creedence Clearwater Revival: “Proud Mary,” “Fortunate Son,” “Bad Moon Rising,” “Born on the Bayou”
Del Shannon: “Runaway,” “Keep Searchin’ (We’ll Follow The Sun)”
Delta Rae: “Bottom of the River”
Dewey Edwards: “I Let A Good Thing Go By”
Diana Ross & The Supremes: “Love Child”
Dusty Springfield: “Son of a Preacher Man”
Eddie Floyd: “Knock on Wood”
Elvis: “A Little Less Conversation”
Etta James: “Don’t Go To Strangers”
Four Tops: “Reach Out, I’ll Be There”
Freddie Cannon: “Palisades Park”
Iron Butterfly: “In A Gadda Da Vida”
James Brown: “I Got You (I Feel Good)”
Jefferson Airplane: “Somebody to Love,” “White Rabbit”
John Lee Hooker: “One Bourbon, One Scotch, One Beer”
Johnny Cash: “Folsom Prison Blues (Live),” “Ring of Fire”
Jr. Walker and the All Stars: “Shotgun”
L.C. Cooke: “Take Me For What I Am”
Lightnin’ Hopkins: “Black Ghost Blues,” “Sinner’s Prayer,” “The Howling Wolf”
Lightnin’ Slim: “G.I. Blues”
Little Richard: “Long Tall Sally”
Lonnie Youngblood: “Go Go Shoes”
Martha and the Vendellas: “Nowhere to Run”
Marvin Gaye: “You”
Mercy Dee Walton: “Five Card Hand”
Misfits: “You Belong To Me”
Mourning Ritual (ft. Peter Dreimanis): “Bad Moon Rising”
Otis Redding: “Sitting On The Dock Of The Bay,” “Hard To Handle”
Otis Redding & Carla Thomas: “Tramp”
Otis Spann: “Must Have Been The Devil”
Patsy Cline: “Crazy”
Paul Revere and the Raiders: “Kicks”
Ramones: “Palisades Park”
Roger Miller: “King of the Road”
Roosevelt Sykes: “Hey Big Momma”
Roy Orbison: “Running Scared”
Rufus Thomas: “Walking The Dog”
Sam and Dave: “Hold On, I’m Comin’,” “Soul Man”
Sam Cooke: “Chain Gang,” “Wonderful World,” “Bring It On Home To Me,” “Another Saturday Night,” “I’m Gonna Forget About You”
Sam the Sham and the Pharaohs: “Li’l Red Riding Hood”
Sonny Rhodes: “You Better Stop”
Status Quo: “Pictures Of Matchstick Men”
Steppenwolf: “Desperation,” “Born To Be Wild”
Supremes: You Keep Me Hangin’ On
Temptations: “I Wish It Would Rain”
The Animals: “House of the Rising Sun”
The Avengers: “Paint It Black”
The Band: “The Weight”
The Chambers Brothers: “Time Has Come Today”
The Dramatics: “Get Up and Get Down”
The Duprees: “You Belong To Me”
The Fun Sons: “Hang Ten”
The Miracles: “You’ve Really Got A Hold On Me”
The Rolling Stones: “Mother’s Little Helper,” “Paint It Black,” “Sympathy For The Devil,” “Street Fighting Man,”
The Searchers: “Take Me For What I’m Worth,” “Needles & Pins”
The Shadows of Knight: “I Got My Mojo Working”
The Supremes: “Baby Love”
The Tams: “What Kind of Fool (Do You Think I Am)”
The Temptations: “Ain’t Too Proud To Beg”
The Troggs: “Wild Thing”
Three Dog Night: “One”
Vanilla Fudge: “You Keep Me Hangin’ On”
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Friday, August 26, 2016
Thursday, August 25, 2016
Brotherhoods: The True Story of Two Cops Who Murdered for the Mafia
It was a case that took years to make. Former NYPD Detectives Louis Eppolito and Stephen Caracappa were accused of taking part in at least eight gangland murders in the ‘80s and early ‘90s, most while still on the job. In the end they were found guilty; but the judge threw out their convictions, saying the statute of limitations had expired, even though he believed the evidence showed overwhelmingly that the officers were guilty.
“It's sort of crazy and sensible,” explained Guy Lawson, co-author of the book “Brotherhoods: The True Story of Two Cops Who Murdered for the Mafia” about the case. “It's like New York City, it's a paradox. It all makes sense at each stage, but when you put it all together, it seems like madness.”
It makes for a story that is better than fiction. “[It had] murder, kidnapping, and intrigue, and the mafia and hit men,” said co-author of “Brotherhoods”, William Oldham. “[It had] a guy who killed 30 people, and a “good guy” who only killed six people."
Oldham was one of a team of investigators who made the case. He and Lawson have written the first book about it, a book that begins with Oldham's story. “In 1990, I went to work with Stephen Caracappa in the major case squad,” recalled Oldham.
The allegations against Eppolito and Caracappa emerged in the mid-90s, but prosecutors did not have enough evidence to charge them. That is when Oldham started investigating the detectives. “In 1997, everyone had sort of packed up their tents and gone home, and I thought that these two deserved a trial and I began an investigation that lasted seven years,” said Oldham.
“I think the secret to why Oldham took this case is because it was so damn hard,” added Lawson. “You know, there's a certain kind of intelligence that wants to do the hardest thing.”
Oldham eventually produced the key witness, Burton Kaplan, a marijuana dealer who said he was the main contact between the officers and the Luchese family. “The thing about a RICO case, it's a number of criminal instants strung together and you sort of do need a story teller to connect the dots,” explained Oldham.
Thanks to Solana Pyne
“It's sort of crazy and sensible,” explained Guy Lawson, co-author of the book “Brotherhoods: The True Story of Two Cops Who Murdered for the Mafia” about the case. “It's like New York City, it's a paradox. It all makes sense at each stage, but when you put it all together, it seems like madness.”
It makes for a story that is better than fiction. “[It had] murder, kidnapping, and intrigue, and the mafia and hit men,” said co-author of “Brotherhoods”, William Oldham. “[It had] a guy who killed 30 people, and a “good guy” who only killed six people."
Oldham was one of a team of investigators who made the case. He and Lawson have written the first book about it, a book that begins with Oldham's story. “In 1990, I went to work with Stephen Caracappa in the major case squad,” recalled Oldham.
The allegations against Eppolito and Caracappa emerged in the mid-90s, but prosecutors did not have enough evidence to charge them. That is when Oldham started investigating the detectives. “In 1997, everyone had sort of packed up their tents and gone home, and I thought that these two deserved a trial and I began an investigation that lasted seven years,” said Oldham.
“I think the secret to why Oldham took this case is because it was so damn hard,” added Lawson. “You know, there's a certain kind of intelligence that wants to do the hardest thing.”
Oldham eventually produced the key witness, Burton Kaplan, a marijuana dealer who said he was the main contact between the officers and the Luchese family. “The thing about a RICO case, it's a number of criminal instants strung together and you sort of do need a story teller to connect the dots,” explained Oldham.
Thanks to Solana Pyne
Wednesday, August 24, 2016
The Mafia in Gomorrah, Reminiscent of The Wire and The Sopranos
A pair of Mafia lieutenants, filling a jerry can at a Naples gas station, pass the time discussing the foibles of modern youth. “She put a picture of me and her mom on ‘book,’” the older one says. “Facebook,” his younger colleague tells him. “All the kids have it.” Gangsters — they’re just like us!
That’s the opening scene of “Gomorrah,” the highly popular Italian television series that makes its American debut on SundanceTV on Wednesday. Based on a 2007 nonfiction investigative work by Roberto Saviano, Gomorrah: A Personal Journey into the Violent International Empire of Naples' Organized Crime System, that has also been adapted into a well-known film, the series arrives with a deserved reputation for unrelenting violence — the gas in that can is quickly put to use in a vivid and unpleasant way. But brutality isn’t the whole story. “Gomorrah” operates on two planes. It’s a grim, detailed, quotidian drama about the inner workings of organized crime (which has drawn comparisons to “The Wire”) and at the same time it’s a traditional Mafia saga, a clan melodrama centering on succession and the ups and downs of the family business (which has drawn comparisons to “The Sopranos” and “The Godfather”). Either of these by itself might not be very interesting, but the combination is handled so adroitly that the show sucks you in. It doesn’t have the emotional or stylistic highs of those predecessors, but it carries you along like one of the sleek Italian motorcycles preferred by its wealthier characters.
The 12-episode first season (a second has already been shown in Europe) centers on two members of a drug gang in the Naples suburbs who are like a foster-family version of Sonny and Michael Corleone. Gennaro (Salvatore Esposito) is a Sonny-like hothead, unfit to be in charge but eventually thrust into the role because he’s the only son of the boss. Ciro (Marco D’Amore, whose quiet charisma holds your attention) is a coldly efficient killer and canny strategist — he’s the Michael, but because he’s not in the family, he has to work with Gennaro, or appear to.
The relationship of these two up-and-comers, playing out amid a large cast of other familiar Mafia-drama types (the ruthless but declining boss, the calculating mother, the good soldier, the aggrieved wife), proceeds through an arc of increasingly operatic violence, as rival clans fight for turf and one massacre begets another. The story line is dark, and so is the screen. Under the guidance of the showrunner, Stefano Sollima, the show makes a fetish of low light and shadow. Its most characteristic scenes are not chases and shootouts but small groups of nervous or celebratory men meeting in the dark. They gather on street corners, in crowded discos and in abandoned buildings that serve as drug markets, their faces obscured or invisible. Even during the day, they’re in curtained rooms or prison cells.
The cinematography and lighting fit with the show’s overall sense of desolation, a depiction of the Neapolitan environment as rubble-filled, overgrown and derelict. (Scenes set in Milan offer a pointed comparison to the less prosperous south.) Much of the action is set in faceless, towering apartment blocks that recall the settings of Italian neorealist films, though touches of lyricism creep in, like a beach scene in which a pair of horse carts passing in the background feel like early Fellini.
Mr. Sollima and his colleagues are certainly aware of the many influences to be sorted through in making a modern gangster tale. At one point a young hood, describing the botched job that got him imprisoned, says that cops and helicopters arrived “just like an American movie.” In “Gomorrah,” they’ve achieved a satisfying international blend.
Thanks to Mike Hale.
That’s the opening scene of “Gomorrah,” the highly popular Italian television series that makes its American debut on SundanceTV on Wednesday. Based on a 2007 nonfiction investigative work by Roberto Saviano, Gomorrah: A Personal Journey into the Violent International Empire of Naples' Organized Crime System, that has also been adapted into a well-known film, the series arrives with a deserved reputation for unrelenting violence — the gas in that can is quickly put to use in a vivid and unpleasant way. But brutality isn’t the whole story. “Gomorrah” operates on two planes. It’s a grim, detailed, quotidian drama about the inner workings of organized crime (which has drawn comparisons to “The Wire”) and at the same time it’s a traditional Mafia saga, a clan melodrama centering on succession and the ups and downs of the family business (which has drawn comparisons to “The Sopranos” and “The Godfather”). Either of these by itself might not be very interesting, but the combination is handled so adroitly that the show sucks you in. It doesn’t have the emotional or stylistic highs of those predecessors, but it carries you along like one of the sleek Italian motorcycles preferred by its wealthier characters.
The 12-episode first season (a second has already been shown in Europe) centers on two members of a drug gang in the Naples suburbs who are like a foster-family version of Sonny and Michael Corleone. Gennaro (Salvatore Esposito) is a Sonny-like hothead, unfit to be in charge but eventually thrust into the role because he’s the only son of the boss. Ciro (Marco D’Amore, whose quiet charisma holds your attention) is a coldly efficient killer and canny strategist — he’s the Michael, but because he’s not in the family, he has to work with Gennaro, or appear to.
The relationship of these two up-and-comers, playing out amid a large cast of other familiar Mafia-drama types (the ruthless but declining boss, the calculating mother, the good soldier, the aggrieved wife), proceeds through an arc of increasingly operatic violence, as rival clans fight for turf and one massacre begets another. The story line is dark, and so is the screen. Under the guidance of the showrunner, Stefano Sollima, the show makes a fetish of low light and shadow. Its most characteristic scenes are not chases and shootouts but small groups of nervous or celebratory men meeting in the dark. They gather on street corners, in crowded discos and in abandoned buildings that serve as drug markets, their faces obscured or invisible. Even during the day, they’re in curtained rooms or prison cells.
The cinematography and lighting fit with the show’s overall sense of desolation, a depiction of the Neapolitan environment as rubble-filled, overgrown and derelict. (Scenes set in Milan offer a pointed comparison to the less prosperous south.) Much of the action is set in faceless, towering apartment blocks that recall the settings of Italian neorealist films, though touches of lyricism creep in, like a beach scene in which a pair of horse carts passing in the background feel like early Fellini.
Mr. Sollima and his colleagues are certainly aware of the many influences to be sorted through in making a modern gangster tale. At one point a young hood, describing the botched job that got him imprisoned, says that cops and helicopters arrived “just like an American movie.” In “Gomorrah,” they’ve achieved a satisfying international blend.
Thanks to Mike Hale.
Tuesday, August 16, 2016
Hells Angels Biker Gang Readying a Comeback
The weekend funeral of a Hells Angel member provided valuable information for law enforcement officers monitoring the group's attempt to rebuild after being decimated by arrests, said several organized crime experts.
Kenny Bédard, 51, had only recently become a full member of the biker gang when he was killed in a road accident in New Brunswick last month.But his newcomer status didn't seem to matter to the hundreds of gang members who gathered at a church in Pointe-Saint-Charles for the funeral on Saturday.
The funeral doubled as a strategic bit of theatre, said one expert, who pointed out the gang has been in restructuring mode since a large police operation in 2009 that led to the arrests of more than 150 members.
"It was a chance for the bikers to show that they're close to each other and at the same time, a demonstration of their strength to other bikers who are their enemies," said Pierre de Champlain, a historian of organized crime in Montreal.
"It shows, 'Us bikers, we are in control of the territory in terms of the sale of drugs.'"
On Saturday, police officers could be seen taking footage of gang members gathering outside the church — a sign, said another expert, that law enforcement is readying itself for the gang's resurgence."These guys are returning," said Guy Ryan, a former organized crime investigator with Montreal police. "They will start reconquering their territory and selling drugs."
Several experts noted the Hells appeared to be no longer keeping a low profile, as they had in the years after Operation SharQc in 2009.
Sylvain Tremblay, a former provincial police officer, believes the gang was emboldened by the failure to prosecute some of the more high-profile cases that stemmed from those arrests.
Five Hells Angels picked up in 2009 on murder and conspiracy charges were released last year when a judge ruled the Crown had violated rules on sharing evidence with the defence."We could say that 2016, even the end of 2015, saw the return of the Hells Angels," Tremblay told Radio-Canada. "I think we'll be seeing them more and more in Quebec."
Thanks to CBC.
Kenny Bédard, 51, had only recently become a full member of the biker gang when he was killed in a road accident in New Brunswick last month.But his newcomer status didn't seem to matter to the hundreds of gang members who gathered at a church in Pointe-Saint-Charles for the funeral on Saturday.
The funeral doubled as a strategic bit of theatre, said one expert, who pointed out the gang has been in restructuring mode since a large police operation in 2009 that led to the arrests of more than 150 members.
"It was a chance for the bikers to show that they're close to each other and at the same time, a demonstration of their strength to other bikers who are their enemies," said Pierre de Champlain, a historian of organized crime in Montreal.
"It shows, 'Us bikers, we are in control of the territory in terms of the sale of drugs.'"
On Saturday, police officers could be seen taking footage of gang members gathering outside the church — a sign, said another expert, that law enforcement is readying itself for the gang's resurgence."These guys are returning," said Guy Ryan, a former organized crime investigator with Montreal police. "They will start reconquering their territory and selling drugs."
Several experts noted the Hells appeared to be no longer keeping a low profile, as they had in the years after Operation SharQc in 2009.
Sylvain Tremblay, a former provincial police officer, believes the gang was emboldened by the failure to prosecute some of the more high-profile cases that stemmed from those arrests.
Five Hells Angels picked up in 2009 on murder and conspiracy charges were released last year when a judge ruled the Crown had violated rules on sharing evidence with the defence."We could say that 2016, even the end of 2015, saw the return of the Hells Angels," Tremblay told Radio-Canada. "I think we'll be seeing them more and more in Quebec."
Thanks to CBC.
Thursday, August 11, 2016
No Bail for Mob Boss Francis “Cadillac Frank” Salemme
He left his life as a Mafia don decades ago, disappeared into the federal witness protection program, and was living quietly in Atlanta as Richard Parker, an unassuming octogenarian who loved to read and exercise.But Francis “Cadillac Frank” Salemme’s past caught up with him Wednesday, when he was arrested at a Connecticut hotel and escorted to a Boston courthouse in handcuffs to face a new charge for an old crime: the 1993 murder of a witness during a federal investigation.
It was deja vu for Salemme, a contemporary of James “Whitey” Bulger’s who will turn 83 this month. Arriving in court, he smiled slightly when he spotted Fred Wyshak, the veteran prosecutor who helped send him to prison twice before, seated at the prosecution table and quipped, “Hey, Fred, fancy seeing you here!”
His casual demeanor belied the severity of the charge, which allows prosecutors to seek the death penalty.
Salemme, who served as boss of the New England Mafia in the 1990s, is charged with the May 10, 1993, slaying of South Boston nightclub manager Steven A. DiSarro, whose remains were discovered in March by investigators acting on a tip. DiSarro was buried in a Providence lot owned by a man facing federal drug charges.
Salemme denies he killed DiSarro and “is ready to fight this case tooth and nail,” Salemme’s attorney, Steven Boozang, said after the court hearing. “This is old stuff that has been dredged up from the past, but he’ll face it head-on as he always has.”
The murder in question stretches back more than two decades, to a time when the mob in New England was being battered by federal prosecutions. DiSarro was 43 when he vanished 23 years ago and was presumed murdered.
The recent discovery of his remains let his family finally lay him to rest. “We buried him this weekend and had a small ceremony,” DiSarro’s son, Nick, said during a brief telephone interview Wednesday. “I am really glad that there is progress and they are moving forward. I’m looking forward to finding out the details.”
The magistrate judge granted a request by the prosecution to keep an FBI affidavit filed in support of Salemme’s arrest under seal.
While Salemme is charged with murdering a witness, authorities have not disclosed whether DiSarro was cooperating with authorities when he vanished, or whether investigators were planning to call him as a witness during a federal investigation that was underway in 1993 against Salemme and his son, Frank.
DiSarro had acquired The Channel, a now-defunct nightclub, between 1990 and 1991 and Salemme and his son had a hidden interest in the club, according to court filings by the government in prior cases.
The new charge against Salemme marks the first time anyone has been charged with DiSarro’s murder. However, Salemme pleaded guilty in 2008 to lying and obstruction of justice for denying any knowledge about DiSarro’s death and was sentenced to five years in prison.
Salemme also spent 15 years in prison for attempting to kill an Everett lawyer in 1968 by planting dynamite in his car. The lawyer lost a leg in the explosion.
After his release, Salemme was being groomed to take over as mob boss, igniting a war with a renegade faction. He survived after being shot by rival gangsters outside a Saugus pancake house in 1989 and was indicted on federal racketeering charges in 1995 along with others, including Bulger, gangster Stephen “The Rifleman” Flemmi, and Rhode Island mobster Robert “Bobby” DeLuca.
In 1999, after learning that Bulger and Flemmi were longtime FBI informants, Salemme agreed to cooperate with authorities against the pair and their handler, retired FBI agent John J. Connolly Jr. In exchange he served only eight years in prison and was admitted to the federal witness protection program.
In 2003, Flemmi began cooperating with authorities and claimed he walked in on the murder of DiSarro at Salemme’s estranged wife’s home in 1993, according to a US Drug Enforcement Administration report filed in federal court in Boston. He claimed that Salemme’s son, Frank, was strangling DiSarro, while Salemme, his brother John Salemme, and another man, Paul Weadick, watched.
Flemmi said Salemme was concerned about DiSarro’s friendship with a man who was cooperating in the federal investigation targeting Salemme and his son. He also told investigators that Salemme later told him DeLuca was present when they buried DiSarro.
Salemme’s son Frank died in 1995.
Salemme was kicked out of the witness protection program in 2004 when he was charged with lying about DiSarro’s killing but was allowed back into the program in 2009 after finishing his sentence.
Court filings indicated that Salemme was using the name Richard Parker while in Georgia.
He was living “a healthy lifestyle,” exercised as much as possible, and was a voracious reader, Boozang said.“He’s a guy that learned his lesson,” Boozang said. “He paid his debt to society. For 21 years he hasn’t been in trouble.”But, Nick DiSarro said, “None of that takes away the fact that he murdered someone.”
Dressed in a short-sleeved navy blue polo shirt and olive green khakis when he appeared in court Wednesday, the gray haired former Mafia don was slightly tanned and looked fit and trim. When told to rise, he took a few moments to get to his feet.
US Magistrate Judge Donald L. Cabell ordered Salemme held without bail pending the resolution of the case. The prosecutor said Salemme had a history of fleeing to avoid charges and recently fled Atlanta, where he was in the witness protection program, and was captured in Connecticut.
Salemme did not challenge the government’s request to hold him without bail. However, Boozang insisted that Salemme was not in hiding, but rather, “He was on his way back to answer any charges that might have been coming forth.”
Thanks to Shelley Murphy.
It was deja vu for Salemme, a contemporary of James “Whitey” Bulger’s who will turn 83 this month. Arriving in court, he smiled slightly when he spotted Fred Wyshak, the veteran prosecutor who helped send him to prison twice before, seated at the prosecution table and quipped, “Hey, Fred, fancy seeing you here!”
His casual demeanor belied the severity of the charge, which allows prosecutors to seek the death penalty.
Salemme, who served as boss of the New England Mafia in the 1990s, is charged with the May 10, 1993, slaying of South Boston nightclub manager Steven A. DiSarro, whose remains were discovered in March by investigators acting on a tip. DiSarro was buried in a Providence lot owned by a man facing federal drug charges.
Salemme denies he killed DiSarro and “is ready to fight this case tooth and nail,” Salemme’s attorney, Steven Boozang, said after the court hearing. “This is old stuff that has been dredged up from the past, but he’ll face it head-on as he always has.”
The murder in question stretches back more than two decades, to a time when the mob in New England was being battered by federal prosecutions. DiSarro was 43 when he vanished 23 years ago and was presumed murdered.
The recent discovery of his remains let his family finally lay him to rest. “We buried him this weekend and had a small ceremony,” DiSarro’s son, Nick, said during a brief telephone interview Wednesday. “I am really glad that there is progress and they are moving forward. I’m looking forward to finding out the details.”
The magistrate judge granted a request by the prosecution to keep an FBI affidavit filed in support of Salemme’s arrest under seal.
While Salemme is charged with murdering a witness, authorities have not disclosed whether DiSarro was cooperating with authorities when he vanished, or whether investigators were planning to call him as a witness during a federal investigation that was underway in 1993 against Salemme and his son, Frank.
DiSarro had acquired The Channel, a now-defunct nightclub, between 1990 and 1991 and Salemme and his son had a hidden interest in the club, according to court filings by the government in prior cases.
The new charge against Salemme marks the first time anyone has been charged with DiSarro’s murder. However, Salemme pleaded guilty in 2008 to lying and obstruction of justice for denying any knowledge about DiSarro’s death and was sentenced to five years in prison.
Salemme also spent 15 years in prison for attempting to kill an Everett lawyer in 1968 by planting dynamite in his car. The lawyer lost a leg in the explosion.
After his release, Salemme was being groomed to take over as mob boss, igniting a war with a renegade faction. He survived after being shot by rival gangsters outside a Saugus pancake house in 1989 and was indicted on federal racketeering charges in 1995 along with others, including Bulger, gangster Stephen “The Rifleman” Flemmi, and Rhode Island mobster Robert “Bobby” DeLuca.
In 1999, after learning that Bulger and Flemmi were longtime FBI informants, Salemme agreed to cooperate with authorities against the pair and their handler, retired FBI agent John J. Connolly Jr. In exchange he served only eight years in prison and was admitted to the federal witness protection program.
In 2003, Flemmi began cooperating with authorities and claimed he walked in on the murder of DiSarro at Salemme’s estranged wife’s home in 1993, according to a US Drug Enforcement Administration report filed in federal court in Boston. He claimed that Salemme’s son, Frank, was strangling DiSarro, while Salemme, his brother John Salemme, and another man, Paul Weadick, watched.
Flemmi said Salemme was concerned about DiSarro’s friendship with a man who was cooperating in the federal investigation targeting Salemme and his son. He also told investigators that Salemme later told him DeLuca was present when they buried DiSarro.
Salemme’s son Frank died in 1995.
Salemme was kicked out of the witness protection program in 2004 when he was charged with lying about DiSarro’s killing but was allowed back into the program in 2009 after finishing his sentence.
Court filings indicated that Salemme was using the name Richard Parker while in Georgia.
He was living “a healthy lifestyle,” exercised as much as possible, and was a voracious reader, Boozang said.“He’s a guy that learned his lesson,” Boozang said. “He paid his debt to society. For 21 years he hasn’t been in trouble.”But, Nick DiSarro said, “None of that takes away the fact that he murdered someone.”
Dressed in a short-sleeved navy blue polo shirt and olive green khakis when he appeared in court Wednesday, the gray haired former Mafia don was slightly tanned and looked fit and trim. When told to rise, he took a few moments to get to his feet.
US Magistrate Judge Donald L. Cabell ordered Salemme held without bail pending the resolution of the case. The prosecutor said Salemme had a history of fleeing to avoid charges and recently fled Atlanta, where he was in the witness protection program, and was captured in Connecticut.
Salemme did not challenge the government’s request to hold him without bail. However, Boozang insisted that Salemme was not in hiding, but rather, “He was on his way back to answer any charges that might have been coming forth.”
Thanks to Shelley Murphy.
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