Boardwalk Empire/Prohibition DVD Combo

Own Boardwalk Empire/Prohibition DVD Combo only at ShopPBS.org! (Exp. 1/31/12)

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Mafia Movies to be Featured at National Museum of Organized Crime and Law Enforcement

A mob museum slated to open soon in Las Vegas will trace Hollywood's portrayal of mobsters from the birth of the silver screen in a violence-fraught exhibit that organizers said is not intended for children.

Screenwriter Nicholas Pileggi, who wrote the book "Wiseguy" and then adapted it into the Martin Scorsese film "Goodfellas," told The Associated Press that he will help usher in the exhibit when the National Museum of Organized Crime and Law Enforcement opens in Las Vegas in mid-February. Pileggi will appear in a five-minute documentary on the mob and pop culture that will be shown near the end of the museum tour.

The film, part of an exhibit called "The Myth of the Mob," will attempt to explain why so many people are fascinated with organized crime. The exhibit will also feature costumes from mobster-centric TV shows and movies, including "The Sopranos."

"Just because you are depicting something ugly, it doesn't mean you are honoring it," Pileggi said. "I don't know too many gangster movies where the gangster wins in the end. These are tales of morality and that is the key to them."

The downtown Las Vegas museum will open at a former courthouse where a famous mob hearing that helped expose organized crime to ordinary Americans was held in 1950. It is expected to feature gangster artifacts, including the wall from Chicago's St. Valentine's Day massacre, the only gun recovered at the mass shooting and the barber chair where hit man Albert Anastasia's life came to an end in 1957.

Dennis Barrie, the museum's director, said he interviewed Pileggi for up to three hours to create the five-minute film on the history of gangster flicks. Barrie said he wants museum-goers to explore whether popular movies glamourize mob culture, or get it right."I don't think it's a kids' museum," Barrie said. "This is a pretty brutal world and it comes across in the museum."

Pileggi, whose parents were Italian immigrants, said he was attracted to mob stories as a young man because he wanted to know why some people in his neighborhood were drawn to organized crimes, while others shunned it."I don't think they are the worst people in the world," Pileggi said. "I think they are fascinating."

Pileggi began his writing career as an Associated Press crime reporter. He received an Oscar nomination for "Goodfellas" and teamed up with Scorsese again for the Las Vegas crime-opus "Casino" in 1995. He said the movies are "unbelievably realistic."

Pileggi said former Las Vegas Mayor Oscar Goodman asked him to get involved with the museum. Goodman, a former mob lawyer who came up with the idea of the museum, provided Pileggi with facts and insight when he was writing "Casino" and had a brief cameo in the movie."Who knows it better than Nick Pileggi?" Goodman said. "When you have his stamp of approval on these kinds of exhibits, it takes on a certain sense of reality as well as legitimacy."

The $42 million museum will be the second gangster-focused attraction to open in Las Vegas in the past year.

The Tropicana casino and hotel on the Las Vegas Strip unveiled its interactive "Mob Experience" attraction in March. The venue is undergoing a renovation after a brutal start. Attendance was sluggish from the beginning, and then its developer, Jay Bloom, was forced to resign amid multiple lawsuits over unpaid bills, said Spence Johnston, a Mob Experience spokesman.

Goodman said the organized crime museum will have a more successful launch because its collection will focus on history instead of entertainment."I was interested in having a real museum with real culture," he said. "This is not a gimmick."

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CHICAGO OVERCOAT CINEMATOGRAPHER KEVIN MOSS NOMINATED FOR ASC AWARD

The American Society of Cinematographers announced the nominees for this year’s ASC Awards, and cinematographer Kevin Moss has been chosen for his work on Chicago Overcoat. ASC president Michael Goi personally called Moss to share the news and congratulate him on the Outstanding Achievement in Cinematography nomination. The film is being considered in the "Motion Picture/Miniseries Television” category along with the following nominees: Ed Lachman (HBO’s Mildred Pierce), David Moxness (“Moral Issues and Inner Turmoil” segment of ReelzChannel's The Kennedys, Martin Ruhe (PBS' Page Eight), and Wojciech Szepel (Episode 2 of PBS' Any Human Heart). Moss previously received an Honorable Mention from the ASC for his work on the awardwinning short film, The Small Assassin.

After its much-anticipated television premiere on Showtime in December 2010, Chicago Overcoat has been released in every major country throughout the world. The film had its North American home video release in April 2011, and is available to rent at Netflix, Redbox, and Blockbuster Express, and to purchase at Amazon, iTunes, and hundreds of other online stores. Major retailers will have Chicago Overcoat DVDs on their shelves early 2012.

The film stars Frank Vincent (The Sopranos) as an aging hit man who tries to get back a piece of the glory days. Fellow Sopranos cast member Kathrine Narducci (A Bronx Tale) co-stars as Vincent’s girlfriend, along with Danny Goldring (The Dark Knight) as a homicide detective, and Mike Starr (Goodfellas) as a mob boss. The cast also features Emmy Award winner Armand Assante (American Gangster) and Golden Globe winner Stacy Keach (Lights Out).

Chicago Overcoat had its world premiere at the 45th Chicago International Film Festival, where it was voted into the “Best of the Fest”. It went on to win “Best Dramatic Feature” at the 8th Garden State Film Festival, then “Best Cinematography” at the 6th Midwest Independent Film Festival. The film received much critical acclaim during its festival tour. In Variety’s review Alissa Simon wrote: “This energetic calling-card pic boasts the most charismatic mafia murderer since Tony Soprano…” Chicago Sun-Times columnist Bill Zwecker wrote: “Well produced and directed…a very tense thriller.”

For information on how to rent or purchase Chicago Overcoat go to www.beverlyridgepictures.com
or follow the film on Facebook and Twitter.

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If You Like The Sopranos: Here Are Over 150 Movies, TV Shows, and Other Oddities That You Will Love by Leonard Pierce

Of all the classic takes on the Mob, be them in the movies or on television - The Sopranos holds a special place. The show revolutionized both the way the Mafia is presented, and the very nature of TV itself. If You Like The Sopranos: Here Are Over 150 Movies, TV Shows, and Other Oddities That You Will Love (If You Like Series)is part of the If You Like series from Limelight Books. As the title suggests, this is book contains a number various films and shows that fans of The Sopranos may be interested in.

That description is the short version of what this book is all about. What If You Like The Sopranos really provides is something of a timeline, which traces the evolution of the media’s treatment of the Mafa through the twentieth century and beyond. We begin with the early movies such as Little Caesar (1931) and the original Scarface (1932). Author Leonard Pierce draws the parallels between Tony Soprano, and the characters played by Edward G. Robinson, and James Cagney in these pre-Code films.

The rise of Film Noir is next discussed, and as Pierce points out, the show had plenty of Noir-ish moments - especially in the dream sequences. The code of an outlaw family was the next big development, played out in movies such as Bonnie and Clyde (1967), and of course The Godfather (1972) and The Godfather Part II (1974), not to mention GoodFellas (1990).

The developments in television are also scrutinized, from the obvious The Untouchables, to the rise of the nighttime soaps. The rise of the running “story-arc” of such hits as Dallas and Dynasty in the eighties was a huge factor in establishing the format of The Sopranos. Perhaps most importantly was the development of HBO itself, without which - a series like The Sopranos would never have existed. As Pierce sees it, a perfect storm came together to spawn the show, and the timing of the debut in 1999 could not have been better.

After a discussion of The Sopranos itself, Pierce goes on to explore serial television post-Tony. These include such critical favorites as Deadwood, Mad Men, and Breaking Bad. The final chapter is titled “Welcome To America: Crime Drama For A New Millennium.” This intriguing section concerns other media, such as games (Grand Theft Auto), music (A Prince Among Theives by Prince Paul) and even books (the Underworld USA trilogy by James Ellroy).

As advertised, If You Like The Sopranos talks about a great number of films and TV shows (for the most part) that fans of the program should find interesting. There is a lot of good information packed into this relatively concise book.

Thanks to Greg Barbrick

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"Mafia: The Glamour of Crime" by Fien Mynendonckx

“As far back as I can remember, I wanted to be a gangster. To me, being a gangster was better than being President of the United States.“–Ray Liotta, Good Fellas

One look at the cover of Mafia: The glamour of crime and one knows it’s an important book. It’s big, it’s classy, and it’s riddled with bullet holes. Fans of gangster movies, mob movies, and The Sopranos will be indebted to their benefactors if this handsome volume finds its way to their piles of holiday gifts.

Filled with both black and white and color photos, and many two-page spreads, Mafia: The Glamour of Crime, authored by Fien Mynendonckx, is a stunning resource that mixes true-crime memories with Hollywood fantasy. There are numerous photographs of real-life mobsters and gangsters and even more stills from the most famous gangster films--The Godfather franchise, Good Fellas, Bugsy, The Untouchables, Pulp Fiction, Reservoir Dogs, Scarface and many others.

Mafia: The Glamour of Crime begins with a short introduction and then introduces “Mafia In America,” a chapter that includes the Cosa Nostra, the Irish Mob, and the Kosher Nostra. The following chapter also focuses on history, “Brief History of the Mafia in America,” which looks at a Mafia timeline that starts in 1910 and continues through 1990, finally asking “What now?”

For those unfamiliar with “consigliere,” “waste management business,” “sit-down,” “omerta,” and “Shylock,” there is a glossary that translates mob-talk into English, French and German. And really…you never know when it might come in handy.

“The Stereotype of the Gangster,” a chapter that includes “Real Gangsters,” “Gangster Actors” and “The Gangster Film” leads us into the world of entertainment, where we find “The Mafia in Hollywood.” Film buffs will think they’re in heaven when they browse through the fantastic photos (my personal favorite? A two-page spread for Good Fellas).

The book closes with chapters on the Mafia throughout the world, the reality of the Mafia, an epilogue, and clever quotes from both real-life and celluloid mobsters. Mafia: The Glamour of Crime is more a history of the Mafia on film than it is of the Mafia, and it addresses the romance that Hollywood (and other places throughout the world) has created from Mafia legends, but it is also a very satisfying scrapbook of anecdotes.

Thanks to Bob Etier

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John Gotti Movie Starring John Travolta is Placed on Hold

John Travolta’s upcoming movie about the notorious Gotti family has been put on hold due to financial issues, according to a report.

The Hollywood actor is due to star as late Mafia boss John Gotti, who died in prison in 2002, in upcoming movie Gotti: In the Shadow of My Father, alongside his real-life wife Kelly Preston and Al Pacino.

Filming is slated to begin in January ahead of a 2012 release date, but a new report suggests production has been put on hold. Showbiz411.com reports work on the project has come to a halt and won’t resume until more financing is secured.

A source tells the website, “If (producer) Marc Fiore doesn’t come up with money this week, and doesn’t show that more is coming, and that he’s really secured financing, it could all fall apart.”

The film’s producers are also facing a legal battle with Goodfellas star Joe Pesci, who is suing bosses at Fiore Films over allegations he was offered a $3 million deal to play Angelo Ruggiero, an associate of Gotti, but was later told he would be given a smaller part.

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Ken Burns: Prohbition

Ken Burns: Prohibitionis a three-part, five-and-a-half-hour documentary film series directed by Ken Burns and Lynn Novick that tells the story of the rise, rule, and fall of the Eighteenth Amendment to the U.S. Constitution and the entire era it encompassed.

The culmination of nearly a century of activism, Prohibition was intended to improve, even to ennoble, the lives of all Americans, to protect individuals, families, and society at large from the devastating effects of alcohol abuse. But the enshrining of a faith-driven moral code in the Constitution paradoxically caused millions of Americans to rethink their definition of morality. Thugs became celebrities, responsible authority was rendered impotent. Social mores in place for a century were obliterated. Especially among the young, and most especially among young women, liquor consumption rocketed, propelling the rest of the culture with it: skirts shortened. Music heated up. America's Sweetheart morphed into The Vamp.

Prohibition turned law-abiding citizens into criminals, made a mockery of the justice system, caused illicit drinking to seem glamorous and fun, encouraged neighborhood gangs to become national crime syndicates, permitted government officials to bend and sometimes even break the law, and fostered cynicism and hypocrisy that corroded the social contract all across the country. With Prohibition in place, but ineffectively enforced, one observer noted, America had hardly freed itself from the scourge of alcohol abuse – instead, the "drys" had their law, while the "wets" had their liquor.

The story of Prohibition's rise and fall is a compelling saga that goes far beyond the oft-told tales of gangsters, rum runners, flappers, and speakeasies, to reveal a complicated and divided nation in the throes of momentous transformation. The film raises vital questions that are as relevant today as they were 100 years ago – about means and ends, individual rights and responsibilities, the proper role of government and finally, who is — and who is not — a real American.

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Mob Outfit Film "Predators Game" to Start Filming in Chicago Soon

Predators Game is a feature-length crime thriller set (and filmed) in Chicago. The lives of a Chicago outfit Hitman and a serial killer with an obsession for beautiful women he wants to make perfect, become intimately and surprisingly intertwined.

FBI profiler, Dr. Carmichael, joins forces with lead Detective John Burke, who is tasked with putting a stop to the murderous havoc of this dangerous Predator.

The Hitman’s life is changed forever as the serial killer manipulates events in his life which sets him on a rampage of carnage in search for this unlikely opponent.

Time is running out for Detective Burke and Dr. Carmichael as they seek this Predator who is playing a deadly life and death game with all of their lives.

Filming stars soon and extras casting will be handled by Darlene Hunt and Extraordinary Casting.

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"CHICAGO OVERCOAT'' HOME VIDEO RELEASE

Following its December 2010 Showtime television premiere, Beverly Ridge Pictures’ feature length gangster film Chicago Overcoat had its much-anticipated North American home video release on April 19, 2011. MTI Home Video, now in its 27th year distributing films, made Chicago Overcoat availableto rent at Netflix, Redbox, and Blockbuster Express, and to purchase at Amazon, iTunes, and thousands of other online stores. Major retailers will have Chicago Overcoat DVDs on their shelves Summer 2011. Original music from the film can be purchased on iTunes, Amazon, and eMusic.

The film stars Frank Vincent (The Sopranos) as an aging hit man who tries to get back a piece of the glory days. Fellow Sopranos cast member Kathrine Narducci (A Bronx Tale) co-stars as Vincent’s girlfriend, along with Danny Goldring (The Dark Knight) as a tenacious homicide detective, and Mike Starr (Goodfellas) as the street boss. The cast also features Emmy Award winner Armand Assante (American Gangster) as the imprisoned Outfit boss, and Golden Globe winner Stacy Keach (Lights Out) as a retired detective.

Chicago Overcoat had its world premiere at the 45th Chicago International Film Festival, where it was voted into the “Best of the Fest.” It went on to win “Best Dramatic Feature” at the 8th Garden State Film Festival then “Best Cinematography” at the 6th Midwest Independent Film Festival. The film received much critical acclaim during its festival tour. In Variety’s review Alissa Simon wrote: “This energetic calling-card pic boasts the most charismatic mafia murderer since Tony Soprano…” And Chicago Sun-Times columnist Bill Zwecker wrote: “Well produced and directed…a very tense thriller.”

For information on how to rent or purchase Chicago Overcoat go to www.beverlyridgepictures.com or follow the film on Facebook and Twitter.

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Top 10 Best Irish Mob Movies

You like your criminals bleeding green, pissing Guinness and eating a steady diet of catholic guilt, so you turn to the 10 best Irish mafia movies. Well done, lad. Here you will find some of the best crime films of our time, thrilling pictures with complex depictions of violence, morality and religion.

• 1. “Angles With Dirty Faces” – This 1938 masterpiece is the original Irish mafia movie and surely one of the genre’s best films. “Angels With Dirty Faces” starts a volatile James Cagney and concerns the ultimate of all Irish moral battles: the church versus a life of violent crime, and the manner in which those two aren’t exactly mutually exclusive.
• 2. “On the Water Front” – Marlon Brando’s performance will wow you, but there’s more going on here than generation-defining acting. One of the best Irish mafia films, “On The Water Front” tells a tale of the Irish mob’s infiltration of unions and the influence organized crime had on the fates and fortunes of the American working class.
• 3. “The Departed” – Scorsese struck gold with this Irish mafia saga. An operatic film peppered with stellar performances and nail-biting intensity, “The Departed” digs beneath the skin of its characters like a tapeworm and doesn’t let up until the final shot is fired. This cat-and-mouse film details with mafia infiltration of the police and vice-versa.
• 4. “Miller’s Crossing” – This early Coen Brothers masterpiece is based on noir novelist Dashiell Hammett’s ground breaking early novel “Red Harvest.” The film tells the tale of prohibition-era Irish gangsters in a manner that is both hushed and menacing.
• 5. “State of Grace” – Opening opposite “Goodfellas,” this Irish mob movie didn’t stand a snowball’s chance in hell of finding a broad audience. Despite this initial box office disappointment, “State of Grace” is easily one of the best Irish mafia movies. The film deals with the moral and religious turmoil of Irish criminals and features excellent performances from Sean Penn, Gary Oldman, and Ed Harris.
• 6. “Gangs of New York” –“Angels” is the original Irish mafia movie and “Gangs of New York” is a movie about the original Irish gangsters. Though Leonardo DiCaprio comes across like a high school actor who’s trying his best to be worthy of standing next to Daniel Day-Lewis, the grandiose scope of the film and Day-Lewis’ jaw-dropping performance makes this one of the best Irish mafia movies of all time.
• 7. “The Friends of Eddie Coyle” – This 70’s crime gem doesn’t laud or glorify the Irish mob as other films on this list do, but rather portrays with stark and very depressing honesty the way in which criminal organizations ruin the lives of well intentioned working class people with no opportunity for societal advancement beyond crime.
• 8. “The Road to Perdition” – Sam Mendes turned his attention to Chicago’s Irish mafia circa 1930 in this stately and elegiac film. The film concerns the nature of love and relationships, particularly those between father and son, and the manner in which familial duty and desire often conflict with disastrous consequences.
• 9. “The Public Enemy” – “Public Enemey” was James Cagney’s first film. The film is about organized crime and the American mafia underworld in a very board sense. It’s a great movie, and a number of colorful Irish characters drift in and out of its narrative.
• 10. “The Town” – “The Town” concerns small time Boston Irish hoods. For its empathetic portrait of working class depression, anger, alcoholism and violence and the mob’s role in all of that, it is one of the best Irish mafia movies.

Thanks to Screen Junkies

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Playboy Show to Have Ties to Mob

Actor Jeff Hephner just got his big break, landing the lead role in NBC's drama pilot Playboy. The project, from 20th TV, Imagine TV and writer-executive producer Chad Hodge, is set at the Playboy Club in Chicago in 1963. Hephner went through rigorous auditioning process, beating a number of better known actors for the role, the last major part in the pilot to get cast. And he certainly has the right last name for it that sounds exactly like the moniker of the king of the Playboy empire, Hugh Hefner.

Playboy centers on Nick Dalton (Hephner), described as "the ultimate playboy." He is an attorney in Chicago and a Keyholder at the glamorous, exclusive Playboy Club. A fixer who knows how to make problems disappear, he has mysterious ties to the mob. The pilot, directed by Alan Taylor, co-stars Laura Benanti, Amber Heard, Naturi Naughton, Jenna Dewan-Tatum, Leah Renee, David Krumholtz and Wes Ramsey. Hephner, repped by Paradigm and the Group Entertainment, is recurring on CW's Hellcats and has also done arcs on NBC's Mercy and Fox's The O.C.

Thanks to Nellie Andreeva

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Another Soprano's Actor Sent to Prison on Mob Related Charges

The actor who played mafia capo “Larry Boy Barese” on the HBO mob drama “The Sopranos” turns out to be gangster in real life.

Anthony Borgese, who uses the stage name "Tony Darrow," pled guilty in Brooklyn federal court to one count of participating in an extortion conspiracy to collect a debt.

Borgese, who has also appeared in mobster films “Goodfellas” and “Analyze This”, apparently used enforcers connected to the Gambino crime family.

The conspiracy occurred in Monticello in upstate New York in 2004 and Borgese was indicted on the charges two years ago.

Under a plea agreement with the US Attorney's Office in Brooklyn, the 72-year-old Borgese is expected to serve between 33 and 41 months in a federal prison.

According to press reports, had Darrow gone to trial rather than plead out, he might have faced up to 20 years in the slammer. "It's a difficult time for him," his attorney, Kevin Faga, told reporters. "He's not going to make any comment."

Darrow is hardly the first actor from The Sopranos to get in serious trouble.

Tony Sirico, who played the murderous, but hilarious, “Paulie Walnuts” on the popular program was a low-level associate of the Colombo crime family in the 1960s and 1970s and served prison time for armed robbery.

In more recent years, Richard Maldone, who played Albert Barese on the show was arrested in connection with a drug-dealing ring that operated out of Howard Beach, Queens, N.Y. Maldone and a crew of about 45 co-horts were nabbed for selling marijuana, cocaine, Ecstasy and ketamine. Maldone also reportedly served time in the 1990s for assault.

Another actor who had a small part in the Sopranos, Lillo Brancato, was sentenced to ten years in prison in 2009 for first-degree attempted burglary in connection with the murder of a New York City Police officer. Brancato, who played “Matt Bevilacqua” on the show, was cleared of murder charges.

Thanks to IBT

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Once Upon a Time in America on Blu-Ray

Drama about the rise and fall of Jewish-American gangsters in New York at the beginning of the century through the 1960s.

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Book Claims That Lucky Luciano, the Inspiration for The Godfather's Don Corleone, Was a Fake Gangster

The gangster who inspired 1970s blockbuster The Godfather was a "fake", a historian has claimed.

Experts believed Charles "Lucky" Luciano was the father of organised crime and hailed him as the model for legendary mafia boss Don Corleone, played by Marlon Brando in the Francis Ford Coppola movie based on the Mario Puzo book.

Luciano was widely credited for running New York's notorious underworld, and was linked to extortion rackets, punishment attacks and gangland murders. But according to new research, his reputation was largely fabricated by the US government to justify the expense of tracking him down.

The revelations emerge in a new book, Lucky Luciano: Mafia Murderer and Secret Agent - 74 years after his imprisonment, and 48 years after his death. US author Tim Newark said the claims will shock other biographers who had painted Lucky as the archetypal gangster.

Mr Newark said: "The myth of Lucky Luciano is incredible. For decades, he has been portrayed as the father of modern organised crime, no less. "But after delving into the archives, I realised the real Lucky was in some respects, a fake."

Luciano was born in Sicily, in 1897 but moved to New York at the age of ten to dabble in crime. But Mr Newark said: "The sad truth is Lucky was a has-been without the money or power to pull off what he was said to. Even if he had, the Mafia wouldn't have worked with him because of his very public reputation."

Thanks to Raanan Geberer

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Robert DeNiro and Martin Scorsese Team Up on New Mob Movie "The Irishman"

Fresh from his box office disappointment with "Little Fockers,” Robert De Niro will team up with Martin Scorsese in yet another Irish-themed movie for the acclaimed director.

Scorsese’s recent films have included “The Departed” about Irish cops and corruption in Boston, “Gangs of New York” about the Irish in Civil War-era New York City, and now “the Irishman” about an Irish mafia hit man.

The film is based on the book “I Heard You Paint Houses: Frank "The Irishman" Sheeran & Closing the Case on Jimmy Hoffa” by former prosecutor and Chief Deputy Attorney General of the State of Delaware Charles Brandt, which told of the exploits of Frank “The Irishman” Sheeran, a mob hitman who confessed to Brandt that he killed Jimmy Hoffa. The story will be adapted for the screen by Steve Zallian, who also worked with Scorsese on “Gangs of New York.”

“The Irishman” will mark the ninth time Scorsese and De Niro have teamed up. The two have worked together in such films as “Mean Streets,” “Taxi Driver,” “Raging Bull,” and “Goodfellas.”

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Michael Mann to Direct Tony Accardo Movie "Big Tuna"

Sheldon Turner will write Big Tuna for Michael Mann to direct, reports Variety. The project is a biopic of Chicago mob boss Tony Accardo and Sam Giancana, the protege that replaced him.

The trade says the movie is one of several that could become Mann's follow-up to Public Enemies. Mann has also been eyeing a medieval film about the battle of Agincourt, between England and France, based on Bernard Cornwell's best-seller. Another is a biopic of WWII photographer Robert Capa.

Turner (Up in the Air) will work on Big Tuna as he prepares his directorial debut on the independently produced revenge drama By Virtue Fall.

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"To Kill the Irishman: The War that Crippled the Mafia" Motivation for 2 Movies on Irish Gangster Danny Greene

Embezzlement, racketeering, mob enforcer, suspected killer … it’s no wonder Irish-American mobster Danny Greene was blown to bits by a car bomb on Oct. 6, 1977. But with gangsters from Chicago to New York making headlines for decades, the vast criminal enterprises in Ohio, in which Greene was instrumental until his death, have garnered few national headlines over the years.

As a student at Ohio State University, Manhattan Beach resident Tommy Reid, who grew up in north New Jersey, had heard stories about the nearly mythic figure of Greene from his friend who grew up in Cleveland. Back in 1995, when the Internet wasn’t a dominant source for research, Reid found little information about Greene. After he graduated and moved to L.A., he heard Greene was going to be a subject of a book. He hunted down its author, Rick Porrello, and eventually optioned the book, “To Kill the Irishman: The War that Crippled the Mafia,” in 1997.

After a long and winding road, two films that Reid produced about Greene will be released early next year. One is a documentary, “Danny Greene: The Rise and Fall of the Irishman,” and the other a feature film, “Kill the Irishman,” starring Ray Stevenson (HBO’s “Rome”), Christopher Walken, Vincent D’Onofrio, Val Kilmer, Paul Sorvino and Linda Cardellini. Anchor Bay, a division of Starz Media, is planning to release the film in North America, the U.K., Australia and New Zealand in early 2011.

While struggling to come up with funds for the feature film for 10 years, Reid said he became so specialized in his life history during his research that he tackled the documentary. He already had a screenplay that he had hired a writer (Jeremy Walters) to adapt the book into a feature, but the documentary seemed the best option in the hopes of bringing to light his aspirations in making a feature film.

“I had over 18 hours of interviews from all of these prominent figures that have had relationships with Danny Greene, his wife, a cop who went against him, the attorney who represented the mafia, a hitman who went after him, I had access to all of these guys and they were aging. Even since I made the documentary, a couple of the people have already passed away from natural causes. So Danny Greene was becoming an urban legend will in Cleveland.”

But the script began circulating and “got to the top shelf of Hollywood.” A “bankable” director, lead and supporting cast were attracted and Reid partnered with Code Entertainment. “Kill the Irishman” was filmed last year in Detroit, doubling for Cleveland, in an effort to get 40 percent in tax incentives.

Reid was still shooting his documentary when “Kill the Irishman” started filming in Detroit last year. The main challenge was raising money for post-production in order to get the highest quality facility to reach his vision. By putting production costs on a credit card and with the help of family money and a couple of private investors, one being Hermosa Beach resident William Fletcher, that project was finished. He said there are three different perspectives in the documentary - the Irish, Italian and the government side of the story. The other challenge was creating a compelling narrative so audiences would sit through an hour documentary on the life of a little-known figure. But Reid feels that Greene’s life story is compelling enough for two films.

According to Reid, “Kill the Irishman” chronicles the rise and fall of Greene, who muscled in on the Italian mob in 1970s Cleveland and set off a turf war that ravaged the streets of Cleveland and led to the collapse of the Mafia in a number of U.S. cities, including Kansas City, St. Louis, Detroit and Los Angeles.

Greene, a former Marine, rose to prominence in the early 1960s in the International Longshoreman’s Association. Kicked out for embezzling union funds, he soon became a henchman for mobsters like Alex “Shondor” Birns, who had his own rap sheet of extortion, murder and more. After a money dispute, Birns reportedly put a hit on Greene and had a bomb planted in his car, but he discovered it before it took his life. Soon after, Greene, who survived numerous assassination attempts, was suspected of planting a bomb in Birns’ car, killing him. A few years later, Teamster official John Nardi, an associate of Greene’s, was blown up, followed a few months later by Greene, after a dentist appointment in Lyndhurst, Ohio. The Cleveland Mafia, who had conflicts for many years with Greene, was reportedly responsible for the deaths.

“When you hear something about Ohio and Cleveland … why would they have the mafia there?” Reid said. “You find out that Cleveland is such a big hub for the boats coming out of the Great Lakes, down through the distribution centers of the Mississippi and all the way through all the other distribution and out to the west from Ohio … there’s lot of cargo coming off these big ships.”

Reid added, “It’s not just Cleveland. It’s Youngstown, Toledo, which leads you into Detroit. Those four cities, that’s a wide area of mafia. That’s equivalent of what you would think of the New York crime families, all the families that had their hands into organized crime. Cleveland was an area that never really got as much exposure as the eastern cities did, Boston and New York.”

With his vast criminal past, Reid said one thing he was surprised about when it came to the contradictory life of Greene was this almost Robin Hood-type figure and how much he “would extract just to give back.”

“He would take the money he would make ... and he would give it out to his neighborhood,” Reid said. “He would pay for kid’s braces that needed dental work. He would buy groceries for struggling families that couldn’t put food on the table.”

Thanks to Michael Hixon

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Las Vegas Mobster Presentation at the Far West Popular Culture and American Culture Association Annual Conference

Organized crime and Las Vegas have a long, complex history that is well-known. But the extent of the mob’s actual involvement in the conception and development of the city is debatable.

This month, a professor and a graduate of Missouri University of Science and Technology will present their research on the subject at a popular culture conference that just happens to take place in “Sin City” itself.

Dr. Larry Gragg, chair and Curators’ Teaching Professor of history and political science at Missouri S&T, and Amanda Kamps, a 2009 history graduate of the university, will present papers at the Far West Popular Culture and American Culture Associations’ annual conference, which will be held from Friday, March 12, to Sunday, March 14, in Las Vegas.

“This will be our first opportunity to present at a popular culture conference,” says Gragg. “Our papers are certainly relevant to the conference’s location.”

Kamps is looking forward to the conference. “I have spent the last two years writing about mobsters in Las Vegas,” she says. “This will be my first chance to actually visit ‘Sin City’ and see the places I’ve detailed in my work.”

Gragg has had a longtime interest in the connections between organized crime and Las Vegas. “My paper, ‘Film Depictions of Organized Crime in Las Vegas,’ deals with the ways motion pictures contributed to the general beliefs Americans had about the mob’s role in the development of Las Vegas after World War II,” he says. He is also writing a book on the subject.

Kamps’ paper, “Exploiting Stereotypes: Benjamin Siegel’s Reliance Upon Reputation in Las Vegas,” focuses on the notorious mobster, Benjamin “Bugsy” Siegel.

“Amanda’s paper highlights the ways that Siegel was able to use his various personae to open his Flamingo Hotel and Casino in 1946-1947,” says Gragg.

Kamps says her study of Siegel offers a great insight into the interactions between the community of Las Vegas and the mobsters who descended upon the frontier town. “My paper focuses on Siegel’s use of his reputation as a brutal killer to accomplish his business goals,” she says. “This not only demonstrates Bugsy’s own deviousness, but also sheds light on how the perception of mobsters was perpetuated.”

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Top 10 Courtroom Movies of All Time

Courtroom movies hold a special ability to provide mystery, suspense, and a good story that almost always reaches a neatly packaged conclusion, making this genre of movies appealing to a wide variety of audiences. Check out these movie recaps (including plot spoilers!) that span the entire 20th century, with black and white dramas, more modern dramas, and even a comedy and a documentary in the list. While it might not substitute for your training to become a court reporter, it certainly can’t hurt to spend some time watching these courtroom movies to understand the history and popular culture surrounding your chosen field of study.

1. The Paradine Case (1947). Alfred Hitchcock directed this film that stars Gregory Peck as a barrister hired to defend Mrs. Paradine when she is accused of killing her wealthy, older husband. The barrister, happily married, begins to fall for the alluring Mrs. Paradine as he gets deeper into the case. The trial focuses on whether Mrs. Paradine or Mr. Paradine’s valet killed the man. During a particularly rough line of questioning by the barrister, the valet confesses to an affair with Mrs. Paradine. He leaves the courtroom and later kills himself. Upon learning of the death, Mrs. Paradine confesses to killing her husband, her love for the valet, and her hatred for the barrister, who she feels killed her lover. The barrister must then come to terms with how he handled the case and himself.
2. 12 Angry Men (1957). A teenage boy is put on trial for killing his father. When the twelve men on the jury begin deliberation, what initially seemed an easy guilty verdict suddenly becomes much more complex when one juror (played by Henry Fonda) asks the other jurors to look closely at the facts of the trial. What results is a study in humanity as each of the jurors faces his own prejudices, emotions, and histories in a search for the truth.
3. Witness for the Prosecution (1958). This stunning movie was adapted from a play written by the master mystery writer, Agatha Christie. Tyrone Power and Marlene Dietrich play Leonard and Christine Vole. Leonard is accused of killing a rich woman who left him a substantial amount of money. Leonard’s trial is full of twists and turns as his attorney fights to clear his name. When it appears that Christine has set Leonard up for murder and Leonard is cleared, the plot twists again.
4. Judgment at Nuremberg (1961). Based on a real trial that took place in 1947, this powerful movie stars Spencer Tracy as an American judge determined to understand the truth at the heart of the case that has four German judges accused of human atrocities under the Nazi regime. Tracy’s search for the truth reveals heartache and emotional blindness. Eventually the truth is revealed when one of the judges on trial describes the reasons he and so many others followed along with such horrific acts. When this movie was released in 1961, all four judges on whom the movie was based were already released from prison.
5. To Kill a Mockingbird (1962). Based on the novel by Harper Lee, Gregory Peck stars as an attorney in a small southern town who is selected to defend a black man accused of raping a white woman. The story is told through the attorney’s young daughter, Scout. The trial and the events leading up to the trial depict both the rampant racism in the town as well as the beauty of humanity glimpsed between the other. While the trial does not end with justice being served, the movie ends with hope for the future as seen through Scout.
6. The Verdict (1982). Paul Newman plays a lawyer who has turned to alcohol and shunned his career after his attempt to uphold justice was turned against him and he lost his partnership in a successful firm. A friend throws an easy medical malpractice case to him that is sure to settle out of court. When Newman’s character looks over the case, however, he feels it should go to trial. What follows is a study of the lawyer’s rebuilding his life and career in the face of both obstacles and infidelity as he wins the case for the family of a young mother left in a vegetative state.
7. A Few Good Men (1992). Tom Cruise, Jack Nicholson, and Demi Moore star in this movie directed by Rob Reiner. Cruise plays an inexperienced lawyer for the Marines who defends two Marines accused of murdering a fellow Marine. The court case uncovers intense hazing that occurred under orders of the commanding officer and pits the green lawyer against a seasoned Colonel who verbally spar over what it means to have honor and to be a Marine. The lawyer wins the case, but the two he was defending are dishonorably discharged.
8. My Cousin Vinny (1992). In a genre heavy with drama, this movie stands out as being both an excellent courtroom movie that is also a comedy. When two young men are accused of a murder they did not commit as they were passing through a small southern town, they hire the only lawyer they know and can afford–a cousin from Brooklyn who has only been a lawyer for a few weeks. The neophyte lawyer with his Brooklyn ways learns important lessons in courtroom etiquette as he bumbles his way through in a veteran judge’s well-oiled courtroom, culminating in the acquittal of the two young men.
9. Philadelphia (1993). Based on a true story of the first AIDS discrimination case taken to court, Tom Hanks and Denzel Washington star in this movie that tells the story of an important lawyer at the largest law firm in Philadelphia who is fired from his position when it is discovered that he has AIDS. When the lawyer can find no one to represent him against the firm, he begins preparation to defend himself. A homophobic lawyer steps up to take the case and the two men take on and win the discrimination suit.
10. Paradise Lost: The Child Murders at Robin Hood Hills (1996). The only documentary in this list, this movie details the trial of three teenage boys in Arkansas who are accused of killing three 8 year-olds. With real courtroom footage and interviews with suspects and others involved in the case, this movie documents a trial that even after its conclusion left many wondering about the effectiveness of the judicial system.

Thanks to Court Reporter Schools

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