Friends of mine: Louis Eppolito, Stephen Caracappa
The Mafia Cops corruption case swerved yet again into the unforeseen — and the astonishing — as a federal judge angrily exonerated one defense lawyer of professional neglect even as he briefly threatened to arrest another for his absence from court.
The first decision by the judge, Jack B. Weinstein, effectively put to rest charges that the first lawyer, Bruce Cutler, had bungled the defense of his former client, Louis Eppolito, a retired New York detective. In April, only days after a jury found him guilty of at least eight murders for the mob, Mr. Eppolito accused Mr. Cutler of botching the job and subpoenaed him to appear in court in his own defense.
Mr. Cutler did just that, taking questions from Joseph Bondy, his old client's new lawyer, on everything from his courtroom style (the words "eviscerate" and "pulverize" came up) to his decision not to let his former client testify. If Mr. Eppolito had testified, the prosecution would have buried him in evidence, Mr. Cutler said. He added that he would have gone so far as to tackle Mr. Eppolito — no mean feat for a man with a 54-inch chest — rather than to let him take the stand.
Nonetheless, after two hours of intense interrogation, Judge Weinstein cut the hearing short, ruling that Mr. Cutler had not only put on a "professional" defense but that Mr. Eppolito's "immorality and lack of credibility" had led him "to ignore his testimony on any point." The immediate result of this was that Mr. Cutler — surprised but apparently much relieved — got to go home, more or less unscathed, on what could have been a brutal day in Federal District Court in Brooklyn.
Momentum for the hearing had been rising since the day that Mr. Eppolito told the press that Mr. Cutler had "abandoned" him and filed a motion for a new trial. Beyond a glance into Mr. Cutler's methods ("After the government's case is eviscerated," he explained, "I sum up and then I win"), the hearing was rather tame. Judge Weinstein was unimpressed enough by Mr. Bondy's arguments that he said he saw no need for the government to cross-examine Mr. Cutler — in essence saying that its point (that Mr. Cutler was, in fact, a fine lawyer) had already been made.
Mr. Eppolito, along with his co-defendant, Stephen Caracappa, were trying to prove that they deserved new trials based on the issue of inadequate representation, among others. While Judge Weinstein rejected Mr. Eppolito's motion for a new trial based on the representation grounds, he has not ruled on the former detective's other motions. It was also unclear how today's ruling would affect Mr. Caracappa's case against his defense lawyer, Eddie Hayes.
On Friday, Mr. Eppolito testified for the first time since his case originally went to court. He assaulted Mr. Cutler's reputation, saying that although he had paid the lawyer a $250,000 retainer, Mr. Cutler had never fully explained to him the charges in the case and had refused to work through lunch.
In fact, he said, Mr. Cutler not only refused four times to let him take the stand, he refused to speak with him at all. "Tell him he's annoying me," Mr. Eppolito quoted Mr. Cutler as having told a colleague one day. This was within earshot of the client, who said he had answered, "I'm not deaf."
Mr. Eppolito's testimony made it evident why Mr. Cutler had kept him off the witness stand during the trial. Mr. Eppolito revealed himself to be a man with a tangential relation to reality — who, in one breath, said he wanted to attack a man with a hatchet and in the next proclaimed, "I'm not a violent guy."
In a particularly odd moment, Mr. Eppolito swore — in open court and on penalty of perjury — that he would have no trouble lying, none at all, if he thought it would help his case.
It was perfectly in keeping with the hearing that the chief investigator for the case came around to his adversary's point of view.
"I hate to agree with Cutler," the investigator said, referring to Mr. Eppolito, , "but this guy should be nowhere near the stand."
Thanks to Alan Feuer
Tuesday, June 27, 2006
Mafia Cop Testifies It's True He's a Liar
Friends of ours: Anthony "Gaspipe" Casso, Lucchese Crime Family
Friends of mine: Louis Eppolito, Stephen Caracappa, Burton Kaplan
Mafia cop Louis Eppolito took the witness stand yesterday to get his conviction tossed - and seemed to prove that his lawyers made the right decision by not allowing him to testify during his racketeering trial. Finally getting the chance to speak in his own defense, Eppolito admitted he's a liar, a phony and maybe even a racist.
"You'll tell a lie if it will help you?" Assistant U.S. Attorney Robert Henoch asked.
"Yes, if it will help me get a movie done," replied Eppolito, who launched a fledgling career as an actor and screenwriter after his retirement from the NYPD in 1989.
Eppolito, 57, and his former partner, Stephen Caracappa, 64, were convicted in April of participating in eight gangland murders while on the mob payroll. The former cops are arguing that their trial attorneys - Bruce Cutler, who was paid $250,000 by Eppolito, and Edward Hayes, who pocketed $200,000 from Caracappa - failed to properly defend them.
Eppolito's current defense lawyer, Joseph Bondy, objected yesterday when the prosecutor asked Eppolito about his frequent use of the N-word and his admission that he always washes his hand after shaking a black man's hand. But Federal Judge Jack Weinstein ruled the questions were appropriate. "We're trying to determine if it was desirable to keep this witness off the stand; this is what the jury would have heard," Weinstein pointed out.
Eppolito acknowledged using the N-word and slurs for Asians and Hispanics. But he said he only used them as slang terms - "not to hurt their feelings."
He also insisted he's not violent. But he confirmed an anecdote in his autobiography, "Mafia Cop," in which he described shoving a shotgun into a man's mouth and feeling "this wonderful, heady urge to pull the trigger" as the man soiled his pants.
Eppolito was later asked how he knew mob associate and garment dealer Burton Kaplan, who testified that he had been the go-between for Luchese underboss Anthony (Gaspipe) Casso and the mob cops.
"I bought clothes from him. He's the one guy who would switch the [36-inch] pants with a bigger [54-inch] jacket," the rotund convict explained.
Thanks to John Marzulli
Friends of mine: Louis Eppolito, Stephen Caracappa, Burton Kaplan
Mafia cop Louis Eppolito took the witness stand yesterday to get his conviction tossed - and seemed to prove that his lawyers made the right decision by not allowing him to testify during his racketeering trial. Finally getting the chance to speak in his own defense, Eppolito admitted he's a liar, a phony and maybe even a racist.
"You'll tell a lie if it will help you?" Assistant U.S. Attorney Robert Henoch asked.
"Yes, if it will help me get a movie done," replied Eppolito, who launched a fledgling career as an actor and screenwriter after his retirement from the NYPD in 1989.
Eppolito, 57, and his former partner, Stephen Caracappa, 64, were convicted in April of participating in eight gangland murders while on the mob payroll. The former cops are arguing that their trial attorneys - Bruce Cutler, who was paid $250,000 by Eppolito, and Edward Hayes, who pocketed $200,000 from Caracappa - failed to properly defend them.
Eppolito's current defense lawyer, Joseph Bondy, objected yesterday when the prosecutor asked Eppolito about his frequent use of the N-word and his admission that he always washes his hand after shaking a black man's hand. But Federal Judge Jack Weinstein ruled the questions were appropriate. "We're trying to determine if it was desirable to keep this witness off the stand; this is what the jury would have heard," Weinstein pointed out.
Eppolito acknowledged using the N-word and slurs for Asians and Hispanics. But he said he only used them as slang terms - "not to hurt their feelings."
He also insisted he's not violent. But he confirmed an anecdote in his autobiography, "Mafia Cop," in which he described shoving a shotgun into a man's mouth and feeling "this wonderful, heady urge to pull the trigger" as the man soiled his pants.
Eppolito was later asked how he knew mob associate and garment dealer Burton Kaplan, who testified that he had been the go-between for Luchese underboss Anthony (Gaspipe) Casso and the mob cops.
"I bought clothes from him. He's the one guy who would switch the [36-inch] pants with a bigger [54-inch] jacket," the rotund convict explained.
Thanks to John Marzulli
Monday, June 26, 2006
Yet Another Chapter in the Mafia Cops Case
Friends of mine: Louis Eppolito, Stephen Caracappa
Louis Eppolito, the convicted killer in the Mafia Cops corruption case, has been arguing for weeks that his lawyer failed him by not allowing him to testify at the trial.
Two months after his conviction, Mr. Eppolito got to take the witness stand. But he may have demonstrated that his lawyer had made the correct call. Mr. Eppolito's testimony, the first he had offered in the case, was a hodgepodge of stories, contradictions and excuses. He said, for instance, that his lawyer, Bruce Cutler, had ordered him at least four times not to testify and that, despite the fact he wanted to testify, he never did — because he was afraid of angering the judge.
In a particularly odd moment today, Mr. Eppolito swore — in open court and on penalty of perjury — that he would have no trouble lying, none at all, if he thought it would help his case.
The testimony came at a hearing intended to determine whether Mr. Eppolito and his co-defendant had received inadequate representation from their lawyers, Mr. Cutler and Edward Hayes, and thus deserved a new trial. The lawyers, who had been subpoenaed by their former clients, appeared in court today to address the accusations in their own defense.
If Lewis Carroll had traded in his travels through the looking glass to write about the courts, he might not have dreamed up anything as bizarre as today's hearing.
Everything was backwards. The defendants attacked their former lawyers — men they had once paid money to defend them. The prosecutors defended the defendants' lawyers — men they had repeatedly attacked over the course of the monthlong trial in Federal District Court in Brooklyn. Then again, this was a case in which the unusual became pretty standard.
At the sentencing two weeks ago, not only did a bearded man suddenly jump up to accuse Mr. Eppolito of having wrongly sent him to prison 19 years ago, but a bootleg copy of Mr. Eppolito's screenplay, "I Never Met a Stranger," was circulating quietly in court.
The trial itself included "eight bodies," insult-laden arguments, subpoenaed book deals and a wildly extravagant cast. The characters ranged from an illiterate sixth-grade dropout who kept secret for nearly 20 years that he had buried the body of a murder victim at his business, to a Connecticut accountant who stole $5 million and then made amends to the government by secretly recording everyone from the defendants to exotic dancers at a strip club called the Crazy Horse Too.
From the very moment when, freed on bail last summer, Mr. Eppolito strolled from the courthouse in a guayabera and diamond-patterned lounge pants, then lifted his hem to show reporters the monitoring anklet clamped to his leg, it was clear that the trial would be no ordinary drama. There was testimony about Mr. Eppolito's snake collection and the fact that his headshot — he turned to acting after he retired — had once hung in a Chinese restaurant. In the same vein, the jury learned that Mr. Caracappa had once been working on a deal to sell a George Foreman punching-bag machine and had, at one point, run a background check on his future wife through the police Bureau of Criminal Identification.
Arguments could certainly be made that neither Mr. Hayes nor Mr. Cutler was on his A-game at the monthlong trial in Federal District Court in Brooklyn. Mr. Cutler's defense case took 13 minutes to present (five less than it took to poll the jurors when his client was convicted). Much of the evidence he introduced was done so with non sequiturs: Exhibit W for "waffle," he said. Or Exhibit Z for "zephyr," which he described, to no specific purpose, as "a gentle breeze." But he, at least, showed up. Mr. Hayes, on his own big day, inexplicably left the state. It turned out he had gone to Los Angeles — he had another case — and left the matter of Mr. Caracappa's defense to his law partner, Rae Koshetz.
Thanks to Alan Feuer
Louis Eppolito, the convicted killer in the Mafia Cops corruption case, has been arguing for weeks that his lawyer failed him by not allowing him to testify at the trial.
Two months after his conviction, Mr. Eppolito got to take the witness stand. But he may have demonstrated that his lawyer had made the correct call. Mr. Eppolito's testimony, the first he had offered in the case, was a hodgepodge of stories, contradictions and excuses. He said, for instance, that his lawyer, Bruce Cutler, had ordered him at least four times not to testify and that, despite the fact he wanted to testify, he never did — because he was afraid of angering the judge.
In a particularly odd moment today, Mr. Eppolito swore — in open court and on penalty of perjury — that he would have no trouble lying, none at all, if he thought it would help his case.
The testimony came at a hearing intended to determine whether Mr. Eppolito and his co-defendant had received inadequate representation from their lawyers, Mr. Cutler and Edward Hayes, and thus deserved a new trial. The lawyers, who had been subpoenaed by their former clients, appeared in court today to address the accusations in their own defense.
If Lewis Carroll had traded in his travels through the looking glass to write about the courts, he might not have dreamed up anything as bizarre as today's hearing.
Everything was backwards. The defendants attacked their former lawyers — men they had once paid money to defend them. The prosecutors defended the defendants' lawyers — men they had repeatedly attacked over the course of the monthlong trial in Federal District Court in Brooklyn. Then again, this was a case in which the unusual became pretty standard.
At the sentencing two weeks ago, not only did a bearded man suddenly jump up to accuse Mr. Eppolito of having wrongly sent him to prison 19 years ago, but a bootleg copy of Mr. Eppolito's screenplay, "I Never Met a Stranger," was circulating quietly in court.
The trial itself included "eight bodies," insult-laden arguments, subpoenaed book deals and a wildly extravagant cast. The characters ranged from an illiterate sixth-grade dropout who kept secret for nearly 20 years that he had buried the body of a murder victim at his business, to a Connecticut accountant who stole $5 million and then made amends to the government by secretly recording everyone from the defendants to exotic dancers at a strip club called the Crazy Horse Too.
From the very moment when, freed on bail last summer, Mr. Eppolito strolled from the courthouse in a guayabera and diamond-patterned lounge pants, then lifted his hem to show reporters the monitoring anklet clamped to his leg, it was clear that the trial would be no ordinary drama. There was testimony about Mr. Eppolito's snake collection and the fact that his headshot — he turned to acting after he retired — had once hung in a Chinese restaurant. In the same vein, the jury learned that Mr. Caracappa had once been working on a deal to sell a George Foreman punching-bag machine and had, at one point, run a background check on his future wife through the police Bureau of Criminal Identification.
Arguments could certainly be made that neither Mr. Hayes nor Mr. Cutler was on his A-game at the monthlong trial in Federal District Court in Brooklyn. Mr. Cutler's defense case took 13 minutes to present (five less than it took to poll the jurors when his client was convicted). Much of the evidence he introduced was done so with non sequiturs: Exhibit W for "waffle," he said. Or Exhibit Z for "zephyr," which he described, to no specific purpose, as "a gentle breeze." But he, at least, showed up. Mr. Hayes, on his own big day, inexplicably left the state. It turned out he had gone to Los Angeles — he had another case — and left the matter of Mr. Caracappa's defense to his law partner, Rae Koshetz.
Thanks to Alan Feuer
Sunday, June 25, 2006
Be A "Made Man" This September
Friends of ours: Bonnano Crime Family, Bill Bonnano
Mastertronic today donned its finest Italian suit and tightest leather gloves as it confirmed the release of Made Man, a Mafia action game epic from Manchester-based Silverback Studios, for PS2 and PC in September.
Prepare to get 'made' in the most compelling and thrilling mafia experience you've ever seen. Work up the ranks of The Mob, from opportunist G.I. fighting in Vietnam, to 'wise guy' on the make, doing deeds and winning favour from the Don in New York City.
Your mission is to be 'made' – that is, being firmly accepted into the fold of the Mafia elite. But what dirty deeds must you perform to get there? What will you have to sacrifice, and who might double cross you, on the way?
Made Man is a story of friendship, betrayal and greed told in seventeen action-packed chapters that span three decades, from the blood-soaked jungles of '60s Vietnam to the grime and high-rise hell of '70s and '80s New York City. The game has been created in conjunction with genuine Mafia insiders; New York Times best selling author David Fisher and Bill Bonnano, former high ranking member of the infamous Bonnano crime family. Such valuable insights ensure that Made Man's atmosphere, characters, style and violence are all as authentic as possible to real life.
"Made Man indoctrinates you into the family of the modern Mafia and lets you live the power, corruption and violence during the '60s, '70s and '80s," commented Andy Payne, Managing Director of Mastertronic. "Working closely with David Fisher and Bill Bonnano has resulted in a Pulp noire-style plot for the game rivalled only by Oscar-winning big screen epics. With Made Man, we're doing to the Mafia videogames genre what The Godfather did to Mafia movies."
"This is about as close to really being in the mob as a game can be. You turn your back on the wrong person, that's it, game over," continued Bill Bonnano, real life Made Man and former member of the Bonnano crime family. "I have worked with author David Fisher to make sure every level, every scene, every detail, actually represents the inner workings of organised crime. No question about it this is as real as it gets."
Players assume the role of Joey Verola and play through the key events in his life of crime. Along the way players will experience many innovative gameplay features, including:
Jump to cover – Avoid a hail of bullets by using the jump to cover technique, which launches Joey in the direction of the nearest safe spot. From there, Joey can sidle along and around the cover spot as well as fire over or around it before ducking back into safety. Joey can also create his own cover spots by strategically blasting away at the game's destructible scenery.
Picture-in-picture (PIP) – Remotely view the action at key locations away from Joey's immediate environment by taking advantage of the picture-in-picture views. PIP allows players to memorise the locations of sentries and important items, as well as heightening Made Man's movie-like dramatic style.
Dual weapons and melee combat – Joey can wield two firing weapons simultaneously for double the carnage! Melee weapons are also available for brutal bar room-style brawling and hand-to-hand combat using anything from chair legs, crowbars and knives to inflict the most damage.
Missile combat – Joey can throw all manner of explosive missiles including grenades, Molotov cocktails and pipe bombs for maximum firepower. Missiles may also be used in stealthier stand-offs, in the form of empty drinks cans and rocks that can be used to distract and stun the enemy.
Proprietary physics system – Silverback's proprietary physics and 'rag doll' system is designed from the ground up to feature rich and dynamic environments that allow the player to destroy surroundings and enemies with realistic and spectacular results.
In addition to the key features above, Made Man also features a comprehensive reward system. As Joey fights he will be rewarded for performing various types of hits and kills. As Joey amasses these rewards he increases the effectiveness of his abilities and also gains new skills. Beware of hitting innocent civilians however, as doing so will actually punish the player by reducing accumulated points and, if too many innocents are targeted, Joey's speed, reload time and accuracy are all negatively affected.
Made Man is being developed by Manchester-based Silverback Studios and will be published by Mastertronic for PlayStation 2 and PC in September at full price.
Sign up for a life of crime.
Thanks to XGP Gaming.
Mastertronic today donned its finest Italian suit and tightest leather gloves as it confirmed the release of Made Man, a Mafia action game epic from Manchester-based Silverback Studios, for PS2 and PC in September.
Prepare to get 'made' in the most compelling and thrilling mafia experience you've ever seen. Work up the ranks of The Mob, from opportunist G.I. fighting in Vietnam, to 'wise guy' on the make, doing deeds and winning favour from the Don in New York City.
Your mission is to be 'made' – that is, being firmly accepted into the fold of the Mafia elite. But what dirty deeds must you perform to get there? What will you have to sacrifice, and who might double cross you, on the way?
Made Man is a story of friendship, betrayal and greed told in seventeen action-packed chapters that span three decades, from the blood-soaked jungles of '60s Vietnam to the grime and high-rise hell of '70s and '80s New York City. The game has been created in conjunction with genuine Mafia insiders; New York Times best selling author David Fisher and Bill Bonnano, former high ranking member of the infamous Bonnano crime family. Such valuable insights ensure that Made Man's atmosphere, characters, style and violence are all as authentic as possible to real life.
"Made Man indoctrinates you into the family of the modern Mafia and lets you live the power, corruption and violence during the '60s, '70s and '80s," commented Andy Payne, Managing Director of Mastertronic. "Working closely with David Fisher and Bill Bonnano has resulted in a Pulp noire-style plot for the game rivalled only by Oscar-winning big screen epics. With Made Man, we're doing to the Mafia videogames genre what The Godfather did to Mafia movies."
"This is about as close to really being in the mob as a game can be. You turn your back on the wrong person, that's it, game over," continued Bill Bonnano, real life Made Man and former member of the Bonnano crime family. "I have worked with author David Fisher to make sure every level, every scene, every detail, actually represents the inner workings of organised crime. No question about it this is as real as it gets."
Players assume the role of Joey Verola and play through the key events in his life of crime. Along the way players will experience many innovative gameplay features, including:
Jump to cover – Avoid a hail of bullets by using the jump to cover technique, which launches Joey in the direction of the nearest safe spot. From there, Joey can sidle along and around the cover spot as well as fire over or around it before ducking back into safety. Joey can also create his own cover spots by strategically blasting away at the game's destructible scenery.
Picture-in-picture (PIP) – Remotely view the action at key locations away from Joey's immediate environment by taking advantage of the picture-in-picture views. PIP allows players to memorise the locations of sentries and important items, as well as heightening Made Man's movie-like dramatic style.
Dual weapons and melee combat – Joey can wield two firing weapons simultaneously for double the carnage! Melee weapons are also available for brutal bar room-style brawling and hand-to-hand combat using anything from chair legs, crowbars and knives to inflict the most damage.
Missile combat – Joey can throw all manner of explosive missiles including grenades, Molotov cocktails and pipe bombs for maximum firepower. Missiles may also be used in stealthier stand-offs, in the form of empty drinks cans and rocks that can be used to distract and stun the enemy.
Proprietary physics system – Silverback's proprietary physics and 'rag doll' system is designed from the ground up to feature rich and dynamic environments that allow the player to destroy surroundings and enemies with realistic and spectacular results.
In addition to the key features above, Made Man also features a comprehensive reward system. As Joey fights he will be rewarded for performing various types of hits and kills. As Joey amasses these rewards he increases the effectiveness of his abilities and also gains new skills. Beware of hitting innocent civilians however, as doing so will actually punish the player by reducing accumulated points and, if too many innocents are targeted, Joey's speed, reload time and accuracy are all negatively affected.
Made Man is being developed by Manchester-based Silverback Studios and will be published by Mastertronic for PlayStation 2 and PC in September at full price.
Sign up for a life of crime.
Thanks to XGP Gaming.
Putting the Muscle on the Sopranos
Friends of ours: Soprano Crime Family
James Gandolfini, star of HBO's mob drama "The Sopranos," is muscling into a salary dispute between two of his castmates and the cable network before production begins on the show's last batch of episodes.
Gandolfini, whose own bitter contract squabble with HBO three years ago escalated into a court battle before it was settled, is hosting a sit-down this weekend with co-stars Steven Van Zandt and Tony Sirico, according to sources.
With less than two weeks until the scheduled production start of the show's last eight episodes, Gandolfini is said to be looking to intervene in the network's standoff with Van Zandt and Sirico over their demands for higher pay.
Only a handful of "Sopranos" actors -- including Emmy winners Gandolfini, Edie Falco, Michael Imperioli and Vincent Curatola -- have closed deals to appear in the final installments of the HBO gangster drama.
Following the network's decision in the summer to extend the sixth season of "Sopranos" from 13 to 20 episodes -- 12 to air this year and eight in 2007 -- the cast of the Emmy-winning series began negotiations for substantial salary increases for the final batch of episodes.
With the first table read scheduled for July 5, several key cast members, including Lorraine Bracco, Jamie-Lynn Sigler, Steven Schirripa and John Ventimiglia, have not signed on the dotted line to continue. But it has been Sirico and Van Zandt, who play iconic characters Paulie Walnuts and Silvio Dante, respectively, who have had the toughest and most publicized renegotiations.
With each of the two actors and HBO still more than $500,000 apart on the money, and Sirico and Van Zandt not budging on their $200,000-an-episode asking price -- more than double their most recent fee -- a conclusion of the groundbreaking series without Paulie and Silvio looms as a real possibility.
Talks between the actors and HBO are still ongoing.
"HBO has made generous offers to the cast, and, as always, we're confident that we will resolve all of these matters amicably," an HBO spokesperson said.
Bob McGowan of McGowan Management, who manages Sirico and Van Zandt, declined comment Wednesday.
James Gandolfini, star of HBO's mob drama "The Sopranos," is muscling into a salary dispute between two of his castmates and the cable network before production begins on the show's last batch of episodes.
Gandolfini, whose own bitter contract squabble with HBO three years ago escalated into a court battle before it was settled, is hosting a sit-down this weekend with co-stars Steven Van Zandt and Tony Sirico, according to sources.
With less than two weeks until the scheduled production start of the show's last eight episodes, Gandolfini is said to be looking to intervene in the network's standoff with Van Zandt and Sirico over their demands for higher pay.
Only a handful of "Sopranos" actors -- including Emmy winners Gandolfini, Edie Falco, Michael Imperioli and Vincent Curatola -- have closed deals to appear in the final installments of the HBO gangster drama.
Following the network's decision in the summer to extend the sixth season of "Sopranos" from 13 to 20 episodes -- 12 to air this year and eight in 2007 -- the cast of the Emmy-winning series began negotiations for substantial salary increases for the final batch of episodes.
With the first table read scheduled for July 5, several key cast members, including Lorraine Bracco, Jamie-Lynn Sigler, Steven Schirripa and John Ventimiglia, have not signed on the dotted line to continue. But it has been Sirico and Van Zandt, who play iconic characters Paulie Walnuts and Silvio Dante, respectively, who have had the toughest and most publicized renegotiations.
With each of the two actors and HBO still more than $500,000 apart on the money, and Sirico and Van Zandt not budging on their $200,000-an-episode asking price -- more than double their most recent fee -- a conclusion of the groundbreaking series without Paulie and Silvio looms as a real possibility.
Talks between the actors and HBO are still ongoing.
"HBO has made generous offers to the cast, and, as always, we're confident that we will resolve all of these matters amicably," an HBO spokesperson said.
Bob McGowan of McGowan Management, who manages Sirico and Van Zandt, declined comment Wednesday.
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